Fix #563 : the font menu's live preview no longer flickers

Hovering a family in a font menu previews it on the selected text. The menu took its caller's font as the current family, and the caller reads it from the text, which the preview had just changed: the next frame the hovered family looked like the current one, so the menu ended the preview, and the frame after it previewed the family again. The text switched fonts every frame (and the document's revision ran up with it). The menu now keeps the family the text had as it opened as the current one: a preview stays on the text until another row is hovered, the current family is hovered again, or the menu closes. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Merge pull request: land #558 (fix #550 )
2026-10-09 02:20:21 +07:00 · 2026-10-09 01:50:20 +07:00 · 2026-10-09 01:45:04 +07:00 · 2026-10-09 01:42:04 +07:00 · 2026-10-09 01:38:38 +07:00 · 2026-10-09 01:35:31 +07:00
17 changed files with 453 additions and 61 deletions
@@ -4,7 +4,7 @@ VectorCraft is a clean-room, open-source, pure-Rust reimplementation of the Adob

 This file tracks **how far we are and what's left**. Time estimates are wall-clock hours of continuous Claude Opus 5.5 agent work (including builds and the CI gate), given both for **one agent** and for **4–6 parallel agents** on disjoint crates. They are counted from the remaining work (see [Parity estimate](#parity-estimate)), calibrated against measured throughput, and updated as work lands.

-_Last updated: 2026-10-09 (after M4.14–M4.98, M8.1–M8.20, M14.4–M14.7, the MCP prompts, resource templates, completions and logging, the 2026-10-07 issue fixes, the Layers panel rework and the 2026-10-08 community contributions: Pen and shape-tool modifiers, path editing, Layers, Artboards, Swatches/Brushes and dialogs, Japanese composition and PDF text, Hebrew/Arabic type, interface languages (Spanish among them), the font menu, saved selections, MCP and EPS, the missing-font export warning (#319), open paths in the Shape Builder (#374), PDF/`.ai` import keeping strokes live and hidden and nested layers (#372), per-corner Live Corners (#381), SVG type opening at the size it draws at (#396), the Wayland clipboard with copied-file paste (#398), ruler guides that can be selected, moved and deleted (#414), two batches of Preferences options that were stored but unused (#394), skeleton reads with `document.find` for large documents over MCP (#416) and anchors dragged with Direct Selection snapping to points, segments and smart guides, clipped SVG layers opening as clipping layers (#420), PDF/`.ai` layers read on pages of tens of millions of operators (#419), Document Color Mode putting RGB greys on the black plate on request and converting pattern tiles (#421) and movable dialogs with Offset Path's Joins dropdown (#423) and numeric fields scrubbed by dragging their label (#400), stroke weight presets in the stroke unit (#426), the Appearance panel's Opacity popup (#430), type on a path brackets, flip and Type on a Path Options that keep the type in place (#429), Layers rows dragged with a ghost and dropped on the trash or New Layer (#435), tool flyouts opening on a right or corner press (#436), tool flyouts torn off into floating toolbars (#437), the Shape Builder's erase mode deleting edges too (#439), installed fonts registered outside the font folders and fonts installed while the app runs listed in the font menus (#443), alike circular corners on rectangles that aren't square (#442), tool cursors as OS cursors so the pointer no longer trails over the canvas (#444), artboards copied and pasted with their art (#446), guides dragged out of the rulers snapping to the art's side midpoints and the artboards, artboard guides (#451), the toolbar's double arrow and Window › Toolbars › Double Column switching between one and two columns in any window height (#455), the Smart Guides display options and Snapping Tolerance (#394), Font Size and Leading combo boxes with preset lists in the Character and Properties panels and the Control bar (#458), screenshots pasted from the clipboard on macOS, Windows and the web (#457), the Properties panel's Fill and Stroke matching the Control bar's, Illustrator's Window menu panel keys (Shift+F7 for Align…) and Alt-wheel zoom whatever the wheel preference (Discord feedback), the point/area type widget (Discord feedback), groups in legacy Illustrator .ai files (Discord feedback), a rotating desktop log file (#465), image controls in the Control bar and Properties panel: Image Trace with its presets, Mask, Crop Image, Embed/Unembed, and an Image Trace object's preset, Expand and Release (Discord feedback), the Pen working as the Anchor Point tool with Alt held over a selected path's handles and anchors, and anchor buttons that convert, connect and cut paths at the selected anchors (Discord feedback), Japanese hanging punctuation (burasagari, #463), Escape leaving Presentation Mode with no screen mode saved across restarts, documents dropped on the desktop app opening as tabs of their own and a note that an `.ai` file's art off its artboards isn't in the part read (#472), Add/Delete Anchor Point tool icons drawn from the Pen tool's (#479), EPS import running more of PostScript Level 3 (patterns, Type 3 fonts, mesh shadings, masked images, VM and resource probes), and a preview that stands in saying why (Discord feedback, #466, #469, #474), chords with modifiers recorded in Edit › Keyboard Shortcuts (#487), Type Object Selection by Path Only (#394), Anti-aliased Artwork (#394), Show Pixel Grid (#394), pen and touch taps pressed and lifted within one frame clicking where they tapped and the Linux/Wayland pen-tablet workaround (#491), bounding-box resizes landing on the other objects' anchors and centres with labels, and the Rotate, Scale, Shear and Reflect tools snapping their drags (#482), Shift-drag marquees that toggle the objects or anchors they reach and a Lasso whose Alt subtraction keeps the rest of the selection (#483), the mouse wheel stepping the focused numeric field, the dialogs' and preferences' drag values made such fields (#485), Show The Home Screen When No Documents Are Open (#394), Numbers Without Units Are Points (#394), Auto-Collapse Iconic Panels (#394), the Contextual Task Bar moved by its handle and its More Options menu pinning and resetting its position, a designed macOS DMG window (#493), panels, panel groups and the Tools panel undocking into flLine truncated
+_Last updated: 2026-10-09 (after M4.14–M4.98, M8.1–M8.20, M14.4–M14.7, the MCP prompts, resource templates, completions and logging, the 2026-10-07 issue fixes, the Layers panel rework and the 2026-10-08 community contributions: Pen and shape-tool modifiers, path editing, Layers, Artboards, Swatches/Brushes and dialogs, Japanese composition and PDF text, Hebrew/Arabic type, interface languages (Spanish among them), the font menu, saved selections, MCP and EPS, the missing-font export warning (#319), open paths in the Shape Builder (#374), PDF/`.ai` import keeping strokes live and hidden and nested layers (#372), per-corner Live Corners (#381), SVG type opening at the size it draws at (#396), the Wayland clipboard with copied-file paste (#398), ruler guides that can be selected, moved and deleted (#414), two batches of Preferences options that were stored but unused (#394), skeleton reads with `document.find` for large documents over MCP (#416) and anchors dragged with Direct Selection snapping to points, segments and smart guides, clipped SVG layers opening as clipping layers (#420), PDF/`.ai` layers read on pages of tens of millions of operators (#419), Document Color Mode putting RGB greys on the black plate on request and converting pattern tiles (#421) and movable dialogs with Offset Path's Joins dropdown (#423) and numeric fields scrubbed by dragging their label (#400), stroke weight presets in the stroke unit (#426), the Appearance panel's Opacity popup (#430), type on a path brackets, flip and Type on a Path Options that keep the type in place (#429), Layers rows dragged with a ghost and dropped on the trash or New Layer (#435), tool flyouts opening on a right or corner press (#436), tool flyouts torn off into floating toolbars (#437), the Shape Builder's erase mode deleting edges too (#439), installed fonts registered outside the font folders and fonts installed while the app runs listed in the font menus (#443), alike circular corners on rectangles that aren't square (#442), tool cursors as OS cursors so the pointer no longer trails over the canvas (#444), artboards copied and pasted with their art (#446), guides dragged out of the rulers snapping to the art's side midpoints and the artboards, artboard guides (#451), the toolbar's double arrow and Window › Toolbars › Double Column switching between one and two columns in any window height (#455), the Smart Guides display options and Snapping Tolerance (#394), Font Size and Leading combo boxes with preset lists in the Character and Properties panels and the Control bar (#458), screenshots pasted from the clipboard on macOS, Windows and the web (#457), the Properties panel's Fill and Stroke matching the Control bar's, Illustrator's Window menu panel keys (Shift+F7 for Align…) and Alt-wheel zoom whatever the wheel preference (Discord feedback), the point/area type widget (Discord feedback), groups in legacy Illustrator .ai files (Discord feedback), a rotating desktop log file (#465), image controls in the Control bar and Properties panel: Image Trace with its presets, Mask, Crop Image, Embed/Unembed, and an Image Trace object's preset, Expand and Release (Discord feedback), the Pen working as the Anchor Point tool with Alt held over a selected path's handles and anchors, and anchor buttons that convert, connect and cut paths at the selected anchors (Discord feedback), Japanese hanging punctuation (burasagari, #463), Escape leaving Presentation Mode with no screen mode saved across restarts, documents dropped on the desktop app opening as tabs of their own and a note that an `.ai` file's art off its artboards isn't in the part read (#472), Add/Delete Anchor Point tool icons drawn from the Pen tool's (#479), EPS import running more of PostScript Level 3 (patterns, Type 3 fonts, mesh shadings, masked images, VM and resource probes), and a preview that stands in saying why (Discord feedback, #466, #469, #474), chords with modifiers recorded in Edit › Keyboard Shortcuts (#487), Type Object Selection by Path Only (#394), Anti-aliased Artwork (#394), Show Pixel Grid (#394), pen and touch taps pressed and lifted within one frame clicking where they tapped and the Linux/Wayland pen-tablet workaround (#491), bounding-box resizes landing on the other objects' anchors and centres with labels, and the Rotate, Scale, Shear and Reflect tools snapping their drags (#482), Shift-drag marquees that toggle the objects or anchors they reach and a Lasso whose Alt subtraction keeps the rest of the selection (#483), the mouse wheel stepping the focused numeric field, the dialogs' and preferences' drag values made such fields (#485), Show The Home Screen When No Documents Are Open (#394), Numbers Without Units Are Points (#394), Auto-Collapse Iconic Panels (#394), the Contextual Task Bar moved by its handle and its More Options menu pinning and resetting its position, a designed macOS DMG window (#493), panels, panel groups and the Tools panel undocking into flLine truncated

 ## Where we are

@@ -141,7 +141,7 @@ grade by behaviour against `plan/illustrator/`, not by whether a menu item exist
 - **Type:** Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), Area Type Options (rows/columns/inset/first baseline), threaded text across any closed shapes, Fit Headline. Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458).
 - **Interface languages, vertical type:** VectorCraft ▸ Language (or Preferences ▸ User Interface) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, Spanish (neutral international Spanish, for every `es-*` locale) and Italian (every `it-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); Spanish and Italian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, Spanish and Italian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku (the strict set) applies to horizontal and vertical Japanese, and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a wrapped line flush with its start, and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline or the em box top/right, centre or bottom/left (ICF top and bottom not yet); Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
 - **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks.
- **Advanced art:** live Blends (steps/distance/smooth colour, editable spine, anchor-targeted Blend tool, faithful interpolation, knockout), Envelope Distort (warp/mesh/top object, Reset, full Envelope Options, mesh handles, Edit Contents; type, images, symbols, gradients, patterns and appearance distorted everywhere), Liquify tools with options and pen pressure, Puppet Warp with rotating pins, Perspective Grid with presets, movable planes and projected type (choosing a perspective tool shows the grid; Hide Grid hides it with the tool still chosen), Gradient Mesh, Shape Builder (stroke-only open paths and lines cut the regions they cross and enclose regions of their own; filled open paths count as closed; erase mode while Alt/Option is held: a minus pointer, red highlights of what will go, a click or drag deletes the regions touched, the pieces of open lines and the edges (outline pieces between the points where paths meet, opening their paths there) it passes over, one undo step, `shapeBuilder.merge {erase}` and `shapeBuilder.regions` edges over MCP), Live Paint (every path an edge, open lines included), Image Trace (12 presets; Object › Image Trace › Make and Make and Expand trace at once with the Default preset, #543; with an image selected the Control bar and the Properties panel show Image Trace, whose arrow traces with any preset, Mask (`object.maskImage`: a clipping path on the image's outline, selected so its handles crop), Crop Image and Embed or Unembed in place of Fill and Stroke; with an Image Trace object selected, its Preset (choosing another traces again), the Image Trace panel and Expand, plus Release in Properties; the View modes are not done), pattern swatches with pattern editing mode, live Repeat (radial/grid/mirror).
+- **Advanced art:** live Blends (steps/distance/smooth colour, editable spine, anchor-targeted Blend tool, faithful interpolation, knockout), Envelope Distort (warp/mesh/top object, Reset, full Envelope Options, mesh handles, Edit Contents; type, images, symbols, gradients, patterns and appearance distorted everywhere), Liquify tools with options and pen pressure, Puppet Warp with rotating pins, Perspective Grid with presets, movable planes and projected type (choosing a perspective tool shows the grid; Hide Grid hides it with the tool still chosen), Gradient Mesh, Shape Builder (stroke-only open paths and lines cut the regions they cross and enclose regions of their own; filled open paths count as closed; erase mode while Alt/Option is held: a minus pointer, red highlights of what will go, a click or drag deletes the regions touched, the pieces of open lines and the edges (outline pieces between the points where paths meet, opening their paths there) it passes over, one undo step, `shapeBuilder.merge {erase}` and `shapeBuilder.regions` edges over MCP), Live Paint (every path an edge, open lines included), Image Trace (12 presets, colour layers traced in parallel; a trace past two million anchor points or an image over 64 megapixels is refused with advice rather than running out of memory, and a selection too large to outline shows its bounds (#525); Object › Image Trace › Make and Make and Expand trace at once with the Default preset, #543; with an image selected the Control bar and the Properties panel show Image Trace, whose arrow traces with any preset, Mask (`object.maskImage`: a clipping path on the image's outline, selected so its handles crop), Crop Image and Embed or Unembed in place of Fill and Stroke; with an Image Trace object selected, its Preset (choosing another traces again), the Image Trace panel and Expand, plus Release in Properties; the View modes are not done), pattern swatches with pattern editing mode, live Repeat (radial/grid/mirror).
 - **Paint and appearance (M3):**
  - **Swatches:** names follow the colour model and are unique; Swatch Options (process/spot, Global, Gray/RGB/HSB/CMYK/Web, live preview); editing a global or spot swatch recolours every linked fill, stroke and text run in one undo step; multi-select and delete with confirmation; New Swatch and New Color Group dialogs (a group from the selected artwork's colours); swatches in colour groups convert, separate and count like any other. The Swatches panel selects ranges and whole groups, has a find field, and drags swatches to reorder, regroup or paint art; Add Used Colors, Select All Unused, Merge, Ungroup and Sort by Kind; a CMYK document keeps applied colours in CMYK. Swatch libraries: nine generated colour libraries and five gradient libraries in a library panel, saved and loaded as `.vcswatches`, `.gpl` or CSS. Tints of global and spot colours ("Name 40%") stay linked and separate as a percentage of their plate. Spot colours can be defined in Lab (Spot Colors options). A built-in [Registration] swatch prints on every plate.
  - **Colour:** a Color Picker (colour field, H/S/B/R/G/B channel slider, HSB/RGB/Lab/CMYK fields, hex, web-only snapping, out-of-gamut correction); the Color panel follows each colour's own model and Alt-click paints the other proxy; proxies look through groups and show "?" for mixed paint; Invert, Complement, Apply Last Color (`,`) and Apply Last Gradient (`.`) keep the colour model; every paint command feeds the recent colours. The Color Guide has 21 harmony rules, Steps and Variation options and Limit to Library. Adjust Color Balance (its Global mode shifts tints) and Saturate preview live; Edit Colors and Recolor also reach meshes, images and patterns. Recolor Artwork has colour reduction, five recolour methods, presets, Limit to Library, a colour-wheel Edit tab and Edit Color Group; a local Color Themes panel saves five-colour themes. Fill/Stroke chips open swatch and mixer popovers (the Properties panel has the Control bar's Fill and Stroke chips, Stroke link and weight spinner, with nothing selected too), panels have Illustrator's Window menu keys (Align Shift+F7, Transform Shift+F8, Pathfinder Cmd+Shift+F9, Layers F7, Character Cmd+T…; every panel can be given one in Edit › Keyboard Shortcuts), and Eyedropper Options pick up and apply chosen attributes (Alt and Shift+Alt, image pixels). Fills and strokes can overprint (Attributes panel, Overprint Black options), and CMYK documents blend in inks on screen, in PDF and when flattening. Document Color Mode converts the art, symbols, pattern tiles and swatches through the colour settings: Gray stays Gray, RGB greys separate into four-colour greys and a rich black as Illustrator does, or go on the black plate only with `grays: "black"` (also for `document.open {colorMode}`).
@@ -640,6 +640,11 @@ fn trace_params(p: &Value) -> Result<tr::TraceParams> {
    serde_json::from_value(v).map_err(|e| bad("imageTrace.make", e.to_string()))
 }

+/// The most anchor points an Image Trace may make: a photo traced at high fidelity can make
+/// millions, more than the canvas draws smoothly or a laptop has memory for, so the trace is
+/// refused with advice instead (#525).
+pub const MAX_TRACE_ANCHORS: usize = 2_000_000;
+
 fn trace_make(s: &mut Session, p: &Value, expand: bool) -> Result<Value> {
    const C: &str = "imageTrace.make";
    let params = trace_params(p)?;
@@ -671,7 +676,7 @@ fn trace_make(s: &mut Session, p: &Value, expand: bool) -> Result<Value> {
    };
    let blob = s.doc()?.doc.images.get(&img.key).ok_or_else(|| EngineError::Other(format!("image data `{}` is missing", img.key)))?;
    let raster = tr::Raster::decode(&blob.bytes).map_err(|e| EngineError::Other(e.to_string()))?;
-    let res = tr::trace(&raster, &params);
+    let res = tr::trace_within(&raster, &params, MAX_TRACE_ANCHORS).map_err(|e| EngineError::Other(e.to_string()))?;
    // Pixel space of the decoded raster → the image object's pixel space → document.
    let sx = img.width.max(1) as f64 / raster.width.max(1) as f64;
    let sy = img.height.max(1) as f64 / raster.height.max(1) as f64;
@@ -87,6 +87,26 @@ fn selected_part(n: &Node, keep: &HashSet<NodeId>) -> Option<Node> {
    Some(out)
 }

+/// `doc` with only the art over `rect` (an artboard): objects whose visual bounds miss it are left
+/// out, at any depth of layers and sublayers, and objects that reach it stay whole (the file's
+/// bounds clip them), as DXF's crop leaves them. A clipping layer keeps every object, its clipping
+/// path among them. An artboard's file then holds its own art, not a whole document of artboards.
+pub(super) fn art_over(doc: &Document, rect: vectorcraft_geom::Rect) -> Document {
+    fn kept(n: &Arc<Node>, rect: vectorcraft_geom::Rect) -> Option<Arc<Node>> {
+        if matches!(n.kind, NodeKind::Layer { clip: false, .. }) {
+            let mut layer = Node::clone(n);
+            let children = layer.children_mut()?;
+            *children = children.iter().filter_map(|c| kept(c, rect)).collect();
+            return Some(Arc::new(layer));
+        }
+        let over = |b: vectorcraft_geom::Rect| b.x0 <= rect.x1 && rect.x0 <= b.x1 && b.y0 <= rect.y1 && rect.y0 <= b.y1;
+        n.visual_bounds().is_none_or(over).then(|| n.clone())
+    }
+    let mut d = doc.clone();
+    d.layers = doc.layers.iter().filter_map(|l| kept(l, rect)).collect();
+    d
+}
+
 /// `p` without its artboard choice, also inside its SVG options (for documents made of one
 /// synthetic artboard, and for callers that pick the artboard themselves).
 pub(super) fn without_artboards(p: &Value) -> Value {
@@ -19,7 +19,7 @@ pub const OPTIONS: &[FormatOption] = &[
        name: "useArtboards",
        ty: "boolean",
        default: "true",
-        description: "false: one SVG of the bounds of all art instead of artboards (several artboards write one file each)",
+        description: "false: one SVG of the bounds of all art instead of artboards (several artboards write one file each; a named artboard's file holds only the art over it)",
    },
    FormatOption {
        name: "styling",
@@ -125,8 +125,10 @@ pub fn options_map(p: &Value) -> Result<Map<String, Value>, String> {
    Ok(m)
 }

-/// The writer options and the artboards (`None`: the art bounds) an SVG export of `doc` covers.
-fn plan(doc: &Document, p: &Value) -> Result<(ExportOptions, Vec<Option<usize>>), String> {
+/// The writer options and the artboards (`None`: the art bounds) an SVG export of `doc` covers,
+/// and whether `p` named those artboards (else the first stands for the whole document, as Save
+/// writes it).
+fn plan(doc: &Document, p: &Value) -> Result<(ExportOptions, Vec<Option<usize>>, bool), String> {
    let mut m = options_map(p)?;
    // Fonts: unless chosen, Document Setup → Type → Export decides (appearance = outlines).
    if !m.contains_key("outlineText") && doc.setup.export_text == vectorcraft_doc::ExportText::Appearance {
@@ -138,21 +140,24 @@ fn plan(doc: &Document, p: &Value) -> Result<(ExportOptions, Vec<Option<usize>>)
    opts.check().map_err(|e| format!("SVG options: {e}"))?;
    let n = doc.artboards.len();
    if n == 0 || boards.use_artboards == Some(false) {
-        return Ok((opts, vec![None]));
+        return Ok((opts, vec![None], false));
    }
-    let picked = boards.pick.resolve(n)?.unwrap_or_else(|| vec![0]);
-    Ok((opts, picked.into_iter().map(Some).collect()))
+    let named = boards.pick.resolve(n)?;
+    let chosen = named.is_some();
+    Ok((opts, named.unwrap_or_else(|| vec![0]).into_iter().map(Some).collect(), chosen))
 }

 /// Encode `doc` as SVG (or gzipped, SVGZ): one file per chosen artboard, with the images they
 /// link to and the writer's warnings.
 pub(super) fn encode(doc: &Document, p: &Value, compressed: bool) -> Result<Encoded, String> {
-    let (opts, boards) = plan(doc, p)?;
+    let (opts, boards, chosen) = plan(doc, p)?;
    // Preserve editing embeds the native document (once, shared by every file).
    let native = opts.preserve_editing.then(|| vectorcraft_format::save(doc, false));
    let mut enc = Encoded::default();
    for artboard in boards {
-        let mut out = vectorcraft_svg::export_full(doc, &ExportOptions { artboard, ..opts.clone() }, native.as_deref());
+        // A chosen artboard's file holds the art over it (#550).
+        let over = artboard.filter(|_| chosen).and_then(|b| doc.artboards.get(b)).map(|a| super::export::art_over(doc, a.rect));
+        let mut out = vectorcraft_svg::export_full(over.as_ref().unwrap_or(doc), &ExportOptions { artboard, ..opts.clone() }, native.as_deref());
        let bytes = out.take_bytes();
        for l in out.linked {
            if !enc.linked.iter().any(|e| e.name == l.name) {
@@ -49,3 +49,28 @@ fn profile_and_embedded_fonts_reach_the_writer() {
    assert!(s.execute("document.serialize", &json!({"format": "svg", "svg": {"profile": "svg2"}})).is_err(), "unknown profiles are refused");
    assert!(s.execute("document.serialize", &json!({"format": "svg", "encoding": "ebcdic"})).is_err(), "unknown encodings are refused");
 }
+
+/// #550: an SVG of chosen artboards holds the art over each, not every artboard's art; with no
+/// artboard named (as Save writes it) the whole document's art is there.
+#[test]
+fn a_chosen_artboard_s_svg_holds_only_its_own_art() {
+    let mut s = Session::new();
+    s.execute("file.new", &json!({"width": 100, "height": 100, "artboards": 3})).unwrap();
+    let x = |s: &Session, b: usize| s.doc().unwrap().doc.artboards[b].rect.x0;
+    let (first, third) = (x(&s, 0), x(&s, 2));
+    s.execute("shape.rectangle", &json!({"x": first + 10.0, "y": 10, "width": 30, "height": 30})).unwrap();
+    s.execute("shape.ellipse", &json!({"x": third + 10.0, "y": 10, "width": 30, "height": 30})).unwrap();
+    // A rectangle has straight sides only; the ellipse is curves.
+    let shapes = |svg: &str| (svg.matches("<path").count() + svg.matches("<rect").count(), svg.contains(" C") || svg.contains("<ellipse"));
+    let text = |v: &serde_json::Value| v["text"].as_str().unwrap().to_string();
+    let third_only = text(&s.execute("document.serialize", &json!({"format": "svg", "useArtboards": true, "range": "3"})).unwrap());
+    assert_eq!(shapes(&third_only), (1, true), "{third_only}");
+    let all = s.execute("document.serialize", &json!({"format": "svg", "useArtboards": true, "range": "all"})).unwrap();
+    let files: Vec<String> = all["files"].as_array().unwrap().iter().map(text).collect();
+    assert_eq!(files.iter().map(|f| shapes(f)).collect::<Vec<_>>(), [(1, false), (0, false), (1, true)]);
+    // Export for Screens names one artboard at a time the same way.
+    let screen = text(&s.execute("document.serialize", &json!({"format": "svg", "artboard": 0})).unwrap());
+    assert_eq!(shapes(&screen), (1, false));
+    let whole = text(&s.execute("document.serialize", &json!({"format": "svg"})).unwrap());
+    assert_eq!(shapes(&whole).0, 2, "nothing named: the whole document's art");
+}
@@ -27,6 +27,8 @@ mod fit;
 mod mosaic;
 mod quantize;

+use std::sync::atomic::{AtomicUsize, Ordering};
+
 use serde::{Deserialize, Serialize};
 use vectorcraft_geom::PathData;

@@ -41,8 +43,18 @@ pub enum TraceError {
    Decode(String),
    #[error("image is empty")]
    Empty,
+    #[error("the image is {width} × {height} pixels, more than Image Trace takes ({max} megapixels)")]
+    TooLarge { width: u32, height: u32, max: u64 },
+    #[error(
+        "this trace would make more than {max} anchor points, more than the document can show smoothly: raise Noise, lower Paths or Colors, or pick a lower-fidelity preset"
+    )]
+    TooComplex { max: usize },
 }

+/// The most pixels an image to trace may have (64 megapixels: 256 MB decoded); larger images are
+/// refused instead of running out of memory.
+pub const MAX_PIXELS: u64 = 64 << 20;
+
 /// An RGBA8 raster (row-major, top row first).
 #[derive(Clone, Debug, PartialEq)]
 pub struct Raster {
@@ -67,13 +79,19 @@ impl Raster {
        }
        Self { width, height, rgba }
    }
-    /// Decode PNG / JPEG / WebP / GIF bytes.
+    /// Decode PNG / JPEG / WebP / GIF bytes (at most [`MAX_PIXELS`], checked before decoding).
    pub fn decode(bytes: &[u8]) -> Result<Self, TraceError> {
-        let img = image::load_from_memory(bytes).map_err(|e| TraceError::Decode(e.to_string()))?.to_rgba8();
-        let (w, h) = img.dimensions();
+        let decode_err = |e: image::ImageError| TraceError::Decode(e.to_string());
+        let reader = image::ImageReader::new(std::io::Cursor::new(bytes)).with_guessed_format().map_err(|e| TraceError::Decode(e.to_string()))?;
+        let (w, h) = reader.into_dimensions().map_err(decode_err)?;
        if w == 0 || h == 0 {
            return Err(TraceError::Empty);
        }
+        if u64::from(w) * u64::from(h) > MAX_PIXELS {
+            return Err(TraceError::TooLarge { width: w, height: h, max: MAX_PIXELS >> 20 });
+        }
+        let img = image::load_from_memory(bytes).map_err(decode_err)?.to_rgba8();
+        let (w, h) = img.dimensions();
        Ok(Self { width: w, height: h, rgba: img.into_raw() })
    }
    /// Encode as PNG.
@@ -262,17 +280,25 @@ fn is_white(c: [u8; 3]) -> bool {

 /// Trace `img` with `params`.
 pub fn trace(img: &Raster, params: &TraceParams) -> TraceResult {
+    // No trace has more than `usize::MAX` anchors.
+    trace_within(img, params, usize::MAX).unwrap_or_default()
+}
+
+/// Trace `img` with `params`, giving up with [`TraceError::TooComplex`] once the paths have more
+/// than `max_anchors` anchor points (a photo traced at high fidelity can make millions). The
+/// colour layers are traced in parallel where threads are available.
+pub fn trace_within(img: &Raster, params: &TraceParams, max_anchors: usize) -> Result<TraceResult, TraceError> {
    let (w, h) = (img.width as usize, img.height as usize);
-    if w == 0 || h == 0 {
-        return TraceResult::default();
+    if w == 0 || h == 0 || img.rgba.len() != w * h * 4 {
+        return Ok(TraceResult::default());
    }
    let mut q = quantize(img, params);
    denoise(&mut q.labels, w, h, params.noise as usize);
    // Pixel count per palette entry.
    let mut counts = vec![0usize; q.palette.len()];
    for &l in &q.labels {
-        if l != TRANSPARENT {
-            counts[l as usize] += 1;
+        if let Some(c) = counts.get_mut(l as usize) {
+            *c += 1;
        }
    }
    // Layers bottom → top: largest area first.
@@ -282,46 +308,117 @@ pub fn trace(img: &Raster, params: &TraceParams) -> TraceResult {
    for (r, &i) in order.iter().enumerate() {
        rank[i] = r;
    }
-    let opts = fit::FitOptions {
-        polygon_tol: params.polygon_tolerance(),
-        fit_tol: params.fit_tolerance(),
-        corner_angle: params.corner_angle(),
-        snap_lines: params.snap_curves_to_lines,
+    let layers: Vec<(usize, usize)> =
+        order.iter().copied().enumerate().filter(|&(_, ci)| !(params.ignore_white && is_white(q.palette[ci]))).collect();
+    let job = Layers {
+        q: &q,
+        rank: &rank,
+        params,
+        opts: fit::FitOptions {
+            polygon_tol: params.polygon_tolerance(),
+            fit_tol: params.fit_tolerance(),
+            corner_angle: params.corner_angle(),
+            snap_lines: params.snap_curves_to_lines,
+        },
+        w,
+        h,
+        anchors: AtomicUsize::new(0),
+        max_anchors,
    };
-    let min_hole = params.noise.max(1) as i64;
    let mut out = TraceResult::default();
-    let mut mask = vec![false; w * h];
-    for (r, &ci) in order.iter().enumerate() {
+    for (paths, &(_, ci)) in parallel_map(&layers, |&(r, ci)| job.layer(r, ci)).into_iter().zip(&layers) {
+        out.paths.extend(paths.ok_or(TraceError::TooComplex { max: max_anchors })?);
        let color = q.palette[ci];
-        if params.ignore_white && is_white(color) {
-            continue;
-        }
-        let overlapping = params.method == Method::Overlapping;
-        for (m, &l) in mask.iter_mut().zip(&q.labels) {
-            *m = l != TRANSPARENT && if overlapping { rank[l as usize] >= r } else { l as usize == ci };
-        }
-        for comp in trace_mask(&mask, w, h) {
-            let mut subs = Vec::with_capacity(1 + comp.holes.len());
-            if let Some(sp) = fit::fit_loop(&comp.outer, &opts) {
-                subs.push(sp);
-            } else {
-                continue;
-            }
-            for hole in &comp.holes {
-                if hole.area2.abs() / 2 < min_hole && params.noise > 0 {
-                    continue;
-                }
-                if let Some(sp) = fit::fit_loop(hole, &opts) {
-                    subs.push(sp);
-                }
-            }
-            out.paths.push(TracedPath { path: PathData::new(subs), color, pixels: comp.pixels });
-        }
        if !out.palette.contains(&color) {
            out.palette.push(color);
        }
    }
-    out
+    Ok(out)
+}
+
+/// What tracing one colour layer needs.
+struct Layers<'a> {
+    q: &'a Quantized,
+    /// Each palette entry's layer, bottom (0) up.
+    rank: &'a [usize],
+    params: &'a TraceParams,
+    opts: fit::FitOptions,
+    w: usize,
+    h: usize,
+    /// Anchor points made so far, by every layer.
+    anchors: AtomicUsize,
+    max_anchors: usize,
+}
+
+impl Layers<'_> {
+    /// The paths of layer `r` (palette entry `ci`), or `None` once the anchors made pass the
+    /// maximum.
+    fn layer(&self, r: usize, ci: usize) -> Option<Vec<TracedPath>> {
+        let (params, opts) = (self.params, &self.opts);
+        let color = *self.q.palette.get(ci)?;
+        let overlapping = params.method == Method::Overlapping;
+        let mask: Vec<bool> = self
+            .q
+            .labels
+            .iter()
+            .map(|&l| l != TRANSPARENT && if overlapping { self.rank.get(l as usize).is_some_and(|&lr| lr >= r) } else { l as usize == ci })
+            .collect();
+        let min_hole = params.noise.max(1) as i64;
+        let mut paths = vec![];
+        for comp in trace_mask(&mask, self.w, self.h) {
+            let Some(outer) = fit::fit_loop(&comp.outer, opts) else { continue };
+            let mut subs = vec![outer];
+            for hole in &comp.holes {
+                if hole.area2.abs() / 2 < min_hole && params.noise > 0 {
+                    continue;
+                }
+                subs.extend(fit::fit_loop(hole, opts));
+            }
+            let path = PathData::new(subs);
+            let n = path.anchor_count();
+            if self.anchors.fetch_add(n, Ordering::Relaxed).saturating_add(n) > self.max_anchors {
+                return None;
+            }
+            paths.push(TracedPath { path, color, pixels: comp.pixels });
+        }
+        Some(paths)
+    }
+}
+
+/// `f` of each of `items`, in order, spread over the available cores.
+#[cfg(not(target_arch = "wasm32"))]
+fn parallel_map<T: Sync, R: Send>(items: &[T], f: impl Fn(&T) -> R + Sync) -> Vec<R> {
+    let threads = std::thread::available_parallelism().map_or(1, |n| n.get()).min(items.len());
+    if threads <= 1 {
+        return items.iter().map(f).collect();
+    }
+    let next = AtomicUsize::new(0);
+    let mut done: Vec<(usize, R)> = std::thread::scope(|s| {
+        let workers: Vec<_> = (0..threads)
+            .map(|_| {
+                s.spawn(|| {
+                    let mut mine = vec![];
+                    loop {
+                        let i = next.fetch_add(1, Ordering::Relaxed);
+                        let Some(item) = items.get(i) else { break };
+                        mine.push((i, f(item)));
+                    }
+                    mine
+                })
+            })
+            .collect();
+        // A worker's panic goes on in this thread, as if it had run here (the engine's guard
+        // reports it).
+        workers.into_iter().flat_map(|w| w.join().unwrap_or_else(|e| std::panic::resume_unwind(e))).collect()
+    });
+    done.sort_by_key(|(i, _)| *i);
+    done.into_iter().map(|(_, r)| r).collect()
+}
+
+/// `f` of each of `items`, in order (no threads on the web).
+#[cfg(target_arch = "wasm32")]
+fn parallel_map<T: Sync, R: Send>(items: &[T], f: impl Fn(&T) -> R + Sync) -> Vec<R> {
+    items.iter().map(f).collect()
 }

 #[cfg(test)]
@@ -278,3 +278,73 @@ fn timing_1000x1000_bw_under_300ms() {
    assert!(!res.paths.is_empty());
    assert!(ms < 300.0, "{ms} ms");
 }
+
+/// Stripes of `n` colours, each with a few dots of the next one: many layers, many small shapes.
+fn stripes(size: u32, n: u32) -> Raster {
+    let colour = |i: u32| [(i * 37 % 256) as u8, (i * 91 % 256) as u8, (i * 53 % 256) as u8, 255];
+    Raster::from_fn(size, size, |x, y| {
+        let band = x * n / size;
+        if (x % 9 < 3) && (y % 9 < 3) { colour(band + 1) } else { colour(band) }
+    })
+}
+
+/// #525: past the anchor budget the trace gives up with advice instead of making millions of
+/// anchors; under it, it is the plain trace.
+#[test]
+fn a_trace_past_its_anchor_budget_is_refused() {
+    let img = stripes(120, 8);
+    let p = TraceParams { mode: Mode::Color, colors: 16, noise: 1, ..TraceParams::default() };
+    let full = trace(&img, &p);
+    let anchors = full.anchor_count();
+    assert!(anchors > 100, "{anchors} anchors");
+    assert!(matches!(trace_within(&img, &p, anchors / 2), Err(TraceError::TooComplex { max }) if max == anchors / 2));
+    assert_eq!(trace_within(&img, &p, anchors).unwrap(), full);
+}
+
+/// Layers traced in parallel come out in the same order every time: bottom (largest) first.
+#[test]
+fn parallel_layers_keep_their_order() {
+    let img = stripes(90, 12);
+    let p = TraceParams { mode: Mode::Color, colors: 24, noise: 1, method: Method::Overlapping, ..TraceParams::default() };
+    let a = trace(&img, &p);
+    assert!(a.palette.len() > 8, "{} colours", a.palette.len());
+    for _ in 0..4 {
+        assert_eq!(trace(&img, &p), a);
+    }
+    // Overlapping: each layer's shapes cover the layers above, so the pixel counts fall upwards.
+    let firsts: Vec<usize> = a.palette.iter().filter_map(|c| a.paths.iter().find(|t| t.color == *c).map(|t| t.pixels)).collect();
+    assert!(firsts.windows(2).all(|w| w[0] >= w[1]), "{firsts:?}");
+}
+
+/// A PNG whose header says `w` × `h` pixels, with no image data.
+fn png_header(w: u32, h: u32) -> Vec<u8> {
+    fn crc(bytes: &[u8]) -> u32 {
+        let mut c = !0u32;
+        for &b in bytes {
+            c ^= u32::from(b);
+            for _ in 0..8 {
+                c = if c & 1 != 0 { 0xEDB8_8320 ^ (c >> 1) } else { c >> 1 };
+            }
+        }
+        !c
+    }
+    let mut ihdr = b"IHDR".to_vec();
+    ihdr.extend(w.to_be_bytes());
+    ihdr.extend(h.to_be_bytes());
+    ihdr.extend([8, 6, 0, 0, 0]);
+    let mut png = b"\x89PNG\r\n\x1a\n".to_vec();
+    for chunk in [ihdr, b"IDAT".to_vec(), b"IEND".to_vec()] {
+        png.extend((chunk.len() as u32 - 4).to_be_bytes());
+        png.extend(&chunk);
+        png.extend(crc(&chunk).to_be_bytes());
+    }
+    png
+}
+
+/// An image too large to trace is refused from its header, before it is decoded.
+#[test]
+fn an_image_too_large_to_trace_is_refused_before_decoding() {
+    let err = Raster::decode(&png_header(30_000, 30_000)).unwrap_err();
+    assert!(matches!(err, TraceError::TooLarge { width: 30_000, height: 30_000, .. }), "{err}");
+    assert!(matches!(Raster::decode(&png_header(64, 64)), Err(TraceError::Decode(_))), "a small header goes on to decoding");
+}
@@ -1041,6 +1041,27 @@ fn node_outline(n: &Node) -> BezPath {
    bp
 }

+/// The most anchor points the selection's outlines and anchors, and the hover highlight, are drawn
+/// for: an Image Trace of a photo selects hundreds of thousands of paths at once, whose outlines
+/// would make a mesh larger than the GPU takes in one buffer (#525).
+const OVERLAY_MAX_ANCHORS: usize = 100_000;
+
+/// Whether `nodes` have more than [`OVERLAY_MAX_ANCHORS`] anchor points to outline (counting
+/// stops there).
+fn too_many_anchors<'a>(nodes: impl IntoIterator<Item = &'a Node>) -> bool {
+    fn over(n: &Node, left: &mut usize) -> bool {
+        if let NodeKind::Path { path, .. } = &n.kind {
+            match left.checked_sub(path.anchor_count()) {
+                Some(l) => *left = l,
+                None => return true,
+            }
+        }
+        !matches!(n.kind, NodeKind::Envelope { .. }) && n.children().into_iter().flatten().any(|c| over(c, left))
+    }
+    let mut left = OVERLAY_MAX_ANCHORS;
+    nodes.into_iter().any(|n| over(n, &mut left))
+}
+
 /// [`Node::walk`] over what a selection highlight shows: an envelope's content is left out (the
 /// envelope shows its mesh instead).
 fn walk_drawn<'a>(n: &'a Node, f: &mut impl FnMut(&'a Node)) {
@@ -1160,7 +1181,7 @@ fn hover_highlight(app: &VectorcraftApp, p: &egui::Painter, xf: &Xf) {
    if st.selection.contains(id) {
        return;
    }
-    if let Some(n) = st.doc.node(id) {
+    if let Some(n) = st.doc.node(id).filter(|n| !too_many_anchors([*n])) {
        let color = c32(st.doc.layer_color(id));
        stroke_path(p, &node_outline(n), xf, Stroke::new(1.5, color));
    }
@@ -1351,6 +1372,9 @@ fn selection_overlay(app: &mut VectorcraftApp, p: &egui::Painter, xf: &Xf) {
        && app.ui.view.bounding_box
        && app.session.active().is_some_and(|st| !st.selection.is_empty() && st.selection.anchors.is_empty());
    let bbox = if show_box { app.selection_box() } else { None };
+    let st = app.session.active();
+    let big = st.is_some_and(|st| too_many_anchors(st.selection.objects.iter().filter_map(|id| st.doc.node(*id))));
+    let big_bounds = if big { app.selection_bounds() } else { None };
    let app = &*app;
    let Some(st) = app.session.active() else { return };
    let tool = app.session.tool_id();
@@ -1363,7 +1387,11 @@ fn selection_overlay(app: &mut VectorcraftApp, p: &egui::Painter, xf: &Xf) {
    // The selected anchors' handles (drawn once they are counted: Show handles when multiple
    // anchors are selected off shows them for a single one only).
    let (mut handles, mut with_handles) = (vec![], 0);
-    for id in &st.selection.objects {
+    // Too many paths to outline: the selection's bounds stand for them.
+    if let Some((b, id)) = big_bounds.zip(st.selection.objects.first()) {
+        stroke_path(p, &vectorcraft_geom::shapes::rectangle(b).to_bezpath(), xf, Stroke::new(1.0, c32(st.doc.layer_color(*id))));
+    }
+    for id in st.selection.objects.iter().filter(|_| !big) {
        let Some(n) = st.doc.node(*id) else { continue };
        let color = c32(st.doc.layer_color(*id));
        let partial = st.selection.partial(*id);
@@ -1633,11 +1661,13 @@ pub(crate) fn task_bar_rect(ctx: &egui::Context) -> Option<egui::Rect> {
 /// selection, pinned it stays put ([`crate::state::TaskBarPlace`]).
 fn task_bar(app: &mut VectorcraftApp, ui: &mut Ui, xf: &Xf) {
    let t = Tokens::get(ui.ctx());
-    let Some(st) = app.session.active() else { return };
-    if st.selection.is_empty() || !matches!(app.session.tool_id(), "selection" | "directSelection" | "groupSelection") {
+    if app.session.active().is_none_or(|st| st.selection.is_empty())
+        || !matches!(app.session.tool_id(), "selection" | "directSelection" | "groupSelection")
+    {
        return;
    }
-    let Some(b) = st.doc.bounds_of(&st.selection.objects, true) else { return };
+    let Some(b) = app.selection_bounds() else { return };
+    let Some(st) = app.session.active() else { return };
    let n = st.selection.len();
    let first = st.selection.objects.first().and_then(|id| st.doc.node(*id)).cloned();
    let is_group = first.as_ref().is_some_and(|f| matches!(f.kind, NodeKind::Group { .. }));
@@ -2024,6 +2054,29 @@ mod tests {
        assert_eq!(cmd_drag(&mut app, inside, inside), "selection");
    }

+    /// #525: a selection with more anchors than the overlay draws (a traced photo) shows its bounds,
+    /// not every outline and anchor, which made a mesh larger than the GPU takes; an ordinary one
+    /// still shows its outline and anchors.
+    #[test]
+    fn a_huge_selection_shows_its_bounds_instead_of_every_outline() {
+        let mut app = VectorcraftApp::new(Session::new(), Default::default());
+        app.session.execute("file.new", &json!({"width": 400, "height": 300})).unwrap();
+        let points = |n: usize| (0..n).map(|i| format!("L{} {}", 20.0 + 360.0 * i as f64 / n as f64, 100 + (i % 2) * 50)).collect::<String>();
+        let ctx = egui::Context::default();
+        let mut drawn = |n: usize| {
+            app.session.execute("path.create", &json!({"d": format!("M20 20 {} Z", points(n))})).unwrap();
+            frame(&mut app, &ctx, vec![]);
+            let shapes = shapes(&mut app, &ctx);
+            let points: usize = shapes.iter().map(|s| if let Shape::Path(ps) = s { ps.points.len() } else { 0 }).sum();
+            let squares = shapes.iter().filter(|s| matches!(s, Shape::Rect(_))).count();
+            (points, squares)
+        };
+        let (points, squares) = drawn(OVERLAY_MAX_ANCHORS + 10);
+        assert!(points < 100 && squares < 100, "{points} outline points, {squares} squares");
+        let (points, squares) = drawn(200);
+        assert!(points > 200 && squares > 200, "{points} outline points, {squares} squares");
+    }
+
    /// One headless canvas frame → the shapes drawn, `Shape::Vec`s flattened.
    fn shapes(app: &mut VectorcraftApp, ctx: &egui::Context) -> Vec<Shape> {
        let (shapes, mut delta) = frame_output(app, ctx);
@@ -360,7 +360,7 @@ mod tests {
        let f = &mut app.ui.dialog.as_mut().unwrap().fields;
        f.insert("decimals".into(), json!(1));
        f.insert("allArtboards".into(), json!(false));
-        f.insert("range".into(), json!("2"));
+        f.insert("range".into(), json!("1"));
        super::super::confirm(&mut app).unwrap();
        assert!(app.ui.dialog.is_none());
        let svg = text(&written, 0);
@@ -240,3 +240,29 @@ fn pdf_artboards_continue_in_the_save_pdf_dialog() {
    let pdf = vectorcraft_pdf::import(&written.borrow()[0].1).unwrap();
    assert_eq!(pdf.artboards.len(), 2, "one page per artboard in the range");
 }
+
+/// #546, #550: Export As with Use Artboards and a range writes the chosen artboard alone in every
+/// format, each file holding that artboard's art (the ellipse is on artboard 1).
+#[test]
+fn export_as_writes_only_the_chosen_artboard_in_every_format() {
+    for (format, ellipse) in [("svg", "<path"), ("dxf", "HATCH"), ("pdf", ""), ("png", "")] {
+        for (range, on) in [("1", true), ("3", false)] {
+            let (mut app, written) = app(3);
+            app.run("file.exportAs", json!({"format": format})).unwrap();
+            set(&mut app, "useArtboards", json!(true));
+            set(&mut app, "all", json!(false));
+            set(&mut app, "range", json!(range));
+            confirm(&mut app).unwrap();
+            // The format's own options, then the file.
+            while app.ui.dialog.is_some() {
+                frame(&mut app);
+                confirm(&mut app).unwrap();
+            }
+            assert_eq!(names(&written), [format!("/out/Untitled-1.{format}")], "{format} {range}");
+            if !ellipse.is_empty() {
+                let text = String::from_utf8_lossy(&written.borrow()[0].1).into_owned();
+                assert_eq!(text.contains(ellipse), on, "{format} {range}: {text}");
+            }
+        }
+    }
+}
@@ -134,6 +134,10 @@ struct MenuState {
    /// The pass the list was last drawn in, and the pass it opened in.
    last: u64,
    opened: u64,
+    /// The family the text had as the menu opened. A preview shows another one in the document
+    /// (and the menu's caller), but this one stays the current family: hovering it ends the
+    /// preview (#563).
+    current: String,
    /// The highlighted row and the query and filters it belongs to.
    highlight: Option<usize>,
    query: String,
@@ -194,6 +198,7 @@ fn list(ui: &mut Ui, state_id: egui::Id, st: &mut MenuState, current: &str, samp
        st.opened = pass;
        st.highlight = None;
        st.query.clear();
+        st.current = current.to_string();
    }
    st.last = pass;
    // For [`end_stale_preview`]: the menu is open, in this layer.
@@ -243,8 +248,9 @@ fn list(ui: &mut Ui, state_id: egui::Id, st: &mut MenuState, current: &str, samp
    });
    let enter = ui.input(|i| i.key_pressed(egui::Key::Enter));
    let db = vectorcraft_text::FontDb::global();
-    // The current family by its own name (a document may name it in Japanese: ヒラギノ角ゴシック).
-    let current = db.canonical(current, "").0;
+    // The current family by its own name (a document may name it in Japanese: ヒラギノ角ゴシック),
+    // as it was before any preview.
+    let current = db.canonical(&st.current, "").0;
    let current = current.as_str();
    let favorite = |f: &str| look.favorites.iter().any(|x| x.eq_ignore_ascii_case(f));
    // The generation is read first: fonts that load meanwhile make the next frame list them.
@@ -3415,6 +3415,10 @@ axis	Both	Ambos
@msg	select a stroke with a variable width	selecciona un trazo con anchura variable
@msg	select a symbol instance	selecciona una instancia de símbolo
@msg	select an Image Trace object	selecciona un objeto de calco de imagen
+@msg	could not decode image: {0}	no se pudo decodificar la imagen: {0}
+@msg	image is empty	la imagen está vacía
+@msg	the image is {width} × {height} pixels, more than Image Trace takes ({max} megapixels)	la imagen mide {width} × {height} píxeles, más de lo que admite Calco de imagen ({max} megapíxeles)
+@msg	this trace would make more than {max} anchor points, more than the document can show smoothly: raise Noise, lower Paths or Colors, or pick a lower-fidelity preset	este calco crearía más de {max} puntos de ancla, más de los que el documento puede mostrar con fluidez: sube Ruido, baja Trazados o Colores, o elige un preajuste de menor fidelidad
@msg	select an envelope	selecciona una envolvente
@msg	select an image	selecciona una imagen
@msg	select an object in perspective	selecciona un objeto en perspectiva
@@ -3415,6 +3415,10 @@ axis	Both	Entrambi
@msg	select a stroke with a variable width	seleziona una traccia con larghezza variabile
@msg	select a symbol instance	seleziona un'istanza di simbolo
@msg	select an Image Trace object	seleziona un oggetto di ricalco immagine
+@msg	could not decode image: {0}	impossibile decodificare l'immagine: {0}
+@msg	image is empty	l'immagine è vuota
+@msg	the image is {width} × {height} pixels, more than Image Trace takes ({max} megapixels)	l'immagine misura {width} × {height} pixel, più di quanto accetti Ricalco immagine ({max} megapixel)
+@msg	this trace would make more than {max} anchor points, more than the document can show smoothly: raise Noise, lower Paths or Colors, or pick a lower-fidelity preset	questo ricalco creerebbe più di {max} punti di ancoraggio, più di quanti il documento possa mostrare in modo fluido: aumenta Disturbo, riduci Tracciati o Colori, oppure scegli un preset a fedeltà inferiore
@msg	select an envelope	seleziona un involucro
@msg	select an image	seleziona un'immagine
@msg	select an object in perspective	seleziona un oggetto in prospettiva
@@ -711,7 +711,7 @@ fn complete_languages_translate_every_message() {
 const COMPLETE_MESSAGES: &[&str] = &["es", "it"];

 /// Crates whose error and status messages reach the status bar.
-const MESSAGE_CRATES: &[&str] = &["ui-egui", "engine", "doc", "format", "svg", "pdf", "eps", "text", "plugins", "metafile", "cad"];
+const MESSAGE_CRATES: &[&str] = &["ui-egui", "engine", "doc", "format", "svg", "pdf", "eps", "text", "plugins", "metafile", "cad", "trace"];

 /// Where a message literal starts: a status, an error value, a `thiserror` message.
 const MESSAGE_MARKERS: &[&str] = &[".status(", "ui.status = ", "status = ", "Other(", "Err(", "ok_or(", "ok_or_else(|| ", "#[error("];
@@ -249,6 +249,8 @@ pub struct CanvasCache {
    pub print_tiling: Option<PrintTilingCache>,
    /// [`VectorcraftApp::selection_box`] for (document uid, revision, Use Preview Bounds).
    pub selection_box: Option<((u64, u64, bool), Option<vectorcraft_doc::OrientedBox>)>,
+    /// [`VectorcraftApp::selection_bounds`] for (document uid, revision).
+    pub selection_bounds: Option<((u64, u64), Option<vectorcraft_geom::Rect>)>,
    /// The tools' cursors as OS cursor bitmaps.
    pub cursors: cursors::Images,
 }
@@ -389,6 +391,7 @@ impl VectorcraftApp {
                slices: None,
                print_tiling: None,
                selection_box: None,
+                selection_bounds: None,
                cursors: Default::default(),
            },
            perf: Perf::default(),
@@ -704,6 +707,22 @@ impl VectorcraftApp {
        self.canvas.selection_box = Some((key, b));
        b
    }
+
+    /// The selection's visual bounds (stroke and effects included), square to the page: measured
+    /// once per revision, as the canvas reads it every frame (a traced photo selects a group of
+    /// hundreds of thousands of paths).
+    pub fn selection_bounds(&mut self) -> Option<vectorcraft_geom::Rect> {
+        let st = self.session.active()?;
+        let key = (st.uid, st.revision);
+        if let Some((k, b)) = self.canvas.selection_bounds
+            && k == key
+        {
+            return b;
+        }
+        let b = st.doc.bounds_of(&st.selection.objects, true);
+        self.canvas.selection_bounds = Some((key, b));
+        b
+    }
 }

 /// eframe isn't a dependency of this crate (the host owns the event loop); these entry points are
@@ -270,3 +270,61 @@ fn menus_that_only_pick_a_font_leave_the_document_alone() {
    assert_eq!(picked(&mut app, Some(FontPick::Favorite("inter".into()))), None);
    assert!(app.ui.favorite_fonts.is_empty());
 }
+
+/// #563: a preview stays on the text while the menu stays on its family. The menu's caller passes
+/// the text's font, which the preview changed; the menu keeps the font from before the preview as
+/// the current one, so it doesn't take the previewed family for it and end the preview, then
+/// preview it again, every frame (the text flickered).
+#[test]
+fn a_preview_stays_put_while_the_menu_is_still() {
+    let ctx = egui::Context::default();
+    crate::theme::install_fonts(&ctx);
+    let mut app = VectorcraftApp::new(Session::new(), Default::default());
+    app.run("file.new", json!({"width": 300, "height": 200})).unwrap();
+    let id = app.session.execute("text.create", &json!({"x": 20, "y": 50, "text": "Gagaku", "font": "Inter"})).unwrap()["id"].as_u64().unwrap();
+    app.session.execute("select.set", &json!({"ids": [id]})).unwrap();
+    let font = |app: &VectorcraftApp| match &app.session.active().unwrap().doc.node(vectorcraft_doc::NodeId(id)).unwrap().kind {
+        NodeKind::Text(t) => t.first_style().font_family,
+        _ => String::new(),
+    };
+    let revision = |app: &VectorcraftApp| app.session.active().unwrap().revision;
+    // A panel's frame: the menu shows the text's font, and what it picks is applied.
+    let frame = |app: &mut VectorcraftApp, events: Vec<egui::Event>| {
+        let input =
+            egui::RawInput { events, screen_rect: Some(egui::Rect::from_min_size(egui::Pos2::ZERO, egui::vec2(600.0, 800.0))), ..Default::default() };
+        let current = font(app);
+        let (mut at, mut picked) = (egui::Pos2::ZERO, None);
+        let mut out = ctx.run_ui(input, |ui| {
+            crate::font_menu::end_stale_preview(app, ui.ctx());
+            at = ui.next_widget_position();
+            picked = font_menu(ui, "test-steady", &current, 260.0, None, MenuLook::default());
+            if let Some(p) = picked.clone() {
+                crate::font_menu::apply(app, ui.ctx(), p);
+            }
+        });
+        out.textures_delta.clear();
+        (at, picked)
+    };
+    let (at, _) = frame(&mut app, vec![]);
+    let click = at + egui::vec2(40.0, 10.0);
+    let button = |pressed| egui::Event::PointerButton { pos: click, button: egui::PointerButton::Primary, pressed, modifiers: Default::default() };
+    frame(&mut app, vec![egui::Event::PointerMoved(click), button(true)]);
+    frame(&mut app, vec![button(false)]);
+    for _ in 0..5 {
+        frame(&mut app, vec![]);
+    }
+    let (_, picked) = frame(&mut app, key(egui::Key::ArrowDown));
+    assert!(matches!(picked, Some(FontPick::Preview(..))), "{picked:?}");
+    let previewed = font(&app);
+    assert_ne!(previewed, "Inter");
+    let rev = revision(&app);
+    for _ in 0..6 {
+        let (_, picked) = frame(&mut app, vec![]);
+        assert_eq!(picked, None, "nothing more to apply");
+    }
+    assert_eq!((font(&app), revision(&app)), (previewed, rev), "the preview stays, untouched");
+    // Back on the text's own family, the preview ends.
+    let (_, picked) = frame(&mut app, key(egui::Key::ArrowUp));
+    assert_eq!(picked, Some(FontPick::EndPreview));
+    assert_eq!(font(&app), "Inter");
+}
@@ -251,7 +251,7 @@ colour group (one undo step).
 SVG Options: `export` to SVG takes them in `options`, flat or as `{"svg": {…}}`: `styling` (`presentation`,
 `style`, `entities`, `css`), `outlineText`, `images` (`embed`, or `link`: embedded images are written next to the
 SVG, or returned as `linked`), `objectIds` (`layerNames`, `minimal`, `unique`), `decimals` (1–7), `minify`,
-`responsive`, `useArtboards`, `range: "all"` (one SVG per artboard, listed in `files`), `preserveEditing` (the SVG
+`responsive`, `useArtboards`, `range: "all"` (one SVG per artboard, listed in `files`, each holding only the art over its artboard), `preserveEditing` (the SVG
 reopens as the full document), `metadata` and `fewerTspans` (one `<tspan>` per line of type). Unknown keys inside `svg` are rejected; `run_command document.formats`
 lists every option with its default. `encoding` is `utf8`, `utf16` (big-endian after a byte order mark) or `latin1`
 (ISO 8859-1, other characters as `&#x…;` references); `document.serialize` still answers `text`, plus `dataBase64`
Author	SHA1	Message	Date
bflatasticandClaude Opus 5.5	b1f7d5ad7d	Fix #563 : the font menu's live preview no longer flickers Hovering a family in a font menu previews it on the selected text. The menu took its caller's font as the current family, and the caller reads it from the text, which the preview had just changed: the next frame the hovered family looked like the current one, so the menu ended the preview, and the frame after it previewed the family again. The text switched fonts every frame (and the document's revision ran up with it). The menu now keeps the family the text had as it opened as the current one: a preview stays on the text until another row is hovered, the current family is hovered again, or the menu closes. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-09 02:20:21 +07:00
BFlat	2b321d240f	Merge pull request: land #558 (fix #550 ) Land #558 (fix #550: an SVG of chosen artboards holds only their art)	2026-10-09 01:50:20 +07:00
bflatastic	2139c4d661	Merge #558 : Fix #550 : an SVG of chosen artboards holds only their art # Conflicts: # ROADMAP.md	2026-10-09 01:45:04 +07:00
BFlat	179a87d0a6	Merge pull request: land #557 (fix #525 ) Land #557 (fix #525: Image Trace of a large photo no longer crashes)	2026-10-09 01:42:04 +07:00
bflatasticandClaude Opus 5.5	b832599a47	Fix #550 : an SVG of chosen artboards holds only their art Exporting one artboard of many to SVG wrote the whole document's art into that artboard's file, the other artboards' art outside its viewBox: an editor opening it showed every artboard's art. A file for an artboard named in the export (Use Artboards with a range or All, Export for Screens) now holds the objects over that artboard only, at any depth of layers, as DXF's crop leaves them; objects reaching into it stay whole and a clipping layer keeps all of its objects. An SVG with no artboard named (Save As) still holds the whole document. Part of #546: Export As with a range writes the chosen artboard alone in SVG, DXF, PDF and PNG, each file with that artboard's art (tested from the dialogs). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-09 01:38:38 +07:00
bflatastic	d7b4d85d3c	Merge #557 : Fix #525 : Image Trace of a large photo no longer crashes the app # Conflicts: # ROADMAP.md	2026-10-09 01:35:31 +07:00
bflatasticandClaude Opus 5.5	06242cd3ab	Fix #525 : Image Trace of a large photo no longer crashes the app Tracing a 2048 x 2048 photo with High Fidelity Photo made 733,000 paths and 7.8 million anchors. The selected result's outlines and anchor squares then made an egui mesh of 1.8 GB, over the GPU's largest buffer: wgpu panicked while painting and the app quit (or ran out of memory first, at 6.4 GB). - Canvas: a selection with more than 100,000 anchors shows its bounds instead of every outline and anchor, and the hover highlight skips such an object. The Contextual Task Bar and that outline read the selection's bounds from a per-revision cache (VectorcraftApp:: selection_bounds): a selected trace drew a frame in 20 ms, not 170. - Image Trace: the colour layers are traced in parallel (26 s to 1.9 s for that photo; the web traces them in turn). trace_within stops once the paths pass an anchor budget; imageTrace.make allows two million and otherwise reports the trace as too complex, with what to change. Images over 64 megapixels are refused from their header, before they are decoded. - The trace crate's messages are translated (es, it) and scanned. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-09 01:18:03 +07:00