Found while testing crates/engine/src/commands.rs:117-120 (turn) with crates/engine/src/canvas_geom.rs:224 (Turn::affine); applied in crates/engine/src/lib.rs:807-814 (Session::edit)
Co-authored-by: Claude Haiku 5.5 <noreply@anthropic.com>
A command that fails on a layer id or name the document doesn't have now says which layers there are, top-down as id and name (at most 20, names cut at 64 characters), so an agent can recover from the error alone: ids are not positions, and a freshly opened PNG's Background is layer 2. NoLayer becomes UnknownLayer { id, known } at both command entry points, keeping the 'no such layer' prefix. A layer name that matches no layer exactly matches regardless of case; an exact match always wins.
Fixes#5058.
photocraft_algo::faces::detect finds faces in an RGBA image with a score, a box and five landmarks, through a pure-Rust port of libfacedetection's YuNet network (Shiqi Yu, BSD-3-Clause; licence, NOTICE and ATTRIBUTION rows included). The weights are the library's, converted to half precision (107 KB), parsed defensively. image.detectFaces reports the document's faces to scripts and agents; it is read-only with no history step and no menu entry. The network is compiled out of the browser build, where the command reports itself unavailable. Head outputs are pinned against the C++ reference.
Part of #3603.
* Layers panel: blend mode, Opacity, Fill and locks change every selected layer; Photoshop's History names
With several layers selected, the Layers panel's blend mode, Opacity, Fill and lock controls
changed only the active layer, silently (the layers audit's top panel gap). They now change
every selected layer, as in Photoshop, in one undo step. layer.setProps takes
"layers": [id, …] for that (headless too); a list with an unknown id, a bad shape, or a
name for several layers is an error that changes nothing.
History names follow Photoshop for a single kind of change: Opacity Change, Fill Opacity
Change, Blending Change, Rename Layer (a mix stays Layer Properties).
* Layers panel with several selected: Pass Through only for groups (refused for other layers), the Basic lock toggle and the blend-mode hover preview take every selected layer, the controls grey with the Background selected; History icon for opacity/fill/blend changes
* Layers panel: leave the Background-in-a-selection behaviour as it was until Photoshop's is confirmed (#5856)
* Layers panel: a selected Background is left out of several-layer Opacity, Fill, blend and lock changes until Photoshop's behaviour is confirmed (#5856)
* Clip groups: Release Clipping Mask takes the layers above; merges keep clipping; Delete Hidden settles
From the layers audit (L2, silently wrong results):
- Release Clipping Mask on a clipped layer also releases the clipped layers above it, as
Adobe documents ("removes the selected layer and any layers above it from the clipping
mask"). Before, they stayed clipped to the released layer.
- Merge Down of two clipped layers, and Merge Layers of clipped layers of one chain, give a
layer still clipped to their base (it was always unclipped). Merge Down's result also keeps
the lower layer's colour label and link; Merge Layers' keeps the top layer's label.
- Delete Hidden Layers releases the layers clipped to a deleted hidden base (clip_group rule
3, as single Delete already does), instead of leaving them clipped to the layer below.
* Merge Layers keeps the result clipped only when the clipped layers share one clip chain
* fmt
* Quick Mask: ⌘I inverts the whole mask, unstored black included (#6095)
Image › Adjustments on an alpha channel or the Quick Mask ran on the surface's
stored content only. The black outside a selection-made Quick Mask (or a new
black alpha channel) is the surface default, never stored, so Invert left it
black: the whole mask turned red and leaving Quick Mask selected nothing.
Channel targets now go through `pixels::adjust_mask`, as layer masks do, which
adjusts the default pixel too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Quick Mask: test ⌘I with Color Indicates Selected Areas too (#6095)
A rectangle comes back as everything but the rectangle, and with nothing
selected ⌘I selects everything. Both failed on main.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Export As: exact pixels, named presets, and profile options
Users can set an exact pixel size with the aspect ratio locked or free,
save and reuse named export presets in the preferences document, and
choose whether to convert to sRGB, embed the colour profile, and keep
EXIF or all metadata. Percent scale and the last-used settings stay.
Part of #2289
Co-authored-by: Zer0C00L01 <Zer0C00L01@users.noreply.github.com>
* Translate Export As's Color Profile and EXIF labels in every catalog
---------
Co-authored-by: Cursor Agent <cursoragent@cursor.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Record action layer selections by name and show their targets
* Use document pixel format in grouped-layer regression
* Document the named layer action UI with a synthetic capture
The layers were only in document.inspect, together with history,
channels and much more, so agents looked for a layer.* command that
didn't exist.
layer.list returns the layers top-down with id, name, kind, visibility,
bounds, selected and active; groups list their children, or with
"flat": true every layer is one row with its depth and parent group.
It takes the same optional "document" index as document.inspect, is not
journaled and bad params are errors.
* feat(commands): find the Elliptical Marquee by 'ellipse' or 'marquee' (#5060)
The Elliptical and Single Row/Column Marquee are options of select.rect
("ellipse":true, "line"), but the command-list filters only looked at
the id and the label ("Rectangular Selection"), so 'ellipse' and
'marquee' found nothing.
Commands can now carry search keywords. command.list / engine.commands
rows include them as "keywords", and the three filters (CLI commands
--filter, the engine.commands RPC and the MCP command_list) share one
matcher over id, label and keywords. select.rect gets the Photoshop
marquee names as keywords.
* Command list replies: document the optional keywords key
The reply-shape test from #3684 pins the exact keys of each row; select.rect
now also carries keywords, so the test and docs/control-protocol.md allow
that one optional string.
A mask made from the selection takes the selection with it in Photoshop: after
Layer > Layer Mask > Reveal Selection (the Layers panel's mask button with a
selection) the marching ants are gone. PhotoCraft kept the selection, so the
usual next step, Invert (Cmd/Ctrl+I) on the new mask, inverted only the part
inside the old selection and left the whole mask black, instead of flipping
the mask. Hide Selection (the Alt-click variant) already dropped it.
Reveal Selection now clears the selection in the same history step as the
mask: one undo brings the selection back and removes the mask.
Tests: adjust_cmds::tests::reveal_selection_drops_the_selection_so_invert_flips_the_whole_mask
(8/16/32-bit). Tests that deselected right after Reveal Selection no longer
need to (Deselect is disabled without a selection); layer_mask_depth and the
automation agent tasks now expect the selection to be gone.
Co-authored-by: abc2cb <271337822+abc2cb@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Opacity and Fill are fractions in layer.setProps but percentages in the
Layer Style commands, and a value above 1 was clamped silently: 55 gave
an opaque layer. Out-of-range or non-numeric values now fail with an
error that names the range, and the layer is left alone.
The Background has none of them. layer.setProps applied them to it as it
was, and Select and Mask's Layer Mask output gave it a mask. Like
Photoshop (and like PhotoCraft already does for moving, transforming,
erasing, styles and Layer > Layer Mask), it now becomes a normal layer,
"Layer 0", first. Values that leave its look alone (opacity and fill
100 %, Normal) keep it the Background.
Fixes#4836
Clicking a History panel state ran Edit > Undo / Redo once per state. Each
step bumped the document revision, so the canvas could not tell what the
jump changed and recomposited the whole document (re-uploading every
changed layer on the GPU path).
history.selectState {state} returns the document to a state (numbered as
the panel lists them, redo states included) in one command: the history
moves by pointer swaps, the document becomes current once, with one
revision and the damage rect between start and target, and the targeted
layers restored as Undo restores them. The panel runs it once per click;
an open Free Transform refuses it (panel guard kept, and the transform
intercept greys and refuses it for every caller). A floating piece goes
back as with Undo instead of being dropped as a new step.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
The Duplicate Layer dialog gains Photoshop's Document: New destination
with a document-Name field (As stays the copy's name, multi-select keeps
names, single group gets the Duplicate Group title). layer.duplicate
takes document index-or-new plus optional documentName, mirroring
channel.duplicate: the new document matches the source canvas, mode,
depth, resolution and profile, holds just the selected layers at their
positions, and becomes active. Smart-object contents are remapped within
the batch so copies are independent of the source. The dialog is fixed to
its content width so no dead strip remains.
Like Photoshop, Cmd/Ctrl-clicking the Layers panel's New Layer button adds the
layer below the selected layer instead of above it. The Background stays at the
bottom: below it, the layer lands above it.
Third-party action sets that load since 3204231 now play. Four TrueGrit
Texture Supply sets (Debaser, Distress Press, Halftone Zine Machine,
Transparency) go from 223 to 3 unmapped steps of 533 and play end to end.
- .atn import, 108 -> 112 events: Select and Mask (refineSelectionEdge),
Filter Gallery Spatter (GEfc), Ripple, Crystallize; targeting the layer
mask or composite channel, loading the targeted channel, Step
Backward/Forward, removeFromSelection (it silently imported as a plain
select), Pattern Fill layers (by name), nudges in points, Layer From
Background, Grayscale/Bitmap mode objects, Image Size by resolution.
- Engine: layer.translate units pt; layer.select mode remove;
select.loadSelection channel targeted; image.imageSize keepPrintSize;
layer.new.layerFromBackground ifPresent/select; pattern.import data.
New from Clipboard keeps the copied document's resolution (was 72 ppi).
- Filters: Spatter's Smoothness smooths the displacement (torn but
attached edges, as Photoshop's); Crystallize fills a cell from its point
instead of the average, so masks keep hard edges.
- UI: .pat opens/drops into the Patterns panel (no UI import existed).
- Docs: gaps G11, file-format and target-app parity.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The tool colours are stored as sRGB, so a colour picked as CMYK 100/0/0/0
(outside sRGB) came back as 100/28/0/17 when a CMYK document was filled.
tools.setColors now takes foregroundCmyk/backgroundCmyk, the picker sends
the entered inks, and Edit > Fill (and the fill keys) write them as they
are into a CMYK target. Fill also enters the document's CMYK profile.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Actions panel: set folders, dialog toggle column, Insert Stop (#219)
- Engine actions_edit_cmds: actions.insert (any command at a position; Insert Stop… uses it
with actions.stopMessage), actions.dialog (the per-step dialog flag), actions.assignSet.
Flag sets follow inserted steps; nothing edits during playback.
- Panel: loose actions first, then each set as a collapsible folder row with its count
(ui.actions.collapsedSets); dropping an action among another set's rows moves it there;
Save Set… on a folder's context menu; a dialog toggle column next to the check marks;
Insert Stop… in the panel menu with a small message/Allow Continue dialog.
- Shell playback pauses on a dialog-toggled filter or adjustment step: the command's dialog
opens seeded with the recorded values; OK runs the dialog's values and resumes from the next
step, Cancel stops. Agents play headlessly. The play result reports paused: {step, id, dialog}.
- Docs: control protocol, scorecard AUTO-219-2 done, gaps G11.
* Translate the Actions panel's set, dialog-toggle and Insert Stop strings
* Resume a paused action only after the dialog's background job lands
A filter confirmed from a dialog runs as a background job in the desktop app; the resumed
steps met a locked document and failed. Wait for the job first (test covers background jobs).
* Load and save Photoshop Actions (.atn) (#219)
- photocraft-psd: `atn` parser and writer for version-16 action sets, exact round trip,
truncation/garbage safe, fuzz target and `atn_dump` example. Descriptor fix: `indx` and
`Idnt` reference items carry a class before the number (real action files failed to parse).
- photocraft-engine: `atn_cmds` maps 92 Photoshop events to commands and back (filters,
adjustments per channel, image/canvas/crop/trim/rotate/flip/mode, make/set/select/delete/
hide/show/move/duplicate, fill/stroke, selection, clipboard, purge, profiles, play, stop).
Other steps load as `actions.photoshopStep` (descriptor kept, written back by save, fails at
playback by name); tool selections load switched off. Commands `actions.load`,
`actions.save`, `actions.stopMessage`, `actions.photoshopStep`. `Action` gains `dialogs`
and `set`. `layer` params accept a layer name, so loaded steps replay in any document.
- UI: Actions panel menu › Load Actions… / Save Actions…; Photoshop steps labelled.
- CLI: `batch --actions set.atn`. Automation policy covers the new path params.
- Docs: file-format parity (.atn R/W), gaps G11, target-app parity, scorecard AUTO-219-2
partial, development guide.
* Translate the Actions panel's Load/Save strings in every catalog
The eight new panel strings (Load/Save Actions…, the loaded/saved counts, the kept-step label)
were missing from all 19 catalogs; the languages that were complete are back at 100%.
* Show the Actions entries in the default dock's panel menu
The legacy dock renders its own group menu and only knew the Layers and Swatches entries, so
Load Actions… and Save Actions… were missing there.
* Layers: Merge Group for a selected group (#3832)
With a lone group selected, Layer > Merge Layers (Cmd+E) reads Merge Group and the
Layers panel's right-click menu offers Merge Group instead of Merge Down, as in
Photoshop. The new layer.mergeGroup command flattens the group's visible contents
into one pixel layer in its place, named after the group, keeping its opacity, blend
mode (Pass Through becomes Normal), clipping and locks. Before, Cmd+E on a group ran
Merge Down and merged the whole group into the layer below it.
* i18n: Vietnamese row for Merge Group
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Flatten Image, Merge Visible and Merge Down now composite a CMYK stack of
plain Normal raster layers in its ink values, so a lone Background flattens
bit-exact and 16-bit depth is kept. Stacks that still need the RGB
compositor separate back through the document's own CMYK profile instead of
the built-in one, and Merge Down's scratch document keeps the profile.
Fixes#3778
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
engine.commands, command.list and the MCP command_list tool now give each
row a disabledReason (null when enabled, else the failed precondition) and
needsDocument (true when the command is off because no document is open),
so an agent can tell "open a document first" from "not runnable". enabled
keeps its meaning. Both listings share one row builder in the engine.
Fixes#3664
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Photoshop's Background is the bottom layer of a file without transparency: a pixel layer that is
transparency- and position-locked, whatever the file's language calls it ("Hintergrund", "背景",
"Arrière-plan"). We matched the name "Background" in compose (deep / shallow knockout), the
engine (cut/clear, merge visible, transforms, warps, distort, erasers, styles, masks, crops,
straighten, smart-object unpack) and the UI (Properties, layer row, tab title), so a localized
file's deep knockout revealed transparency instead of the Background.
- `Document::background` / `background_mut` / `is_background` and `Layer::has_background_traits`
in the doc model replace every name check; `extra_cmds::background_to_layer` is the one
"Background → Layer 0" conversion.
- PSD import marks the bottom record position-locked when it is transparency-protected and has
no transparency channel, with or without an `lspf` block. Affinity import and HDR Toning now
lock the Background's position like every other place that creates one.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
layer.translate takes target=mask: a layer whose mask is unlinked then shifts that mask only
(the shell adds the target when the Layers panel targets the mask), live preview included.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Brush and Pencil: hold ~ to erase
Fixes#3439. Holding ~ (the backtick key) with the Brush or Pencil makes
the strokes started while it is held erase, with that tool's own brush,
as in Photoshop; releasing it paints again and the tool never changes.
The key is a Tools › Temporary binding (tools.temporary.erase), so it
can be rebound or removed in Keyboard Shortcuts.
* Brush and Pencil: Clear painting mode, used by ~
Photoshop's Clear joins the Brush's and Pencil's Mode menus, after
Dissolve: chosen there, every stroke erases with that tool's brush until
another mode is picked. Holding ~ now puts the stroke in Clear mode too,
and the Mode menu shows Clear while the key is held. History names the
tool rather than the Eraser. Agents get it as "mode": "clear" on
paint.stroke and paint.pencil.
* Keep the Smoothing doc comment on smoothing_field
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* fix(engine): use document depth for new pixel masks
* test(engine): check mask depth and selection coverage
* test(engine): preserve mask edits across native and PSD round trips
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Properties: Curves adjustment layers get the black/gray/white eyedroppers (#3110)
The Set Black/Neutral Gray/White Point pickers existed only in the
Image > Adjustments > Curves dialog (#873). The Properties editor of a
Curves adjustment layer now has them too (layer_picker.rs): with one
armed, a click on the image runs one layer.setAdjustment with the new
`eyedropper` param, which samples the image below the layer (the layer
hidden, like its Properties histogram) at the Eyedropper's Sample Size,
so a repeated click keeps the curve and the edit is one undoable,
recordable step agents can send directly. Esc, another tool or another
layer disarms it; ui.pointer and ui.inspect (`layerPicker`) cover it.
Scorecard UI-217-15 is done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Levels: black, gray and white point eyedroppers (#3116)
Image > Adjustments > Levels and a Levels adjustment layer's Properties
panel get Photoshop's Set Black/Neutral Gray/White Point eyedroppers.
Black/white move each channel's input black/white to the sample, gray
sets each channel's midtone gamma so the sample turns neutral at its
luma (Grayscale: composite input, no gray). The engine takes the same
`eyedropper` param as Curves on image.adjustments.levels,
layer.newAdjustmentLayer.levels and layer.setAdjustment.
On a smart object, image.adjustments.levels/curves with `eyedropper`
now record the resolved adjustment as the smart filter instead of the
raw sample, which re-rendered as an identity (#3127).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Properties: Curves adjustment layers get the black/gray/white eyedroppers (#3110)
The Set Black/Neutral Gray/White Point pickers existed only in the
Image > Adjustments > Curves dialog (#873). The Properties editor of a
Curves adjustment layer now has them too (layer_picker.rs): with one
armed, a click on the image runs one layer.setAdjustment with the new
`eyedropper` param, which samples the image below the layer (the layer
hidden, like its Properties histogram) at the Eyedropper's Sample Size,
so a repeated click keeps the curve and the edit is one undoable,
recordable step agents can send directly. Esc, another tool or another
layer disarms it; ui.pointer and ui.inspect (`layerPicker`) cover it.
Scorecard UI-217-15 is done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
translate_layer re-rendered a type layer on every whole-pixel move. For type
from a PSD that replaced Photoshop's rendering with PhotoCraft's: paragraphs
re-wrapped, and text in a font that isn't installed vanished. Artboards to
Files moves each board to the origin this way, so a Steam store template's
"How to use" artboard lost its "Hello!" title. The Move tool, nudges, layer
comps and moving artboards went through the same path.
A whole-pixel move now shifts the rendered pixels, as smart objects and the
Move tool's live preview already do, and moves the TySh position with
photocraft_text::psd::translate_tysh: only the transform's translation
bytes change, so the rest of Photoshop's type data stays byte for byte. Type
with nothing rendered yet is still rendered.
On that template, 17 of 20 artboards now match Photoshop's own composite
exactly (the "How to use" board went from a mean difference of 4.5 to 0.02);
the remaining differences are shape layers (same cause, separate path) and
pre-existing 1-level rounding on two smart objects.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Layers: clip groups follow New Layer, Arrange, Reorder and Delete (#2203)
Adding, moving or deleting layers never touched Layer::clipped, so a
new layer above a clipping base split its group and became the base of
the layers clipped above it, and moving or deleting a base left its
clipped layers clipping to whatever ended up below them.
The new clip_group module applies Photoshop's rules, measured on #2203:
a layer added or moved joins the clip group it lands in; a clipped
layer moved stays clipped while it still sits on a clip group; the
layers clipped to a base that moves away or is deleted are released;
and a clipped run left with nothing below it is released. They are
applied by layer.new.layer (new clipToPrevious param, Photoshop's Use
Previous Layer to Create Clipping Mask), layer.arrange.*, layer.moveTo
(Layers panel drags, batches and ⌥-drag copies) and layer.delete.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Layers: the New Layer dialog (Layer › New › Layer…, ⇧⌘N)
Layer › New › Layer… made a layer straight away. It now opens
Photoshop's New Layer dialog: Name (focused and selected), Use Previous
Layer to Create Clipping Mask, Color, Mode, Opacity, and Fill with
<mode>-neutral color, greyed out with "(No neutral color exists for
<mode> mode.)" for modes that have none. OK makes the layer in one
history step.
layer.new.layer gains mode, opacity, color and fillNeutral params
(new engine module new_layer.rs) beside clipToPrevious. The neutral
colors (white for the darkening modes and Divide, black for the
lightening and difference modes, 50% gray for the light modes) are
checked by compositing at 8, 16 and 32 bits.
As in Photoshop, the Layers panel's New Layer button still makes a
layer at once and ⌥-click opens the dialog; commands with params
(automation, Actions, MCP) never show it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Adding, moving or deleting layers never touched Layer::clipped, so a
new layer above a clipping base split its group and became the base of
the layers clipped above it, and moving or deleting a base left its
clipped layers clipping to whatever ended up below them.
The new clip_group module applies Photoshop's rules, measured on #2203:
a layer added or moved joins the clip group it lands in; a clipped
layer moved stays clipped while it still sits on a clip group; the
layers clipped to a base that moves away or is deleted are released;
and a clipped run left with nothing below it is released. They are
applied by layer.new.layer (new clipToPrevious param, Photoshop's Use
Previous Layer to Create Clipping Mask), layer.arrange.*, layer.moveTo
(Layers panel drags, batches and ⌥-drag copies) and layer.delete.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
select.rect takes an optional `line` ("row"|"column"); the canvas sends it
for the Single Row / Single Column Marquee, so History records
"Single Row Marquee" / "Single Column Marquee" instead of
"Rectangular Marquee". An unknown `line` is an error.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Installed ICC profiles in the profile menus, and Mirror in Print
- photocraft_engine::installed_profiles: scans the OS colour profile
folders (Windows, macOS, Linux), bounded and cached; new
edit.installedProfiles command.
- Print's Printer Profile and the Proof Setup, Convert to Profile and
Assign Profile dialogs list the installed profiles after the
built-ins; a profile given by path that isn't listed shows by name.
- file.print emulsionDown mirrors the page (PDF and preview), with a
Functions › Emulsion Down (mirror) checkbox.
- Print dialog: cm/mm/in, Height and Width fields, Print Resolution.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Print dialog: translate Emulsion Down, Functions, Print Resolution in every catalog; cargo fmt
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Color Sampler tool (#1046)
Add the Color Sampler to the Eyedropper (I) flyout: click to pin numbered
sample points to canvas pixels, drag to move, Alt-click (or drag off-canvas)
to remove, Clear All in the options bar, at most 10 per document. Each point
reads one composite pixel (RGB 0-255 and naive device CMYK, same as the
pointer readout) and the Info panel lists them under their number with the
position in the ruler unit; the readouts refresh when the document changes.
Points are per-document engine view state (DocState.color_samplers): they
belong to their document, are discarded on close, and are not saved to
.pcraft or PSD. They are driven by commands shared by the UI, CLI, control
channel and MCP (view.colorSamplers.add/.move/.delete/.clear/.list); the
mutations change no pixels and add no History step.
Points follow the canvas geometry (crop, Canvas Size, Image Size, Image
rotation/flip, rotated crop) through a pending Session.sampler_map that
Session::edit applies before culling the points that land outside the new
canvas; the count removed is reported in the status bar.
- engine: new sampler_cmds.rs (commands + shared readout helpers) and the
sampler_map wiring in lib.rs, image_cmds.rs, mode_cmds.rs, commands.rs,
analysis_cmds.rs (compound rolls points back on error).
- ui-egui: Tool::ColorSampler + original sampler.svg icon, toolbar slot,
Info panel list, options bar, pointer handling, overlay markers, cursor.
- docs/scorecard.md regenerated (TOOL-1649-1 no longer says the tool is
missing). No menu item, so parity is unchanged (627/627).
* Color Sampler follow-up: tool count, README, i18n, roadmap
The full ui-egui suite (not just the filtered tests) surfaced these gaps:
- state.rs: Tool::ALL.len() assertion 52 -> 53.
- README.md: "52 tools" -> "53 tools" and add Color Sampler to the list,
so readme_tool_list_matches_tool_all passes.
- i18n: the options-bar hint, "{n} of {max} sample points" and
"No document open" need entries in every catalog that claims complete
menus (every_tl_literal_is_translated); added to all 16 (coverage
1584/1584). The translations were drafted alongside the tool.
- docs/roadmap.md: drop Color Sampler from the missing-tools list and note
it landed.
* Color Sampler: fit main's new tools and Image Size resample type
Reset Tool covers ColorSampler, the test ViewXform sets aspect, and
Image Size checks Method::None instead of an Option.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Layers: Pattern Fill dialog for new and edited pattern fill layers (#2908)
Layer > New Fill Layer > Pattern... created the layer with default
settings and no dialog, and double-clicking a Pattern Fill thumbnail only
opened Properties, which has no pattern controls, so a pattern fill could
not be adjusted after creation.
Both now open Photoshop's Pattern Fill dialog: the pattern swatch picker,
Snap to Origin, Angle, Scale and Link with Layer, previewed live on the
canvas from a document snapshot. OK runs one engine command, so it is one
History step; Cancel changes nothing (a new layer is not created).
- engine: new `layer.fill.pattern.set` (pattern_fill_cmds) edits a Pattern
Fill's pattern, scale, angle, link and phase in one undo step, validating
every param; `preview` applies it or `layer.newFillLayer.pattern` to a
copy of the document for the dialog. `new_fill_layer`'s edit is shared
as `insert_fill_layer` so the preview is exactly what OK commits.
- ui: pattern_fill_ui (dialog body, OK, canvas preview), routed from the
menu item (no params) and Layer Content Options; explicit params still
run the engine directly. Catalog entries for the new strings.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Pattern Fill test: pick the swatch picker's Patterns button (main added a Patterns dock tab)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Elliptical Marquee tested and wrote every pixel one at a time
(Surface::write_pixel), single-threaded, with no shared full tiles. The
add/subtract/intersect modes read both selections over the whole canvas
into f32 buffers. On 6000x4000 an ellipse took ~0.6-1.1 s and a mode
combination ~0.3-0.5 s.
ellipse_surface builds the shape per row: a run of fully selected pixels
(bounded analytically, checked with the exact f32 tests at both ends)
and edge pixels that get the original per-pixel coverage test. Tiles are
built in parallel, and fully selected tiles share one tile.
combine_surfaces maps two GRAY8 selections tile by tile through a
256x256 byte table, sharing tiles that come through unchanged. Both
produce exactly the old bytes (equivalence test against the old
per-pixel code).
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Duplicating a layer reported no damage, so the canvas recomposited the
whole document after every Duplicate Layer (P8/P9). The copy itself was
already cheap (tiles are shared Arcs). Report the copy's change bounds
instead, through the step_damage walk extended to bounded additions:
self-contained added layers (not an adjustment, not a new clipping base,
no video or excluded channels) contribute their change bounds; anything
else still recomposites everything.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
New Perspective Crop tool in the Crop flyout (C): drag a box or click four
corners, drag corners independently onto a skewed object, perspective grid
(Show Grid), Enter commits, Esc cancels. W/H/Resolution come from the Crop
tool's fields (Front Image, Clear), or the quad's mean side lengths.
Engine: image.perspectiveCrop {corners, width?, height?, resolution?,
interpolation?} maps the quad onto an upright canvas through the
quad-to-rectangle homography (Heckbert's square-to-quad map, inverted):
every raster layer, mask, alpha channel and the Quick Mask, one undo step.
The Background stays opaque over the background colour; type, shape, fill
and smart object layers are rasterized first; vector geometry follows the
nearest affine map. Non-convex, self-crossing, counter-clockwise or
degenerate quads are refused with an error.
algo: warp_surface_clipped bounds the per-tile warp by the new canvas even
when a layer reaches past the map's horizon; convex_quad, quad_size,
quad_to_rect.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Type flyout (T, Shift+T cycle) gains Vertical Type Mask and Horizontal
Type Mask, in Photoshop's order. They type like the Type tools, with the
canvas under Quick Mask's colour and the glyphs clear while editing. On
commit the glyph coverage replaces the selection; no layer is left behind
and the whole session is one "Type Mask" history step. Escape always
cancels and leaves the selection unchanged.
The commit runs a new engine command, type.createSelection: a type layer's
glyphs (optionally removing that layer, the tools' hidden working text) or
type.create's keys directly, with new/add/subtract/intersect and an
anti-aliasing override. type.create's layer building is shared through
type_cmds::new_text_layer.
Original dashed-T icons (ATTRIBUTION.md), tool label translations in every
catalog, README tool list and the gaps/parity docs updated.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Add Layer > Rasterize > Layer Style; Rasterize Layer converts vector masks (#2245)
Nothing could bake layer effects into a layer's pixels, and Rasterize >
Layer refused a raster layer that has a vector mask.
New command layer.rasterize.layerStyle (Layer > Rasterize > Layer Style,
and in the Layers context menu). It renders the layer by itself through
the compositor at 100% opacity in Normal mode, so the effects, fill
opacity and masks end up in the pixels, including those past the canvas.
The layer's own opacity, blend mode, knockout and Blend If stay layer
properties. Type, shape, fill and Smart Object content is rasterized
first, all in one history step. With a Normal layer and Normal-mode
effects the composite is unchanged at 8, 16 and 32 bit. Effects in
another mode are evaluated against the isolated layer's transparent
backdrop, because one layer of pixels cannot hold several blend modes.
Rasterize > Layer and All Layers now also turn a vector mask into a
pixel mask ("all vector data") and leave effects live, as Photoshop
does. The menu enablement follows both changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Regenerate docs/scorecard.md after rebase (#2245)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
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