Fix #1367 : a dialog opened from a menu takes the keyboard focus every time

A dialog opened by a click is drawn in the frame of that click, and in that frame egui takes the focus from any field the click missed. The first time a dialog's window shows, that frame only measures it, so its first field took the focus a frame later and kept it; every later time the field took it in the click's frame and lost it at once. The field now takes it the frame after the click.
Merge pull request #1379 from storytold/fix/pdf-editing-data-bleed
2026-10-12 17:48:09 +07:00 · 2026-10-12 17:29:01 +07:00 · 2026-10-12 17:28:39 +07:00 · 2026-10-12 16:48:05 +07:00 · 2026-10-12 16:47:55 +07:00 · 2026-10-12 16:44:16 +07:00
17 changed files with 210 additions and 37 deletions
@@ -6,7 +6,7 @@

 **Stage: alpha** · next: beta, ~13 points (ready for real work ~62% → ~75%, and reliable `.ai` exchange) and ~170–270 h away

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; community PRs: graph designs, Graph Data worksheet and Graph Type options; Align both centres; Pen endpoint fixes; earlier: Effect › Brush Strokes landed: Photoshop-style filters 28 of 57, raster effects 40% → 48%) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (community PRs: `.ai` and PDF bleed and editing-data import, gradient shapes imported as paths, ruler origin, Align To, Live Corners corner selection; headline numbers unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; community PRs: graph designs, Graph Data worksheet and Graph Type options; Align both centres; Pen endpoint fixes; earlier: Effect › Brush Strokes landed: Photoshop-style filters 28 of 57, raster effects 40% → 48%) · **Target:** Adobe Illustrator 2026 (30.x)

 VectorCraft is a clean-room, open-source, pure-Rust reimplementation of the Adobe Illustrator workflow. It runs
 on macOS, Windows, Linux, FreeBSD and the web (WASM), and agents can drive all of it over MCP, the CLI and a JSON
@@ -128,7 +128,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap
 | Date | What landed |
 |---|---|
 | 2026-10-12 | Desktop printing adopts the shared `craft-print` spooler with exact physical sheet sizes. Windows 7 retains its WMI/viewer transport and excludes the shared backend; compatibility CI checks the dependency tree and PE imports. Scores unchanged. |
-| 2026-10-12 | Graphs: Object › Graph › Design… and Marker… (designs with a preview, New Design, Rename, Delete Design, Paste Design, Select Unused, and markers drawn with a design or None) (#1092); Graph Data opens as a worksheet with Import Data…, column width and decimals (#1138), and takes Transpose, Switch x/y, `|` line breaks in labels and the pie Legend, Position and Sort options (#1115); Graph Type adds Add Drop Shadow and Add Legend Across Top (#1119), widths past 100%, First Row and First Column in Front, and Draw Filled Lines (#1136); graphs keep their label formatting when drawn again (#1137). Align: a Horizontal & Vertical Align Center button (#1073); Align to Key Object makes the topmost selected object the key (#1221), and the palette's key entry reads Cancel Key Object (#1224). Pen: the nearest end wins over snapping, Alt on the last anchor edits it, and Enter, Escape or a tool switch finish a handle preview as one undo step (#821). Direct Selection: a click on an anchor of an already selected path selects that anchor alone (#1237). Make Compound Path keeps the backmost object's paint, and a selected member reads and changes the compound's fill rule (#1225). Shape Builder and Live Paint no longer turn a line's loose end past a crossing into a piece that runs out and back (#1230). Art moved or duplicated with an artboard follows Transform Pattern Tiles (#1219). A click with the Rectangular Grid tool opens its options dialog (#1169). Commands that change nothing (Lock, Hide, Transform Each, Rearrange Artboards and others) add no undo step (#1233). Saving with missing placed files keeps their relink data, and .ai export honours the chosen artboards (#718). SVG export keeps Unicode data-attribute names, and SVG Options refuses an invalid artboard range (#989). CMYK colours given in percent with a component under 1 keep their scale (#1249). Colour Image Trace keeps close dark tones apart (#1247). macOS: the Save sheet has a Format menu (#1235). The Hand and Zoom tools show drawn cursors on every platform (#1238). Czech: the remaining strings are translated, and Pathfinder's Add reads "Sjednotit" (#1226). MCP: a lost reply reports that the edit may have happened instead of replaying it (#1246); `select.key` checks its id and agents can read the key object (#1222). Tests: the command sweeps and import fuzz tests fail on a panic caught by the engine's guard (#1218), and the envelope export test ignores PDF dates and file IDs (#1220). Effect › Artistic › Film Grain (Grain, Highlight Area, Intensity; Photoshop-style filters 29/57) (#1282), and Craquelure, Mosaic Tiles and Stained Glass redraw 25–30% faster with identical pixels (#1265). Direct Selection: clicking a segment selects only that segment, and Delete removes just it (#1300); Shift-click deselects one anchor of a path selected whole (#1263). Pen + Alt converts anchors of paths inside a selected group or compound path (#1306). The Curvature tool shows circular point markers without direction handles (#1284). Snap to Point: pressing near an anchor drags by that anchor, with Smart Guides on or off (#1313). Transform Again repeats the options of the transform it repeats (#1303). Aligning anchors that are already aligned adds no undo step (#1276), and type commands that change nothing record none either (#1316). Simplify keeps the path selected with its new anchors, and its dialog previews and shows the anchor count (#1305). Adding a stroke colour to an unpainted zero-width stroke gives it a visible 1 pt width (#1256). The Eyedropper samples locked objects, template layers and art outside isolation mode (#1260), and shows a pipette cursor (#1288). Fonts named by their full name resolve to the right face (#1267), and Proportional Metrics brings the matching kerning (`apkn`, `vkrn`, `vapk`) (#1291). Artboards: Escape leaves Artboard editing (#1296), Document Setup's Edit Artboards switches to the Artboard tool (#1294), and the Artboard tool starts on the active artboard (#1309). New and imported documents use the Gridline every and Subdivisions preferences (#1314). Send to Current Layer refuses a hidden or locked current layer (#1301), and layer row commands check explicit ids (#1255). Links: Find in Folder… finds missing linked files in a folder and its subfolders and can copy them into the document's folder (#1287). Image Trace traces images over 64 megapixels scaled down instead of refusing them (#1315). DXF export marks closed curves as closed SPLINE entities (#1320). EPS import: closepath respects the path size limit (#1311). The interface is available in Hungarian (#1302), and more Czech labels are translated (#1259). Linux RPMs declare shared-library capabilities (#1290). CI pins every third-party action to a verified commit (#1321). Select menu commands skip hidden and locked art and stay inside the isolated group in isolation mode (#1325). Fill, stroke, gradient and Appearance panel commands that change nothing add no undLine truncated
+| 2026-10-12 | Graphs: Object › Graph › Design… and Marker… (designs with a preview, New Design, Rename, Delete Design, Paste Design, Select Unused, and markers drawn with a design or None) (#1092); Graph Data opens as a worksheet with Import Data…, column width and decimals (#1138), and takes Transpose, Switch x/y, `|` line breaks in labels and the pie Legend, Position and Sort options (#1115); Graph Type adds Add Drop Shadow and Add Legend Across Top (#1119), widths past 100%, First Row and First Column in Front, and Draw Filled Lines (#1136); graphs keep their label formatting when drawn again (#1137). Align: a Horizontal & Vertical Align Center button (#1073); Align to Key Object makes the topmost selected object the key (#1221), and the palette's key entry reads Cancel Key Object (#1224). Pen: the nearest end wins over snapping, Alt on the last anchor edits it, and Enter, Escape or a tool switch finish a handle preview as one undo step (#821). Direct Selection: a click on an anchor of an already selected path selects that anchor alone (#1237). Make Compound Path keeps the backmost object's paint, and a selected member reads and changes the compound's fill rule (#1225). Shape Builder and Live Paint no longer turn a line's loose end past a crossing into a piece that runs out and back (#1230). Art moved or duplicated with an artboard follows Transform Pattern Tiles (#1219). A click with the Rectangular Grid tool opens its options dialog (#1169). Commands that change nothing (Lock, Hide, Transform Each, Rearrange Artboards and others) add no undo step (#1233). Saving with missing placed files keeps their relink data, and .ai export honours the chosen artboards (#718). SVG export keeps Unicode data-attribute names, and SVG Options refuses an invalid artboard range (#989). CMYK colours given in percent with a component under 1 keep their scale (#1249). Colour Image Trace keeps close dark tones apart (#1247). macOS: the Save sheet has a Format menu (#1235). The Hand and Zoom tools show drawn cursors on every platform (#1238). Czech: the remaining strings are translated, and Pathfinder's Add reads "Sjednotit" (#1226). MCP: a lost reply reports that the edit may have happened instead of replaying it (#1246); `select.key` checks its id and agents can read the key object (#1222). Tests: the command sweeps and import fuzz tests fail on a panic caught by the engine's guard (#1218), and the envelope export test ignores PDF dates and file IDs (#1220). Effect › Artistic › Film Grain (Grain, Highlight Area, Intensity; Photoshop-style filters 29/57) (#1282), and Craquelure, Mosaic Tiles and Stained Glass redraw 25–30% faster with identical pixels (#1265). Direct Selection: clicking a segment selects only that segment, and Delete removes just it (#1300); Shift-click deselects one anchor of a path selected whole (#1263). Pen + Alt converts anchors of paths inside a selected group or compound path (#1306). The Curvature tool shows circular point markers without direction handles (#1284). Snap to Point: pressing near an anchor drags by that anchor, with Smart Guides on or off (#1313). Transform Again repeats the options of the transform it repeats (#1303). Aligning anchors that are already aligned adds no undo step (#1276), and type commands that change nothing record none either (#1316). Simplify keeps the path selected with its new anchors, and its dialog previews and shows the anchor count (#1305). Adding a stroke colour to an unpainted zero-width stroke gives it a visible 1 pt width (#1256). The Eyedropper samples locked objects, template layers and art outside isolation mode (#1260), and shows a pipette cursor (#1288). Fonts named by their full name resolve to the right face (#1267), and Proportional Metrics brings the matching kerning (`apkn`, `vkrn`, `vapk`) (#1291). Artboards: Escape leaves Artboard editing (#1296), Document Setup's Edit Artboards switches to the Artboard tool (#1294), and the Artboard tool starts on the active artboard (#1309). New and imported documents use the Gridline every and Subdivisions preferences (#1314). Send to Current Layer refuses a hidden or locked current layer (#1301), and layer row commands check explicit ids (#1255). Links: Find in Folder… finds missing linked files in a folder and its subfolders and can copy them into the document's folder (#1287). Image Trace traces images over 64 megapixels scaled down instead of refusing them (#1315). DXF export marks closed curves as closed SPLINE entities (#1320). EPS import: closepath respects the path size limit (#1311). The interface is available in Hungarian (#1302), and more Czech labels are translated (#1259). Linux RPMs declare shared-library capabilities (#1290). CI pins every third-party action to a verified commit (#1321). Select menu commands skip hidden and locked art and stay inside the isolated group in isolation mode (#1325). Fill, stroke, gradient and Appearance panel commands that change nothing add no undLine truncated
 | 2026-10-11 | Effect › Brush Strokes: Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e (G2). Command parameters from agents and files checked before anything changes (paint, place, cuts, dashes, crop, asset ids, anchors, paths, distort; #984–#999); command dialogs keep whole numbers whole, so Create Object Mosaic takes the tiles typed (#1000); stepper arrows take Shift (×10) and Ctrl/Cmd (÷10) like the arrow keys (#991). Exports and Rasterize supersample Art Optimized edges, so shapes meeting edge to edge leave no seam (#983). Character and paragraph styles take leading, kerning, mojikumi and the other attributes left out at their defaults (#1001). Drawing, typing and pasting with no layer shown and unlocked is refused instead of adding art to a hidden or locked layer (#1002). MCP `add_text` gives type on or in a path the colour asked for (#1003). MCP `screenshot` of a connected app renders the artboard asked for (#1004). `vectorcraft-cli run` ends quietly when its reader closes early (#1005). Select › All on Active Artboard selects on the artboard made active, not always the first (#1006). Reverse Gradient keeps off-centre midpoints, mirrored (#1007). A polar grid with no radial dividers draws none (#1008). Use Precise Cursors also covers the Pen's join pointer (#1009). SVGs with one absolute and one unitless root side import at their size, unstretched (#1010). DXF US survey inches, yards and miles open at their size and name (#1011). A file placed into a document with no other links follows its first change even while the app sits idle (#1031). PDF import keeps the style a font name says when the file doesn't embed the font (#1023). Shift selects ruler guides and art together, and Delete removes both (#1022). Open filled paths are hit by their fill on every side, the rotate cursor bows around the corner it is at, the flip icons match their flips, the Color Picker previews on the selection, and Properties › Transform reaches Scale Corners and Scale Strokes & Effects (#1036). Offset Path and the other booleans finish on outlines where the sweep used to loop until memory ran out (linesweeper 0.5, #1028). Floating panel groups stack into sets that move together, collapse to their tabs and dock as extra dock columns that scroll (#1020). Ruler guides live on layers: listed in the Layers panel, shown, hidden, locked, duplicated, merged and deleted with their layer, and moved between layers (#1021). A `.ai` whose editing data uses global process colours (`Xk`/`XK`) or pattern fills keeps its sublayers: the colours come in as global swatches at their tint, the patterns as pattern swatches (#1025). A `.ai` in PostScript form opens through its layers, read from the program itself, also when it names the prolog defining its operators without including it, as Rhino and other CAD apps write it (#1027). A fill or stroke chosen while the Type tool has characters selected colours just those characters (#1063). Scaled type shows its scaled font size, leading, baseline shift and horizontal scale in the Character panel, and a size typed there is the size you get (#1034). Character panel menu › Proportional Metrics sets Japanese and Chinese full-width glyphs on the font's proportional widths in horizontal type (#966). Align, Distribute, Move, Arrange, Lock, Hide, Ungroup and other Object commands that would change nothing no longer record an undo step or mark the document changed (#1060). Spot colours defined in Lab open with their Lab values from `.ai` and PDF files, instead of as wrong RGB colours or their CMYK equivalents (#1032). Build scripts leave a generated source they wouldn't change untouched, so the next build doesn't compile most of the workspace again where file times lose their sub-second part (#1051). A fill colour recolours the gradient mesh point last clicked with the Mesh tool or Direct Selection, and a Mesh tool click on a mesh's point selects that mesh (#1052). The All Tools drawer stays two tools wide instead of filling a wide window (#1054). Text Wrap's Make, Release and Options refuse a list of object ids with a malformed or unknown id instead of skipping it (#1055). A freeform gradient line with a malformed point index is refused instead of being shortened to the indices that are valid (#1056). The Corners dialog (`ui.corners`) refuses a malformed object id or a listed anchor that isn't a corner instead of editing the selection or the other corners (#1057). New View refuses a centre that isn't exactly [x, y] and a rotation that isn't a number, instead of trimming the one and saving the other as 0° (#1058). The command sweeps try junk scale, spacing and artboard values too, which they had skipped since before those bugs were fixed (#1059). EPS and PostScript `arc` and `arcn` with huge angles no longer hang the import, and an arc whose angles are whole turns apart is empty, as the PostScript reference defines it (#1062). Align and DisLine truncated
 | 2026-10-10 | Initial live Revolve (Effect › 3D and Materials, #846, #605), in its own `three-d` crate. Progress docs re-measured and restructured to the craftrules standard (this page, `docs/target-app-parity.md`, `gaps.md`, `ui-parity.md`, the format, hardware, localization, effects and type checklists). Same day: v0.8.0; Effect › Distort, Pixelate and Texture filters (13); German interface; Variables (data merge); Graph Type value axes and tick marks; restart when the first frame never reaches the screen (#964) |
 | 2026-10-09 | Radial Blur, Smart Blur, Unsharp Mask (gap 2 begins); 340 commits, the busiest day |
@@ -1100,6 +1100,9 @@ impl Document {
    /// `locked_and_hidden` (Selection & Anchor Display › Move Locked and Hidden Artwork with
    /// Artboard).
    pub fn art_on_artboard(&self, rect: Rect, locked_and_hidden: bool) -> Vec<NodeId> {
+        // Art drawn flush with the artboard can end up a rounding error outside it (a background
+        // 3e-14 pt past the top edge, #1295): a millionth of a point is far below anything visible.
+        let rect = rect.inflate(1e-6, 1e-6);
        fn collect(n: &Node, rect: Rect, all: bool, out: &mut Vec<NodeId>) {
            for c in n.children().into_iter().flatten().filter(|c| c.rides_with_artboard(all)) {
                if c.is_layer() {
@@ -1405,6 +1408,26 @@ mod tests {
        assert_eq!(d.art_on_artboard(wide, true), vec![a, b], "a locked layer's art too");
    }

+    #[test]
+    fn art_on_artboard_tolerates_roundoff_at_each_edge() {
+        let (d, a, _) = doc_with_rects();
+        let roundoff = 1e-12;
+        for board in [
+            Rect::new(roundoff, 0.0, 10.0, 10.0),
+            Rect::new(0.0, roundoff, 10.0, 10.0),
+            Rect::new(0.0, 0.0, 10.0 - roundoff, 10.0),
+            Rect::new(0.0, 0.0, 10.0, 10.0 - roundoff),
+        ] {
+            assert_eq!(d.art_on_artboard(board, false), vec![a], "roundoff at {board:?}");
+        }
+        // A real overhang remains outside.
+        for board in
+            [Rect::new(0.001, 0.0, 10.0, 10.0), Rect::new(0.0, 0.001, 10.0, 10.0), Rect::new(0.0, 0.0, 9.999, 10.0), Rect::new(0.0, 0.0, 10.0, 9.999)]
+        {
+            assert!(d.art_on_artboard(board, false).is_empty(), "overhang at {board:?}");
+        }
+    }
+
    #[test]
    fn find_and_paths() {
        let (d, a, b) = doc_with_rects();
@@ -86,7 +86,7 @@ pub fn specs() -> Vec<CommandSpec> {
            "Open Document",
            [],
            None,
-            "{path} or {name, dataBase64}, PDF/.ai: pages?: \"2-3, 5\" (1-based, default all; one artboard each) | page?: n, cropTo?: bounding|art|crop (default)|trim|bleed|media (the box each artboard gets; bounding: the art's bounds; trim: the bleed box round it becomes the document's bleed; a PDF-compatible .ai opens on its trim boxes for crop), password? (encrypted PDFs; see document.pdfInfo), textAs?: text (default: point type per line, lines wrapped in a frame as area type where they lay out the same, in the file's fonts by name; missing ones are listed in warnings) | outlines (glyph paths), layers?: true (default: optional content groups become layers with their visibility, print state and lock — art that is off comes in as a hidden layer; other art goes to a layer per page) | false (one layer per page, without the art that is off; Save then asks for a name), editingData?: true (default: an EPS, .ai or PDF that carries its editor's own copy of the art opens from it, with its layers, hidden objects, guides, artboards and the art outside them; a .ai or PDF whose type shows opens from its PDF part with textAs: outlines) | false (only what its page or PDF part prints, for print pipelines; a .ai saved without PDF compatibility then can't be opened), colorMode?: rgb|cmyk (the mode the document opens in, its colours converted as file.documentColorMode does, grays? as there; default: the file's — a PDF keeps CMYK, Gray and spot inks (spot swatches at a tint) and opens in CMYK when painted mostly in CMYK), DXF: dxf?: {layout?: \"Model\" (default) | a paper layout's name (document.dxfInfo lists them), unit?, scale? (the ratio: 1 unit of the art = scale drawing units; default: the drawing at 1:1 in its own unit), fit?: false (scale to fit an artboard of fitTo?: [612, 792], turned to the art's orientation), scaleLineweights?: false (lineweights scale with the art), center?: true (false: the drawing's origin on the artboard's bottom-left corner; fitted art's bottom-left corner), mergeLayers?: false (all art on one layer)} → {index, title, format, warnings, restored, missingLinks, modifiedLinks, updatedLinks: [{name, path, ids}]}; any readable format (see document.formats): .vectorcraft/.drawcraft, .svg/.svgz, .pdf/.ai, .ait, ASCII .dxf (each DXF layer with art a layer; blocks symbols; what can't come in is listed in warnings), PNG/JPEG/GIF/WebP/TIFF/BMP (an image opens as a document of its size at the resolution it declares, as file.place sizes it; 72 ppi, 1 px = 1 pt, when it declares none), .emf/.wmf (one artboard, the picture's frame; records VectorCraft doesn't read are skipped with one warning), .eps and PostScript .ai (one artboard, the bounding box: an EPS file VectorCraft wrote restores the document it carries, restored: true; other files are read by a PostScript interpreter — paths, colours and spot inks, clips, gradients, images, type in the fonts named — and come in as their TIFF preview, with a warning, when their PostScript can't be read). A PDF/.ai/.ait or SVG saved with Preserve Editing restores the native document it carries (restored: true; a PDF only when no pages are picked), unless the file was changed elsewhere since or the data can't be read: then its artwork is imported and the first warning says why. Templates (native templates, .ait) open as a new untitled document; a restored .ai keeps its path (Save writes .ai again). Linked images are read from their files (looked for at their path, then relative to the document): missing ones show their saved preview (links.relink), modified ones are read again only with Preferences › Update Links: Automatically (else links.update). An SVG's <image> files (relative links from the SVG's folder) stay linked, SVG files become art, missing ones a placeholder in their box (a warning and missingLinks)",
+            "{path} or {name, dataBase64}, PDF/.ai: pages?: \"2-3, 5\" (1-based, default all; one artboard each) | page?: n, cropTo?: bounding|art|crop (default)|trim|bleed|media (the box each artboard gets; bounding: the art's bounds; trim: the bleed box round it becomes the document's bleed; a PDF-compatible .ai or a PDF saved with its editing data opens on its trim boxes for crop), password? (encrypted PDFs; see document.pdfInfo), textAs?: text (default: point type per line, lines wrapped in a frame as area type where they lay out the same, in the file's fonts by name; missing ones are listed in warnings) | outlines (glyph paths), layers?: true (default: optional content groups become layers with their visibility, print state and lock — art that is off comes in as a hidden layer; other art goes to a layer per page) | false (one layer per page, without the art that is off; Save then asks for a name), editingData?: true (default: an EPS, .ai or PDF that carries its editor's own copy of the art opens from it, with its layers, hidden objects, guides, artboards and the art outside them; a .ai or PDF whose type shows opens from its PDF part with textAs: outlines) | false (only what its page or PDF part prints, for print pipelines; a .ai saved without PDF compatibility then can't be opened), colorMode?: rgb|cmyk (the mode the document opens in, its colours converted as file.documentColorMode does, grays? as there; default: the file's — a PDF keeps CMYK, Gray and spot inks (spot swatches at a tint) and opens in CMYK when painted mostly in CMYK), DXF: dxf?: {layout?: \"Model\" (default) | a paper layout's name (document.dxfInfo lists them), unit?, scale? (the ratio: 1 unit of the art = scale drawing units; default: the drawing at 1:1 in its own unit), fit?: false (scale to fit an artboard of fitTo?: [612, 792], turned to the art's orientation), scaleLineweights?: false (lineweights scale with the art), center?: true (false: the drawing's origin on the artboard's bottom-left corner; fitted art's bottom-left corner), mergeLayers?: false (all art on one layer)} → {index, title, format, warnings, restored, missingLinks, modifiedLinks, updatedLinks: [{name, path, ids}]}; any readable format (see document.formats): .vectorcraft/.drawcraft, .svg/.svgz, .pdf/.ai, .ait, ASCII .dxf (each DXF layer with art a layer; blocks symbols; what can't come in is listed in warnings), PNG/JPEG/GIF/WebP/TIFF/BMP (an image opens as a document of its size at the resolution it declares, as file.place sizes it; 72 ppi, 1 px = 1 pt, when it declares none), .emf/.wmf (one artboard, the picture's frame; records VectorCraft doesn't read are skipped with one warning), .eps and PostScript .ai (one artboard, the bounding box: an EPS file VectorCraft wrote restores the document it carries, restored: true; other files are read by a PostScript interpreter — paths, colours and spot inks, clips, gradients, images, type in the fonts named — and come in as their TIFF preview, with a warning, when their PostScript can't be read). A PDF/.ai/.ait or SVG saved with Preserve Editing restores the native document it carries (restored: true; a PDF only when no pages are picked), unless the file was changed elsewhere since or the data can't be read: then its artwork is imported and the first warning says why. Templates (native templates, .ait) open as a new untitled document; a restored .ai keeps its path (Save writes .ai again). Linked images are read from their files (looked for at their path, then relative to the document): missing ones show their saved preview (links.relink), modified ones are read again only with Preferences › Update Links: Automatically (else links.update). An SVG's <image> files (relative links from the SVG's folder) stay linked, SVG files become art, missing ones a placeholder in their box (a warning and missingLinks)",
            always,
            load::open
        ),
@@ -97,8 +97,8 @@ impl LoadOptions {
    }

    /// The PDF import options: `pages` resolved against the file's page count. A PDF-compatible
-    /// `.ai` asked for its crop box opens on its trim boxes, its editor's artboards, with the bleed
-    /// round them (its crop box takes the bleed in).
+    /// `.ai`, or a PDF saved with its editing data, asked for its crop box opens on its trim boxes,
+    /// its editor's artboards, with the bleed round them (its crop box takes the bleed in).
    fn import_options(&self, bytes: &[u8]) -> Result<ImportOptions> {
        let pages = match &self.pages {
            None => None,
@@ -205,40 +205,48 @@ fn type_asked_for_as_outlines_opens_a_file_whose_type_shows_from_its_pdf_part()

 /// A `.ai` of a 200 × 100 pt artboard with a 10 mm bleed: its PDF part's page is the artboard
 /// (its trim box) grown by the bleed, and a red square reaches 20 pt into the bleed, on the page
-/// as in the editing data.
-fn bled_ai(bleed: f64) -> Vec<u8> {
+/// as in the editing data. `key`: `AIPrivateData`, or `AIPDFPrivateData` for a PDF saved with its
+/// editing data.
+fn bled_ai(bleed: f64, key: &str) -> Vec<u8> {
    let art = format!("0 1 1 0 1 0 0 Xa\n{}f\n", ai::rect(-20.0, -20.0, 60.0, 50.0));
    let data = ai::editing_data(200.0, 100.0, &ai::layer("Art", &art));
    let (w, h) = (200.0 + 2.0 * bleed, 100.0 + 2.0 * bleed);
    let page = PdfPage {
        bleed: Some([0.0, 0.0, w, h]),
        trim: Some([bleed, bleed, 200.0 + bleed, 100.0 + bleed]),
-        entries: format!("/PieceInfo << /Illustrator << /Private << /AIPrivateData1 {} 0 R /NumBlock 1 >> >> >>", first_extra(1)),
+        entries: format!("/PieceInfo << /Illustrator << /Private << /{key}1 {} 0 R /NumBlock 1 >> >> >>", first_extra(1)),
        ..PdfPage::new(w, h, &format!("1 0 0 rg {0} {0} 80 70 re f", bleed - 20.0))
    };
    pdf_with(&[page], &[&format!("<< /Length {} >>\nstream\n{data}\nendstream", data.len())], None)
 }

 #[test]
-fn an_ai_file_with_a_bleed_opens_on_its_artboard_with_the_bleed_round_it() {
+fn a_file_with_a_bleed_opens_on_its_artboard_with_the_bleed_round_it() {
+    // A `.ai`, and a PDF saved with its editing data (#1345), which has it under other keys.
+    for (name, key) in [("bled.ai", "AIPrivateData"), ("bled.pdf", "AIPDFPrivateData")] {
+        bled_file_opens_on_its_artboard(name, key);
+    }
+}
+
+fn bled_file_opens_on_its_artboard(name: &str, key: &str) {
    let bleed = 10.0 * 72.0 / 25.4;
-    let file = bled_ai(bleed);
+    let file = bled_ai(bleed, key);
    let mut s = Session::new();
    // From the editing data, and from the PDF part alone.
    for params in [json!({}), json!({"editingData": false})] {
-        let r = open(&mut s, "bled.ai", &file, params.clone()).unwrap();
+        let r = open(&mut s, name, &file, params.clone()).unwrap();
        let doc = &s.doc().unwrap().doc;
-        assert_eq!(doc.artboards.len(), 1, "{params}: {r}");
+        assert_eq!(doc.artboards.len(), 1, "{name} {params}: {r}");
        let ab = doc.artboards[0].rect;
-        assert!((ab.width() - 200.0).abs() < 0.01 && (ab.height() - 100.0).abs() < 0.01, "{params}: {ab:?} {r}");
-        assert!(doc.setup.bleed.iter().all(|b| (b - bleed).abs() < 0.01), "{params}: {:?}", doc.setup.bleed);
+        assert!((ab.width() - 200.0).abs() < 0.01 && (ab.height() - 100.0).abs() < 0.01, "{name} {params}: {ab:?} {r}");
+        assert!(doc.setup.bleed.iter().all(|b| (b - bleed).abs() < 0.01), "{name} {params}: {:?}", doc.setup.bleed);
        // The square reaches into the bleed, whole.
        let art = doc.art_bounds().unwrap();
        let want = [ab.x0 - 20.0, ab.y0 + 50.0, ab.x0 + 60.0, ab.y0 + 120.0];
-        assert!([art.x0, art.y0, art.x1, art.y1].iter().zip(want).all(|(a, b)| (a - b).abs() < 0.01), "{params}: {art:?}");
-        assert!(doc.setup.bleed_rect(ab).inflate(0.01, 0.01).contains_rect(art), "{params}: {art:?}");
+        assert!([art.x0, art.y0, art.x1, art.y1].iter().zip(want).all(|(a, b)| (a - b).abs() < 0.01), "{name} {params}: {art:?}");
+        assert!(doc.setup.bleed_rect(ab).inflate(0.01, 0.01).contains_rect(art), "{name} {params}: {art:?}");
    }
-    assert_eq!(names(&s.doc().unwrap().doc.layers), ["Page 1"], "editingData: false reads the PDF part");
-    open(&mut s, "bled.ai", &file, json!({})).unwrap();
-    assert_eq!(names(&s.doc().unwrap().doc.layers), ["Art"], "the editing data's layers are read");
+    assert_eq!(names(&s.doc().unwrap().doc.layers), ["Page 1"], "{name}: editingData: false reads the PDF part");
+    open(&mut s, name, &file, json!({})).unwrap();
+    assert_eq!(names(&s.doc().unwrap().doc.layers), ["Art"], "{name}: the editing data's layers are read");
 }
@@ -289,6 +289,42 @@ fn artboard_tool_moves_with_art_creates_and_deletes() {
    assert_eq!(s.doc().unwrap().doc.artboards.len(), 1);
 }

+#[test]
+fn artboard_drag_keeps_a_flush_background_with_roundoff_and_multiple_texts() {
+    let mut s = Session::new();
+    s.execute("file.new", &json!({"width": 600, "height": 400})).unwrap();
+    let (x, y) = (-35.23064566724116, -107.85371637852609);
+    s.execute("artboard.setProps", &json!({"index": 0, "x": x, "y": y})).unwrap();
+    // The background's top is 2.84e-14 pt above the artboard's top.
+    let background = rect(&mut s, x, -107.85371637852612, 600.0, 400.0);
+    let mut ids = vec![background];
+    for i in 0..3 {
+        let text = s.execute("text.create", &json!({"x": x + 100.0, "y": y + 80.0 + f64::from(i) * 60.0, "text": "Test", "size": 12})).unwrap();
+        ids.push(NodeId(text["id"].as_u64().unwrap()));
+    }
+    s.execute("select.none", &json!({})).unwrap();
+    let before: Vec<Rect> = ids.iter().map(|id| bounds(&s, *id)).collect();
+    let board = s.doc().unwrap().doc.artboards[0].rect;
+    let history = undo_len(&s);
+    gesture(&mut s, "artboard", &[(x + 300.0, y + 200.0), (x + 400.0, y + 240.0), (x + 400.0, y + 240.0)], Mods::default());
+    let moved_board = s.doc().unwrap().doc.artboards[0].rect;
+    let delta = moved_board.origin() - board.origin();
+    assert!(delta.hypot() > 1.0, "the artboard actually moved");
+    for (id, was) in ids.iter().zip(&before) {
+        assert!(close(bounds(&s, *id), *was + delta), "{id:?} must move with the artboard");
+    }
+    assert_eq!(undo_len(&s), history + 1);
+    s.execute("edit.undo", &json!({})).unwrap();
+    assert_eq!(s.doc().unwrap().doc.artboards[0].rect, board);
+    for (id, was) in ids.iter().zip(&before) {
+        assert!(close(bounds(&s, *id), *was), "Undo restores {id:?}");
+    }
+    s.execute("edit.redo", &json!({})).unwrap();
+    for (id, was) in ids.iter().zip(&before) {
+        assert!(close(bounds(&s, *id), *was + delta), "Redo moves {id:?}");
+    }
+}
+
 #[test]
 fn artboard_resize_via_handle_and_move_command() {
    let mut s = session();
@@ -162,10 +162,11 @@ pub fn illustrator_data(bytes: &[u8], password: Option<&str>) -> Option<Vec<u8>>
    (!data.is_empty()).then_some(data)
 }

-/// Does the PDF's first page carry an editor's private data (a PDF-compatible `.ai`)? Without
-/// reading the data.
+/// Does the PDF's first page carry an editor's copy of the art: a PDF-compatible `.ai`
+/// (`AIPrivateData` keys) or a PDF saved with its editing data (`AIPDFPrivateData`, #1345)? Without
+/// reading the data. Either's trim boxes are its editor's artboards.
 pub fn has_illustrator_data(bytes: &[u8], password: Option<&str>) -> bool {
-    open(bytes, password).is_ok_and(|pdf| pdf.pages().first().is_some_and(has_private_data))
+    open(bytes, password).is_ok_and(|pdf| pdf.pages().first().is_some_and(|p| piece_info_has(p, &[b"AIPrivateData", b"AIPDFPrivateData"])))
 }

 /// `stream` decoded, up to `most` bytes: the decoder is run here rather than by the PDF reader's
@@ -193,8 +194,16 @@ fn inflated(stream: &Stream<'_>, most: usize) -> Option<Vec<u8>> {
 /// Does `page` carry an editor's private data (`PieceInfo` keys starting with `AIPrivateData`)?
 /// A file saved without PDF compatibility keeps its art there and shows a placeholder page.
 pub(crate) fn has_private_data(page: &Page<'_>) -> bool {
-    fn walk(d: &Dict<'_>, depth: u32) -> bool {
-        depth < 4 && d.keys().any(|k| k.starts_with(b"AIPrivateData") || d.get::<Dict<'_>>(k.as_ref()).is_some_and(|sub| walk(&sub, depth + 1)))
+    piece_info_has(page, &[b"AIPrivateData"])
+}
+
+/// Does `page`'s `PieceInfo` hold a key starting with one of `prefixes`, up to four dictionaries in?
+fn piece_info_has(page: &Page<'_>, prefixes: &[&[u8]]) -> bool {
+    fn walk(d: &Dict<'_>, prefixes: &[&[u8]], depth: u32) -> bool {
+        depth < 4
+            && d.keys().any(|k| {
+                prefixes.iter().any(|p| k.starts_with(p)) || d.get::<Dict<'_>>(k.as_ref()).is_some_and(|sub| walk(&sub, prefixes, depth + 1))
+            })
    }
-    page.raw().get::<Dict<'_>>(b"PieceInfo").is_some_and(|d| walk(&d, 0))
+    page.raw().get::<Dict<'_>>(b"PieceInfo").is_some_and(|d| walk(&d, prefixes, 0))
 }
@@ -389,6 +389,8 @@ fn modified(path: &Path) -> Option<std::time::SystemTime> {
 struct SysFallback {
    enabled: bool,
    misses: std::collections::HashSet<char>,
+    /// Counts the scans of the font folders: a search that a scan overtook doesn't record its miss.
+    scans: u64,
 }

 /// Fonts made for Thai, tried first (when installed) for Thai the font in use lacks: Windows
@@ -1734,6 +1736,12 @@ impl FontDb {
        *self.catalog.write().unwrap_or_else(|e| e.into_inner()) = catalog;
        *self.aliases.write().unwrap_or_else(|e| e.into_inner()) = aliases;
        *self.postscript.write().unwrap_or_else(|e| e.into_inner()) = postscript;
+        // A font installed since may cover the characters no font did: they are looked for again.
+        {
+            let mut sys = self.sys.lock().unwrap_or_else(|e| e.into_inner());
+            sys.scans = sys.scans.wrapping_add(1);
+            sys.misses.clear();
+        }
        self.changed();
        n
    }
@@ -2034,6 +2042,9 @@ impl FontDb {
                return false;
            }
        }
+        // The first scan done before its count is read, so the first miss is remembered too.
+        self.ensure_catalog();
+        let scans = self.sys.lock().unwrap_or_else(|e| e.into_inner()).scans;
        let covered = |db: &FontDb| db.read_faces().iter().any(|f| f.covers(c));
        for fam in SYSTEM_FALLBACKS {
            if !self.is_loaded(fam) && self.load_cataloged(fam) && covered(self) {
@@ -2055,7 +2066,10 @@ impl FontDb {
                }
            }
        }
-        self.sys.lock().unwrap_or_else(|e| e.into_inner()).misses.insert(c);
+        let mut sys = self.sys.lock().unwrap_or_else(|e| e.into_inner());
+        if sys.scans == scans {
+            sys.misses.insert(c);
+        }
        false
    }

@@ -120,6 +120,33 @@ fn fonts_without_outlines_the_engine_draws_are_left_out() {
    assert_eq!(db.load_system_fonts(), 1);
 }

+/// A character no font covered is looked for again once a rescan finds a font that has it (#992).
+#[test]
+fn rescanning_retries_characters_no_font_covered() {
+    // A private-use character none of the bundled fonts has.
+    const C: char = '\u{F0000}';
+    let dir = std::env::temp_dir().join(format!("vc-sysfonts-{}-retry", std::process::id()));
+    let _ = std::fs::remove_dir_all(&dir);
+    std::fs::create_dir_all(&dir).unwrap();
+    let db = FontDb::with_font_dirs(vec![dir.clone()]);
+    assert!(db.face_covering(C).is_none());
+    // Source Sans 3 Regular renamed, its character map replaced by one holding only `C`.
+    let base = named(&[(3, EN, 1, "Retry Sans"), (3, EN, 2, "Regular"), (3, EN, 6, "RetrySans-Regular")]);
+    let font = skrifa::FontRef::new(&base).unwrap();
+    let mut builder = write_fonts::FontBuilder::new();
+    builder.add_raw(write_fonts::types::Tag::new(b"cmap"), crate::embed::cmap(&[(C as u32, 1)]).unwrap());
+    for r in font.table_directory.table_records() {
+        let tag = write_fonts::types::Tag::new(&r.tag().to_be_bytes());
+        if !builder.contains(tag) {
+            builder.add_raw(tag, font.table_data(r.tag()).unwrap().as_bytes());
+        }
+    }
+    std::fs::write(dir.join("Retry.ttf"), builder.build()).unwrap();
+    assert!(db.face_covering(C).is_none(), "the miss is remembered until the fonts are scanned again");
+    assert_eq!(db.load_system_fonts(), 1);
+    assert_eq!(db.face_covering(C).unwrap().family, "Retry Sans");
+}
+
 #[test]
 fn rescanning_finds_fonts_installed_since() {
    let dir = font_dir("rescan");
@@ -383,6 +383,13 @@ pub fn show(app: &mut VectorcraftApp, ctx: &egui::Context) {
        }
        m.get_temp::<bool>(focus_id).unwrap_or(false)
    });
+    // Not in the frame of a click (the one on the menu item that opened it): egui takes the focus
+    // from a field the click missed, so the field takes it a frame later (#1367).
+    let clicked = ctx.input(|i| i.pointer.any_click());
+    if focus_first && clicked {
+        ctx.request_repaint();
+    }
+    let focus_first = focus_first && !clicked;
    let spec = spec(&d.kind);
    if let Some(window) = spec.window {
        return window(app, ctx);
@@ -525,6 +525,47 @@ fn a_dialog_opens_with_its_first_field_focused_so_typing_and_enter_apply() {
    assert_eq!(node.appearance.effects.last().map(|e| e.params["scaleH"].clone()), Some(json!(50.0)));
 }

+/// #1367: a dialog opened by a click (its menu item) is drawn in the frame of that click, where egui
+/// takes the focus from a field the click missed: its first field still has the focus, each time it
+/// opens.
+#[test]
+fn a_dialog_opened_by_a_click_focuses_its_first_field_each_time_it_opens() {
+    let mut app = app();
+    app.run("shape.rectangle", json!({"x": 10, "y": 10, "width": 40, "height": 20})).unwrap();
+    let ctx = egui::Context::default();
+    theme::install_fonts(&ctx);
+    theme::apply(&ctx, Default::default());
+    let frame = |app: &mut VectorcraftApp, events: Vec<egui::Event>| {
+        let mut out = ctx.run_ui(egui::RawInput { events, ..Default::default() }, |ui| show(app, ui.ctx()));
+        out.textures_delta.clear();
+    };
+    // A click away from the dialog, as on a menu item.
+    let click = || {
+        let (pos, button, modifiers) = (egui::pos2(5.0, 5.0), egui::PointerButton::Primary, egui::Modifiers::NONE);
+        let press = |pressed| egui::Event::PointerButton { pos, button, pressed, modifiers };
+        vec![egui::Event::PointerMoved(pos), press(true), press(false)]
+    };
+    type Open = fn(&mut VectorcraftApp);
+    let opens: [(&str, Open); 2] = [
+        ("Convert to Shape", |app| drop(app.run("effect.dialog", json!({"effect": "convertToShape.rectangle"})))),
+        ("Rasterize", |app| crate::menus::invoke(app, "object.rasterize", json!({}))),
+    ];
+    for (name, open) in opens {
+        for turn in 1..=3 {
+            open(&mut app);
+            assert!(app.ui.dialog.is_some(), "{name}");
+            frame(&mut app, click());
+            frame(&mut app, vec![]);
+            frame(&mut app, vec![]);
+            assert!(ctx.memory(|m| m.focused()).is_some(), "{name}, turn {turn}");
+            cancel(&mut app);
+            // A frame without the dialog, as between two uses of it.
+            frame(&mut app, vec![]);
+            assert!(ctx.memory(|m| m.focused()).is_none(), "{name}, turn {turn}");
+        }
+    }
+}
+
 /// #1000: a count typed in Object › Create Object Mosaic… reaches the command (a whole number typed
 /// in a command's dialog is an integer), so the mosaic has that many columns, not the 10 × 10 grid.
 #[test]
@@ -1,6 +1,6 @@
 # File format parity

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266) · **Target:** Adobe Illustrator 2026 (30.x)

 Every format Illustrator opens, places, saves or exports, against VectorCraft's format table (`FORMATS`,
 `OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/mod.rs`). Illustrator's list comes from its public
@@ -34,6 +34,7 @@ private editing data. VectorCraft:
  when the program runs, from the layers alone when it names its prolog without including it (#1027).
  A PDF-compatible `.ai` opens on its PDF part's trim boxes (its artboards), the bleed boxes round them
  becoming the document's bleed, so art in the bleed shows outside the artboard, within the bleed guide (#1266).
+  A PDF saved with its editing data (`AIPDFPrivateData`) opens the same way.
 - **Writes** a PDF-compatible `.ai` (Save As › `ai`): Illustrator opens it as plain art. It never writes
  Illustrator's private editing data, which is undocumented.
 - **Known failures in users' files:** layer structure flattened or multiplied (#951: 109 layers instead of
@@ -82,8 +83,9 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri

 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-12 | minor | PDF and `.ai` import: a shape painted with a gradient opens as one path with the gradient (#1304). PDF and `.ai` export: the constant alpha soft mask of a CMYK page with transparency is white (#1286, in part) |
 | 2026-10-12 | minor | DXF reads control-point SPLINE closure (#1299 follow-up after #1320); open curves stay open and curves retained; rational/non-rational import and export versions regression-tested; scores/hours unchanged |
-| 2026-10-12 | minor | A `.ai` opens on its trim boxes with its bleed boxes as the document's bleed; a PDF opened on its trim boxes too (#1266) |
+| 2026-10-12 | minor | A `.ai` opens on its trim boxes with its bleed boxes as the document's bleed; a PDF opened on its trim boxes too (#1266); a PDF saved with its editing data opens as the `.ai` does |
 | 2026-10-11 | minor | An EPS keeps its own page and its stacked text strokes through its layers (#1102) |
 | 2026-10-11 | minor | A `.ai` read as its PDF part keeps its artboard layout from the editing data (#1068) |
 | 2026-10-11 | minor | Spot colours defined in Lab keep their Lab values, from the editing data and from a PDF part whose ink alternate is an ICC Lab profile (#1032) |
@@ -1,6 +1,6 @@
 # Gaps

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred) · **Target:** Adobe Illustrator 2026 (30.x)

 Every known shortfall against Illustrator, one entry each, **ranked by how much it stops a professional from
 switching**. This is the work list: unless you were given a task, pick the highest-ranked gap you can make
@@ -234,6 +234,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall

 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-12 | minor | G9: gradient-filled shapes from a PDF or `.ai` open as paths, not clip groups (#1304); CMYK files with transparency show in applications reading soft masks by luminosity (#1286, in part: the layer groups' bounding boxes remain); G15: hiding or locking a layer deselects in linear time (#1353); estimates unchanged |
 | 2026-10-12 | minor | G7: custom document ruler origin (#1212) done; global/artboard mode switching and video rulers remain, estimate unchanged |
 | 2026-10-12 | minor | G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged |
 | 2026-10-12 | minor | Pathfinder single-result booleans preserve source names and SVG IDs (#1293); paint-order, grouped/compound sources, unchanged geometry/appearance and Undo/Redo regression tests; scores and estimates unchanged |
@@ -511,7 +511,7 @@ an EPS as its page, a `.ai` file from its PDF content (a `.ai` saved without PDF

 Opening a PDF (or `.ai`) imports every page as an artboard and layer; `document.open` takes `pages` ("2-3, 5", 1-based),
 `cropTo` (`bounding` (the art's bounds), `art`, `crop` (default), `trim`, `bleed`, `media`: the box each artboard gets;
-with `trim` the bleed box round it becomes the document's bleed, and a PDF-compatible `.ai` opens on its trim boxes for
+with `trim` the bleed box round it becomes the document's bleed, and a PDF-compatible `.ai` or a PDF saved with its editing data opens on its trim boxes for
 `crop`, its crop box taking the bleed in) and `password` for an encrypted file. `document.pdfInfo` reads a file without opening it: the page count, each page's
 size and boxes, `needsPassword`, and with `thumbnail: n` a PNG of page n. Imported colours keep their model:
 DeviceCMYK and CMYK ICC colours stay CMYK (a file painted mostly in CMYK opens as a CMYK document), DeviceGray is Gray,
@@ -1,6 +1,6 @@
 # Roadmap: milestones and what's next

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (custom ruler origin, #1212; M11: Artboard object clicks create a fitted artboard (#1227); estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; M6: Simplify preview/counts and valid topology selection (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; M14: RPM runtime metadata (#1275); estimates unchanged; M5: squared-distance texture redraws (#1257); clean-machine/platform drag measurements still pending; estimates unchanged; M2: Curvature point display improved (#1236, in part); estimates unchanged; M7: full-name font matching (#1258); Windows font-service QA pending; estimates unchanged; M1: no-op anchor Align keeps Undo, Redo and saved state (#1180 follow-up); estimates unchanged; M14: dedicated Eyedropper cursor (#1269); estimates unchanged; M3: Eyedropper reads visible locked and outside-isolation sources (#1251); estimates unchanged; M2: Direct Selection segment picks and Delete (#1278); estimates unchanged; M3: adding paint to an unpainted zero-width stroke restores 1 pt (#1253); estimates unchanged; M12: graph designs, graph data, Graph Type and label options; M14: native macOS save Format menu, #866; M6: compound appearance and member fill-rule fixes, #1197; estimates unchanged; M9: PDF raster-effect cap warnings; G11: #893 fixed, #937 open; M7: accurate character controls after scaling, #1034; estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click, #1239; custom ruler origin, #1212; M11: Artboard object clicks create a fitted artboard (#1227); estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; M6: Simplify preview/counts and valid topology selection (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; M14: RPM runtime metadata (#1275); estimates unchanged; M5: squared-distance texture redraws (#1257); clean-machine/platform drag measurements still pending; estimates unchanged; M2: Curvature point display improved (#1236, in part); estimates unchanged; M7: full-name font matching (#1258); Windows font-service QA pending; estimates unchanged; M1: no-op anchor Align keeps Undo, Redo and saved state (#1180 follow-up); estimates unchanged; M14: dedicated Eyedropper cursor (#1269); estimates unchanged; M3: Eyedropper reads visible locked and outside-isolation sources (#1251); estimates unchanged; M2: Direct Selection segment picks and Delete (#1278); estimates unchanged; M3: adding paint to an unpainted zero-width stroke restores 1 pt (#1253); estimates unchanged; M12: graph designs, graph data, Graph Type and label options; M14: native macOS save Format menu, #866; M6: compound appearance and member fill-rule fixes, #1197; estimates unchanged; M9: PDF raster-effect cap warnings; G11: #893 fixed, #937 open; M7: accurate character controls after scaling, #1034; estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)

 Forward-looking plan. Where VectorCraft stands is in [`ROADMAP.md`](../ROADMAP.md) and
 [target-app-parity.md](target-app-parity.md); the ranked work list is [gaps.md](gaps.md). Hours are Opus 5.5
@@ -80,6 +80,7 @@ After placed documents (File › Place of a `.vectorcraft` file, linked), M4.14

 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-12 | minor | M4: gradient-filled shapes from a PDF or `.ai` open as paths (#1304); constant alpha soft masks export white (#1286, in part); M2: a Direct Selection click on a Live Corners widget selects its corner (#1239); estimates unchanged |
 | 2026-10-12 | minor | M2: custom ruler origin (#1212), with drag preview, active-artboard reset, relative X/Y and native round-trip; remaining ruler modes and estimates unchanged |
 | 2026-10-12 | minor | M11: Artboard object clicks create a fitted artboard (#1227); estimate unchanged |
 | 2026-10-12 | minor | Pathfinder single-result booleans preserve source names and SVG IDs (#1293); paint-order, grouped/compound sources, unchanged geometry/appearance and Undo/Redo regression tests; scores and estimates unchanged |
@@ -1,6 +1,6 @@
 # Parity with Adobe Illustrator

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click selects its corner, #1239; scores and hours unchanged; custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)

 The authoritative parity assessment. [`ROADMAP.md`](../ROADMAP.md) summarizes it; [`gaps.md`](gaps.md) is
 the work list made from it. Deep areas have their own checklists: [UI and interaction](ui-parity.md),
@@ -434,7 +434,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - **Transform:** Rotate, Reflect, Scale, Shear (click or Alt-click snaps the reference point to anchors and centres; Alt-click opens the tool's dialog, and a drag with Alt down at the release, from the press or pressed mid-drag, transforms a copy), Reshape, Free Transform (free and perspective distort and shear, switched by the keys held during a handle drag).
    Align, Distribute, Distribute Spacing, Reflect and Shear return an error for any `horizontal`, `vertical`, `to`, `axis`, `bounds` or `spacing` value they don't take, listing the choices, and Align returns one when a call gives neither `horizontal` nor `vertical`; nothing moves and no undo step is recorded.
    Transform Again uses the Copy, Transform Patterns, Scale Strokes & Effects and Scale Corners choices of the transform it repeats; after a bounding-box handle drag on area type, it resizes the type area again and the type keeps its size (`object.transformAgain`).
-  - **Live Corners:** drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout; with Direct Selection, select corner anchors to show and round just those corners (#381). Each corner keeps its own radius and kind (Round, Inverted Round, Chamfer): Alt-click a widget to cycle the kind, double-click it for the Corners dialog, and the Properties and Transform radius fields set the selected corners (`object.setLiveShape {corners, radius, kind}`). Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them. On a rectangle that isn't square every corner is the same circle: a radius past half the shorter side stops there for all of them, the widgets sit on the corners as drawn and turn the edited corners red at that limit, CSS export writes the drawn radii, and rectangles saved stretched by older versions get circular corners when their corners are next set (#442). Live Corners work on any path's corners too, as on a rectangle's (#511): a star's, a live polygon's (which also shows them to the Selection tool, has a Corner Radius field in the Properties and Transform panels and keeps its radius as its sides change) and a pen path's, wherever two sides meet at an angle at an anchor that isn't smooth: curved sides too, trimmed to what the cut leaves of them (#1144). Direct Selection shows the widgets of every corner, or of the corners holding selected anchors; each corner is a circle tangent to both sides, drawn no larger than takes its cut halfway along its shorter side; a path keeps its uncut outline so its corners stay editable, and the same command, dialog, angle preference and View › Hide Corner Widget apply.
+  - **Live Corners:** drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout; with Direct Selection, select corner anchors to show and round just those corners (#381). Each corner keeps its own radius and kind (Round, Inverted Round, Chamfer): Alt-click a widget to cycle the kind, double-click it for the Corners dialog, and the Properties and Transform radius fields set the selected corners (`object.setLiveShape {corners, radius, kind}`). Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them. On a rectangle that isn't square every corner is the same circle: a radius past half the shorter side stops there for all of them, the widgets sit on the corners as drawn and turn the edited corners red at that limit, CSS export writes the drawn radii, and rectangles saved stretched by older versions get circular corners when their corners are next set (#442). Live Corners work on any path's corners too, as on a rectangle's (#511): a star's, a live polygon's (which also shows them to the Selection tool, has a Corner Radius field in the Properties and Transform panels and keeps its radius as its sides change) and a pen path's, wherever two sides meet at an angle at an anchor that isn't smooth: curved sides too, trimmed to what the cut leaves of them (#1144). Direct Selection shows the widgets of every corner, or of the corners holding selected anchors; each corner is a circle tangent to both sides, drawn no larger than takes its cut halfway along its shorter side; a path keeps its uncut outline so its corners stay editable, and the same command, dialog, angle preference and View › Hide Corner Widget apply. With Direct Selection a click on a widget (no drag) selects its corner, as a click on the corner's anchor does, so the next drag on it rounds that corner alone; Shift-click toggles it (#1239).
  - **Pen:** Alt pressed in the middle of dragging out an anchor splits its handles and keeps the curve already shaped into it (only the outgoing handle follows the pointer); Space held while dragging out an anchor moves it, handles and all. A press on the first anchor of the path being drawn closes it whatever the drag then does: the drag shapes the closing curve (symmetric handles, Alt breaks them) and the release closes the path wherever it ends (#501). Clicking the last anchor of the path being drawn retracts its outgoing handle (convert cursor), and dragging from it pulls out a new one on its own. Auto Add/Delete: over a selected path, a click on a segment adds an anchor and a click on an anchor deletes it (add and delete cursors); Shift held, or Preferences › General › Disable Auto Add/Delete, starts a new path instead. Alt held over a handle end or an anchor of a selected path (the one being drawn too) works as the Anchor Point tool, with its convert cursor: dragging a handle moves it alone, clicking a smooth anchor makes it a corner, dragging an anchor pulls out new symmetric handles, dragging a segment reshapes it; drawing then goes on. Cmd (Ctrl) held drags with the selection tool chosen last, Direct Selection until one is (handles, anchors and segments of the path being drawn or another), and the Pen then goes on drawing its path while that stays selected; the pointer shows that tool's while Cmd is held. The same holds for agents (`pointer_gesture` with `mods.cmd`), as the borrowing now lives in the engine (#494).
  - **Direct Selection (#1278):** clicking a segment picks its connection, with hollow endpoint anchors and only that curve's direction handles. Delete leaves the neighboring curves and appearance intact, opens/splits contours in one undo step, and another Delete removes the remaining selected path. A whole-path drag and deliberate anchor selection keep their existing behavior; egui frames and native control/art checked, OS mouse/visual QA pending.
  - **Path editing (#494):** the handles shown are the handles that drag: Direct Selection drags those of a path selected as a whole (as the Pen leaves it), the Anchor Point tool and Pen+Alt no longer grab handles that Show handles when multiple anchors are selected hides, a handle shorter than the tolerance leaves its anchor to be picked, and the anchor tools pick within Selection & Anchor Display › Tolerance. A dragged segment keeps a smooth anchor at either end smooth. With Direct Selection, the Pen, the Curvature and the anchor tools, a path selected as a whole shows all its anchors selected, and the Control bar and the Properties panel offer Convert (corner, smooth) for them too; Remove and Cut wait for anchors direct-selected (#504). A handle drag gathers its snap targets once per drag (it took 21 ms per pointer move on a 20,000-path document, now 1 ms; `vectorcraft-cli perf` measures handle and segment drags on a 5,000-anchor path).
@@ -465,7 +465,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    Simplify and Add Anchor Points record no undo step when they change no path, and a path they leave as it is keeps its live shape.
 - **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `<use>` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boLine truncated
 - **Interface languages, vertical type:** Preferences ▸ User Interface (or VectorCraft ▸ Language on macOS) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, German (every `de-*` locale), Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale) Russian (every `ru-*` locale) and Ukrainian (every `uk-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); German, Spanish, French, Italian, Japanese, Russian and Ukrainian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, German, Spanish, French, Italian, Russian and Ukrainian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Proportional Metrics (the same menu; `{proportionalMetrics}`) sets full-width glyphs on the font's proportional widths (OpenType `palt`) in horizontal type and upright glyphs on its proportional heights (`vpal`, shaped top to bottom; fonts without vertical metrics keep their cells) in vertical type, and Line-end Punctuation Half Width takes nothing more off the punctuation they re-spaced; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
- **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks.
+- **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks. The constant alpha soft mask that PDF and `.ai` export draw a CMYK page with transparency through is white, so applications that read every soft mask by its luminosity show the page too (#1359, part of #1286).
  Disable, Enable, Unlink and Link Opacity Mask and Opacity Mask Options (`transparency.setOpacityMask`) record no undo step when every mask they act on already has the flags they set.
 - **Image Trace Flat Logo mode:** a fourth mode beside Black and White, Grayscale and Color, for flat-colour logos. Each pixel is read as a blend of the logo's colours (found automatically or named), the blend is interpolated smoothly and every outline is placed where two colours are equally present, so edges are accurate to a fraction of a pixel. Outlines are then cleaned: corners the blur rounded are put back, near-straight runs and near-circular arcs become exact lines and arcs, the rest is fitted with as few Béziers as the tolerance allows, touching colours overlap by a hair so no gap opens, and an outline that strays from the raw contour is fitted plainly instead. Gradients and photos are refused with advice to use Color. *Measured* (a local experiment, not run in CI): a flat-colour logo's vector original was rendered down to a soft 199 × 100 px transparent PNG, traced, and the result compared with the original at 1600 px wide. The built-in colour presets (6 Colors, 16 Colors, High Fidelity Photo, Low Fidelity Photo) had a mean edge error of 2.5 to 3.4 px and region overlap of 0.88 to 0.91; Flat Logo had 0.78 px and 0.966 (0.48 px and 0.975 from a crisp source), in about 0.1 s. Limits: flat-colour art only; needle-thin sharp tips are shortened by about 1.7 source pixels because the blur erases them; it works at no more than 1024 px on the long side (larger images are averaged down first); only one logo family has been scored against a vector original.
 - **Advanced art:** live Blends (steps/distance/smooth colour, editable spine, anchor-targeted Blend tool, faithful interpolation, knockout), Envelope Distort (warp/mesh/top object, Reset, full Envelope Options, mesh handles, Edit Contents; type, images, symbols, gradients, patterns and appearance distorted everywhere), Liquify tools with options and pen pressure, Puppet Warp with rotating pins, Perspective Grid with presets, movable planes and projected type (choosing a perspective tool shows the grid; Hide Grid hides it with the tool still chosen), Gradient Mesh, Shape Builder (stroke-only open paths and lines cut the regions they cross and enclose regions of their own, and regions they bound merge without seams where the lines cross at rounded coordinates (#893); filled open paths count as closed; erase mode while Alt/Option is held: a minus pointer, red highlights of what will go, a click or drag deletes the regions touched, the pieces of open lines and the edges (outline pieces between the points where paths meet, opening their paths there) it passes over, one undo step, `shapeBuilder.merge {erase}` and `shapeBuilder.regions` edges over MCP), Live Paint (every path an edge, open lines included), Image Trace (12 presets, colour layers traced in parallel; a trace past two million anchor points is refused with advice rather than running out of memory, an image over 64 megapixels is traced scaled down to that size (aspect kept, paths at the image's own size) and one over 192 megapixels is refused, and a selection too large to outline shows its bounds (#525); Object › Image Trace › Make and Make and Expand trace at once with the Default preset, #543; with an image selected the Control bar and the Properties panel show Image Trace, whose arrow traces with any preset, Mask (`object.maskImage`: a clipping path on the image's outline, selected so its handles crop), Crop Image (a crop box on the image, starting on its part over the artboard, dragged by its handles or inside it, the outside dimmed, with X/Y/W/H, Apply and Cancel in the Control bar, Enter and Escape, #734; `object.cropImage {rect}` for agents, `{trim: true}` cuts an image to its pixels that aren't fully transparent, pixel for pixel) and Embed or Unembed in place of Fill and Stroke; with an Image Trace object selected, its Preset (choosing another traces again), View, the Image Trace panel and Expand, plus Release in Properties; the five View modes (Tracing Result, with Outlines, Outlines, Outlines with Source Image, Source Image) redraw a trace on screen without tracing again, are saved with it and `imageTrace.setView` sets them, while exports and Expand keep the result; the panel's Advanced section is a header that stays open or closed as it was left (part of #641); Color mode's Palette: Limited, Full Tone (as many colours as the tones need, Less … More), Automatic (flat art with its own colours, else Full Tone; a heuristic) and Document Library (the most used colours of the document's swatches or a swatch library, filled with the swatch colours as they are), part of #641; Advanced › Create: Fills and/or Strokes, where lines up to the Stroke width trace as stroked centre lines (distance transform, thinning, a skeleton graph with spurs pruned, curve fitting; one width per line; without Fills, wider areas become stroked outlines), part of #641), pattern swatches with pattern editing mode, live Repeat (radial/grid/mirror).
@@ -491,7 +491,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
 - **Files (M4):**
  - `.vectorcraft` (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash (browser tabs hold their copies with Web Locks too, so a background tab's copies are never taken for a crash's, and a tab repairs copies another removed when it resumes: #367), background save and export. The desktop app writes its warnings and errors (graphics adapter, a lost graphics device, panics the guard recovered from) to standard error and to `logs/vectorcraft.log` next to the preferences, the two previous runs kept and each file capped at 16 MiB, so a launch without a terminal still leaves something to attach to a bug report (#465).
  - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a `<switch>`) wraps them, hidden ones hidden, and a file whose art sits loose under a root `<svg>` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask.
-    A PDF saved with Illustrator's editing data opens through it as a PDF-compatible `.ai` does, with its layers and groups and with art reaching past its page unclipped; such a PDF holds the data in `AIPDFPrivateData` streams (part of #868).
+    A PDF saved with Illustrator's editing data opens through it as a PDF-compatible `.ai` does, with its layers and groups and with art reaching past its page unclipped; such a PDF holds the data in `AIPDFPrivateData` streams (part of #868). A shape a PDF or `.ai` paints with a gradient (a clip path round a shading) opens as one path filled with the gradient, not a clip group round a rectangle, so Shape Builder, Live Paint and Pathfinder work on its outline (#1304).
  - EPS and DXF in and out, EMF/WMF in and out; PNG (with PNG-8), JPEG, WebP, GIF, TIFF, BMP, Targa and layered PSD export; PSD and PSB files open and place, linked or embedded, as their merged image in every colour mode and depth (#918). EPS import runs a PostScript Level 3 interpreter written from the PostScript Language Reference: resource categories and `resourceforall`, local and global VM (`currentglobal`/`setglobal`/`gcheck`), `clipsave`/`cliprestore`, subarrays and substrings that share storage, the standard dictionaries in `systemdict`, `dictstack`, `internaldict`, executable filters and strings, `load` by any key, `//name` immediate names, `token`, `execform`, user paths, `cshow`, `rootfont`, `cachestatus`, colour rendering and halftone queries, file `status` and data read with `flushfile`, and `pdfmark` marks dropped (Discord feedback, #466, #469, #474). Masked images (`ImageType 3` in its three interleavings) and reusable streams are read, and an image's several data sources are read in turn, as the reference defines (procedures that read one file get their own rows: such images came in banded, #498). `restore` puts dictionaries back as they were at the `save`, so programs that count their saves in a dictionary read to their end (part of #505). Tiling patterns come in as pattern swatches, uncoloured ones too; Type 3 fonts' glyphs as their outlines, spaced by `ashow`/`widthshow`/`xshow`/`kshow`; mesh and function-based shadings (types 1, 4–7) as gradient meshes; sampled functions (type 0) and Flate/LZW predictors are read. It is tested with programs written from the specification in the ways common generators use these features; Inkscape/cairo EPS files open as vectors. When a file's PostScript still can't be read, it opens as its TIFF preview, its Windows metafile preview (as vectors) or its EPSI preview, and the warning (in the status bar, `document.open`/`app.open`/MCP `open_file` replies and `vectorcraft-cli info`) names the error, the operator that raised it and the procedures it ran in. Legacy PostScript `.ai` files (Illustrator 3–8, written with the prolog that defines their operators) keep their groups and nested groups (`u` … `U`), between and inside clipping groups; EPS and EMF/WMF import nest clips (and groups) at most 128 deep, so a hostile file can't exhaust the stack. DXF TEXT justified Fit or Aligned spans its two points (stretched, or scaled as a whole). PDF export writes type as real, searchable text in embedded subset fonts by default, as Illustrator's PDF presets do (Convert Text to Outlines is an option; printer's marks stay shapes), so text-heavy PDFs stay small (#733). DXF export writes each fill as its outlines followed by its hatch, so laser and cutter software, which skips hatches, gets filled art and type too (#546).
  - DXF control-point SPLINE import honors its closed flag (#1299 follow-up after #1320 fixed export), including rational curves; open curves whose endpoints meet stay open. Own-fixture regressions cover controls/knots, fit-point fallback and all export versions (`crates/cad/src/import/tests.rs`, `crates/cad/src/tests.rs`); native save/read checked; CIRCLE/ARC fitting, CNC preset and VCarve QA remain pending.
  - Affinity documents in (AF.1–AF.4): `.af` (Affinity 3) and `.afdesign`/`.afphoto`/`.afpub` (Affinity 1 and 2, container versions 8–12) open and place as editable art: layers and sublayers, groups (pass-through or isolated), artboards (with their names and backgrounds) and Publisher pages side by side, curves with live corners, parametric shapes (rectangles with corner radii, ellipses, polygons, stars, pies, triangles, trapezoids), compound shapes, solid/linear/elliptical gradient fills and strokes (weight, dashes, alignment, scale-with-object), clipping by nesting, vector and pixel masks, artistic and frame text with fonts, sizes, tracking, leading and alignment, placed images (their original JPEG/PNG) and pixel layers (8/16-bit RGB, CMYK), opacity, visibility, locking and blend modes, at the document's resolution in points. Effects, adjustments, brushes and pressure profiles, transparency gradients, master pages, symbol instances (imported as their cached picture), special shapes (cloud, heart, cog…, imported as ellipses) and Affinity-only blend modes are named in the import warning. A file whose native data can't be read opens as its embedded preview with the reason, and that preview can't be placed. Save never writes back over the Affinity file and there is no Affinity export. AF.4 adds Affinity 3 artboard recognition and actual-outline clipping, source-backed JPEG/PNG raster tiles, Unicode text-run recovery, stored fallback/exact installed fonts, OpenType feature flags and compound-geometry limits. 51 public CC0/MIT/Apache-2.0 files (33 current `.af`), pinned and sha256-verified (`cargo xtask corpus --affinity`), test native retention and every-board native/SVG/PDF/PSD output for current files; selected files compare their saved thumbnails. No Affinity reopen or independent paired PSD oracle was available; [source audit and complex-font gaps](affinity-validation.md); [scope, provenance and limits](../crates/affinity/README.md).
@@ -516,6 +516,9 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur

 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-12 | minor | File formats: gradient-filled shapes import as paths (#1304); constant alpha soft masks export white for luminosity readers (#1286, in part); scores and hours unchanged (estimated) |
+| 2026-10-12 | minor | Polar Grid click dialog (#1192); `.ai` images on hidden lines read (#1264, in part); Affinity rectangles keep per-corner radii and cut corners (#666, in part); Tools panel buttons centred (#1363); Properties panel width with Image Trace (#1358, in part); scores and hours unchanged (estimated) |
+| 2026-10-12 | minor | Live Corners: a Direct Selection click on a widget selects its corner (#1239); Layers: deselecting on hide or lock is linear in the selection (#1353); scores and hours unchanged (estimated) |
 | 2026-10-12 | minor | Guides/rulers: custom document zero point (#1212) with preview, reset, relative position fields and native round-trip; global/artboard mode switch and video rulers remain; score 80% and 4–7 h unchanged (estimated) |
 | 2026-10-12 | minor | Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged |
 | 2026-10-12 | minor | Pathfinder single-result booleans preserve source names and SVG IDs (#1293); paint-order, grouped/compound sources, unchanged geometry/appearance and Undo/Redo regression tests; scores and estimates unchanged |
@@ -1,6 +1,6 @@
 # UI and interaction parity

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (custom ruler origin, #1212; Artboard tool clicks fit the topmost editable object in one undo step (#1227); scores unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Simplify preview/counts and valid rewritten-path selection (#1272); parity remains partial; Texture-effect drag redraws optimized (#1257); idle Windows interaction still unverified; scores unchanged; Curvature point display improved (#1236, in part); scores unchanged; Direct Selection: no-op anchor Align preserves Undo, Redo and saved state (#1180 follow-up); Eyedropper cursor distinguished from precise crosshair (#1269); scores unchanged; Eyedropper can read visible locked and outside-isolation sources (#1251); scores unchanged; Direct Selection: independent segment picks and Delete (#1278); scores unchanged; Adding paint to an unpainted zero-width stroke restores the 1 pt default (#1253); scores unchanged; macOS save sheets offer a Format menu, #866; Attributes fill-rule controls edit the compound when a member is selected, #1197; a marquee needs to touch a path, not just lie inside its fill, #1103; earlier: Live Corners round corners between curved sides, #1144) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (Live Corners: a Direct Selection click on a widget selects its corner, #1239; custom ruler origin, #1212; Artboard tool clicks fit the topmost editable object in one undo step (#1227); scores unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Simplify preview/counts and valid rewritten-path selection (#1272); parity remains partial; Texture-effect drag redraws optimized (#1257); idle Windows interaction still unverified; scores unchanged; Curvature point display improved (#1236, in part); scores unchanged; Direct Selection: no-op anchor Align preserves Undo, Redo and saved state (#1180 follow-up); Eyedropper cursor distinguished from precise crosshair (#1269); scores unchanged; Eyedropper can read visible locked and outside-isolation sources (#1251); scores unchanged; Direct Selection: independent segment picks and Delete (#1278); scores unchanged; Adding paint to an unpainted zero-width stroke restores the 1 pt default (#1253); scores unchanged; macOS save sheets offer a Format menu, #866; Attributes fill-rule controls edit the compound when a member is selected, #1197; a marquee needs to touch a path, not just lie inside its fill, #1103; earlier: Live Corners round corners between curved sides, #1144) · **Target:** Adobe Illustrator 2026 (30.x)

 How VectorCraft's tools, handles, snapping and panels behave next to Illustrator's. A vector illustrator's
 trust is in the details: where a handle lands, what Shift and Alt do mid-drag, what a smart guide snaps to,
@@ -72,7 +72,7 @@ tools, never checked side by side) isn't captured row by row.
 | Show handles when multiple anchors are selected; Highlight anchors on mouse over; anchor and handle size | done | Preferences › Selection & Anchor Display |
 | Convert selected anchors to corner/smooth from the Control bar and Properties | done | |
 | Cut path at selected anchors, Remove Anchor Points, Delete removes segments | done | #1278: segment Delete preserves neighboring edges and endpoint anchors; a second Delete removes the remainder; explicit anchor Delete retains its behavior |
-| Live Corners widgets (radius readout, Alt-click cycles kind, double-click the Corners dialog) | done | clicking a widget without pre-selecting the anchor (#908) missing |
+| Live Corners widgets (radius readout, Alt-click cycles kind, double-click the Corners dialog) | done | a Direct Selection click on a widget selects its corner (#1239); a press-and-drag on a widget of a path selected whole still rounds every corner (#908), and adding widgets to the selection by Shift-click (#1232) is missing |
 | Corners between curved sides (#1144), Relative rounding | partial | Relative rounding missing |
 | Isolation mode by double-click, breadcrumbs, Esc to exit | done | |
 | "Magnetic" moves of selected anchors with a modifier (#955 request) | missing | not an Illustrator feature as documented; under discussion |
@@ -186,6 +186,7 @@ re-measure of the panels added since.

 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-12 | minor | Live Corners: a Direct Selection click on a widget selects its corner, Shift-click toggles it (#1239); #908 and #1232 stay open; score unchanged (estimated) |
 | 2026-10-12 | minor | Custom ruler origin (#1212): corner drag previews and sets it; double-click resets to the active artboard; X/Y fields use it and native files keep it; scores unchanged (estimated) |
 | 2026-10-12 | minor | Artboard tool clicks fit the topmost editable object in one undo step (#1227); scores unchanged |
 | 2026-10-12 | minor | Pathfinder single-result booleans preserve source names and SVG IDs (#1293); paint-order, grouped/compound sources, unchanged geometry/appearance and Undo/Redo regression tests; scores and estimates unchanged |
Author	SHA1	Message	Date
bflatastic	0765bc9bcd	Fix #1367 : a dialog opened from a menu takes the keyboard focus every time A dialog opened by a click is drawn in the frame of that click, and in that frame egui takes the focus from any field the click missed. The first time a dialog's window shows, that frame only measures it, so its first field took the focus a frame later and kept it; every later time the field took it in the click's frame and lost it at once. The field now takes it the frame after the click.	2026-10-12 17:48:09 +07:00
BFlat	0a357c68a9	Merge pull request #1379 from storytold/fix/pdf-editing-data-bleed PDF import: a PDF saved with its editing data opens on its artboard with its bleed	2026-10-12 17:29:01 +07:00
BFlat	57598c067d	Merge pull request #1378 from storytold/docs/progress-1012e Docs: ROADMAP 2026-10-12 adds #1239–#1374 (community PRs of the day)	2026-10-12 17:28:39 +07:00
BFlat	fc0f732677	Merge pull request #1376 from storytold/fix/font-fallback-retry-after-rescan Fonts: a character no font covered is looked for again after a font rescan	2026-10-12 16:48:05 +07:00
BFlat	ef0c37349d	Merge pull request #1375 from storytold/fix/artboard-flush-roundoff Artboards: art flush with an artboard moves with it despite a rounding error	2026-10-12 16:47:55 +07:00
bflatastic	9d63926291	PDF import: a PDF saved with its editing data opens on its artboard with its bleed A PDF-compatible .ai opens on its trim boxes, its editor's artboards, with the bleed boxes round them as the document's bleed (#1349). A PDF saved with its editing data (#1345) keeps that data under AIPDFPrivateData keys, which has_illustrator_data didn't look for, so such a PDF with a bleed still opened on its crop box: the artboard took the bleed in and the editing data was refused as being for a different page. has_illustrator_data now finds either key. has_private_data, which also decides how a page is clipped, is unchanged. Test: a_file_with_a_bleed_opens_on_its_artboard_with_the_bleed_round_it (the .ai case, and the same hand-written file with AIPDFPrivateData).	2026-10-12 16:44:16 +07:00
bflatastic	2cf0452beb	Docs: ROADMAP 2026-10-12 adds #1239 , #1250 , #1252 , #1308 , #1318 , #1335 , #1339 , #1345–#1359	2026-10-12 16:44:16 +07:00
bflatasticandsanyamsingh001	4251e337c1	Fonts: a character no font covered is looked for again after a font rescan (#992 ) A character missing from every installed font was remembered as missing for the whole session, so installing a font that has it didn't help until a restart. A rescan of the font folders now forgets those misses, and a search a rescan overtook doesn't record one. Taken from #992 by sanyamsingh001, without its font file probe. Co-authored-by: sanyamsingh001 <314051937+sanyamsingh001@users.noreply.github.com>	2026-10-12 16:43:41 +07:00
bflatasticandLuca Lorenz	8b96db8f0b	Artboards: art flush with an artboard moves with it despite a rounding error (#1295 ) A background drawn at the artboard's own position could sit 3e-14 pt outside it and stay behind when the artboard moved, was copied or scaled its art. Art within a millionth of a point of the artboard's edges now counts as inside it. The fix and both tests are from #1295 by Luca Lorenz, without its change to art that only partly overlaps the artboard. Co-authored-by: Luca Lorenz <lucalorenzetti1993@gmail.com>	2026-10-12 16:43:41 +07:00