File › New › Recent was a hard-coded pair of presets plus Clipboard. Each
document created with the dialog now records its settings (size,
resolution, mode, depth, background, display units) through the new
document.recent.add command: newest first, equal entries collapsed, at most
20, persisted with the presets (a damaged entry is dropped on load, the rest
kept). The Recent tab lists Clipboard, those documents, then the defaults
they don't cover; a click restores every setting, a double-click creates,
and the grid scrolls past three rows. document.recent.list exposes the list
to agents; creation stays in file.new. Closes scorecard row UI-217-12.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Filter > Vanishing Point now opens a dialog mode on the canvas instead of
the generic parameter dialog:
- Create Plane (C): four clicks, in any order, make a plane (corners are
normalised clockwise from the top-left, the order paste expects).
- Edit Plane (V): drag corner nodes, or edge nodes to slide an edge along
the plane's own perspective; click a plane to select it, Delete removes it.
- The plane grid is drawn at the Grid Size, in the accent colour when the
plane is valid, warning yellow when its perspective is doubtful and red
(outline only) when the quad isn't convex (VpPlane::check).
- With an image on the clipboard the selected plane previews it pasted in
perspective; drag to move it, Width sets its size, New Layer renders it
on a new layer. OK / Enter runs filter.vanishingPoint with the planes and
the paste as one history step; the control channel drives the same
session through {"ui": {...}}.
The engine now rejects a drawn plane whose corners don't form a convex
quad (bow-tie, dented) instead of warping along it.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Clone Source panel gets Photoshop's W/H chain (Maintain aspect
ratio): with it on, a new W or H scales the other by the same factor.
cloneSource.set takes "linked" and cloneSource.list reports it.
The overlay's Darken, Lighten and Difference modes were stored but
never drawn. draw_clone_preview now blends the source with the
composite under the brush (clone_source::overlay_blend), so Difference
goes black where source and image line up.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The mesh was every square grid cell touching the layer's opaque pixels:
a staircase up to a cell outside the shape, and shapes closer than about
a cell shared cells, so pinning one dragged the other along.
build_mesh now traces the outline of the opaque region grown (or shrunk)
by Expansion from a signed distance field, simplifies it (Douglas-Peucker,
corners kept), splits its sides to the Density spacing, fills the inside
with a triangular lattice and triangulates the points (Bowyer-Watson
Delaunay, outline sides recovered by midpoint splits), keeping the
triangles inside the outline. Separate shapes get separate meshes, so an
unpinned one stays put, as in Photoshop. Vertices are numbered in reverse
Cuthill-McKee order to keep the solver's banded factor narrow, and the
density's spacing counts the grown region so a large Expansion on a small
layer no longer builds tens of thousands of vertices.
Scorecard TOOL-214-6 done; docs/gaps.md G7 updated.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Properties: Curves adjustment layers get the black/gray/white eyedroppers (#3110)
The Set Black/Neutral Gray/White Point pickers existed only in the
Image > Adjustments > Curves dialog (#873). The Properties editor of a
Curves adjustment layer now has them too (layer_picker.rs): with one
armed, a click on the image runs one layer.setAdjustment with the new
`eyedropper` param, which samples the image below the layer (the layer
hidden, like its Properties histogram) at the Eyedropper's Sample Size,
so a repeated click keeps the curve and the edit is one undoable,
recordable step agents can send directly. Esc, another tool or another
layer disarms it; ui.pointer and ui.inspect (`layerPicker`) cover it.
Scorecard UI-217-15 is done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Preferences › Interface › Enable animations (interface.enableAnimations, on by
default). Off, prefs_ui::sync_animations sets egui's animation_time to 0 and
scroll_animation to none in both the dark and light styles, so menus, popups
and collapsing sections change at once and scroll areas jump. It is re-applied
each frame, so a theme change keeps it. Translated in all 16 catalogs; the
scorecard row UI-217-10 goes to partial.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Layers panel: Shift+Plus/Minus cycle blend modes; effects dropped on the Trash are deleted (#3102)
- blend_keys.rs: Shift+Plus / Shift+Minus step to the next / previous blend mode, wrapping:
the brush's mode with the Brush or Pencil (tools.setBrush), the Gradient's with the Gradient
tool, otherwise the active layer's (layer.setProps; groups include Pass Through, the
Background is left alone). One undo step per press.
- panels.rs: an effect row dragged onto the footer's Delete button deletes that effect, the
"Effects" row clears the whole style (layer.layerStyle.clear).
- engine: layer.layerStyle.clear takes an optional "effect" index ("Delete Effect" step);
bad indices and layers return Err.
- scorecard UI-217-14 -> done (its wheel, footer drop and thumbnail checker parts were already
on main via #1961, #965).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Layers panel: Shift+Plus/Minus step the blend mode on a German layout too (#3102)
On layouts with a key of its own for `+` (German, Italian, Spanish) Shift+`+`
types `*`, which egui has no key for, so egui-winit reports the physical key:
`]` on German. That matched Shift+] (Increase Brush Hardness) before the blend
keys ever saw it. Shift+`-` types `_` and arrives as the physical `/`.
shortcuts::layout_symbols now turns such a fallback press (Shift, the key equal
to its physical key, not a digit, next to the text `*` or `_`) into `+` / `-`
before any shortcut is dispatched. A US Shift+] still arrives as `}` and keeps
raising the hardness; US Shift+8 (`*`) stays a digit for the opacity keys.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Content-Aware Scale: transform box with live preview (#3096)
Edit > Content-Aware Scale opened a parameter dialog. Photoshop has no
dialog: it puts a scale-only transform box on the layer (or the
selection's bounds). The menu now opens that box.
- The box reuses Free Transform. Corner and edge drags scale and an
inside drag moves; dragging outside does not rotate, Cmd does not
skew or distort, and the Warp switch and the Transform modes are off.
- The options bar shows X/Y and W/H, then Amount, Protect (an alpha
channel) and Protect skin tones.
- The live preview runs the command's own carving
(ContentAwareScalePreview) on a 384 px copy on a worker thread. A
run for a box that has changed since is cancelled after 150 ms, and
the latest result is drawn through the box.
- Enter runs edit.contentAwareScale with the box's size and its new
x/y params as one history step; Esc cancels.
- With params the command still runs directly.
Scorecard TOOL-214-7: done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Content-Aware Move's transform box: set the new content_aware field
#3095 (Transform On Drop) builds a TransformSession by hand; this PR adds
content_aware to it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Numeric fields: typed units, scrubby labels, double-click reset (#3099)
- Value fields convert a unit typed after a number into the field's unit
(1in, 2.54cm, 72pt, 1pica/pc, 10px, 50%) at the active document's
resolution; Image Size and New Document use their own resolution. A
unit that can't convert, or bad arithmetic, keeps the old value.
- widgets::scrub_label: dragging a label scrubs the value field right
after it on its row (a step a point, Shift x10, Alt a tenth as fast),
with a horizontal-resize cursor. Used by options-bar labels, slider
rows and the Character panel icons. A slider row reports the scrub as
one drag, so adjustment edits coalesce into one history step.
- Adjustment slider rows with a known default and filter dialog sliders
reset on double-click, like Color Balance already did.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Scrubby labels: drag-only, not focusable, so Tab skips them
Sense::drag() is focusable in egui 0.36, so every scrubby label became an
extra Tab stop and tab_focus_reveals_the_final_narrow_tool_option could no
longer reach the last tool option.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Content-Aware Move: Transform On Drop (#3071)
The Content-Aware Move tool gains Photoshop's Transform On Drop checkbox. With it on, the drop
puts a transform box on the moved patch (the Free Transform box's handles, limited to move,
scale and rotate); Enter, the check button or a double-click computes the content-aware blend
with the transformed patch, Esc or the cancel button drops the whole move. The document is
untouched until the commit, so the move stays one History step.
Engine: paint.contentAwareMove takes scaleX / scaleY (%, 1..10000, negative flips) and rotate
(degrees, clockwise) about the selection's centre before the offset, validated (Err, not a
panic, for non-finite, out-of-range or off-canvas placements). The content and the selection's
shape are resampled through the inverse map on float samples (any depth); the selection is
transformed with the content. A plain move keeps the old, exact code path.
UI: cam_transform.rs holds the box (UiState.cam_transform, view state); the option is remembered
in ToolOptions and settable with ui.set camTransformOnDrop; ui.inspect reports camTransform.
Scorecard TOOL-213-4 stays partial: no live preview of the blended result yet.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Tests: keep Transform On Drop cases in the Content-Aware Move test, not Patch (#3071)
paint.patch takes no scaleX/scaleY/rotate, so those cases (which only
paint.contentAwareMove rejects) failed patch_fails_gracefully. They are
already covered by content_aware_move_fails_gracefully.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
While editing type, a run of clicks at one spot now selects like Photoshop:
two clicks the word, three the laid-out line (a column in vertical type),
four the paragraph up to its hard return, five all text; the next quick
click starts over with a caret. egui stops counting at three, so the Type
tool keeps its own count per layer (next_click_count) and the ranges come
from a pure helper over the text and its layout (click_selection).
Scorecard TYPE-218-8 is done; docs/gaps.md G8 updated.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Every existing save path (layered TIFF, print PDF, ACO/ASE, .shc, Smart
Filters in PSD, atomic-save failure) already has a save-and-read-back
test; SVG and Photoshop PDF have no writer yet (FILE-215-10).
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Tools: Artboard tool (#2858)
Photoshop's Artboard tool in the Move flyout (V, ⇧V cycles Move ↔ Artboard):
dragging on an empty spot draws a new board (`layer.new.artboard`), clicking a
board selects it, dragging it moves it with its contents, and the selected
board's edge and corner handles resize it (`layer.artboard.set`,
moveContents: false). Each gesture is one undo step. Options bar: Size preset,
W/H, Make Portrait, Make Landscape, Add New Artboard. Original toolbar glyph
(assets/icons/artboard.svg, ATTRIBUTION.md row).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Artboard tool: '+' buttons add a board beside the selected one; ⇧ keeps proportions (#3033)
With the Artboard tool, the selected board shows a "+" button beside each
side. A click adds an empty board of the same size (background and preset
copied) on that side, the 100 px artboard gap away and past any board in
the way; ⌥-click adds a copy with its contents instead. A board left of or
above the canvas origin shifts the whole document right/down and grows the
canvas, so it stays visible. Both go through the new engine command
`layer.artboard.addBeside` {layer?, side, duplicate} (one undo step).
⇧ while dragging a corner handle keeps the board's aspect ratio: the
opposite corner stays and the board scales by the larger axis factor.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Paths: Stroke Path with any brush-based tool and Simulate Pressure (#2978)
path.stroke now takes every brush-based tool of Photoshop's Stroke Path
dialog: besides the Brush, Pencil and Eraser it renders itself, the
Background Eraser, Clone and Pattern Stamp, Healing and Spot Healing
Brush, History Brush, Blur, Sharpen, Smudge, Dodge, Burn, Sponge, Color
Replacement and Mixer Brush run their paint.* command along each
subpath, in one history step, with only path.stroke journalled.
simulatePressure resamples each subpath and ramps the pressure from 0 at
its start to full at the middle and back to 0 at its end, so a brush
whose size follows pen pressure tapers at both ends.
The Stroke Path dialog (Pen/Path Selection right-click menu, the Paths
panel row menu, Alt-click on the panel's Stroke button) asks for the
tool and Simulate Pressure, as in Photoshop. Scorecard TOOL-214-11 done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Automation: classify path.stroke's params as a document vector path (#2978)
The new Stroke Path params doc says the tools run "along the path", which
registry_filesystem_path_params_are_classified reads as a possible host
file path. path.stroke strokes a document path and forwards only to
paint.* commands that take no files, so it joins the vector-path list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Type: ask to rasterize before Warp on live type (#3004)
Edit › Transform › Warp (the menu, or the warp toggle of an open transform
box) on editable type opened Warp mode, let the user shape the mesh, then
failed on commit with "Warp needs rasterized type". It now opens Photoshop's
"This type layer must be rasterized before proceeding…" prompt, the one the
pixel tools already use. OK applies an open transform box, rasterizes the
type (its own history state) and opens Warp on the pixels; Cancel does
nothing. The prompt's continuation is a menu command from an allow-list,
run with the egui context right after the confirm (control channel, OK
button) or on the next frame.
Distort and Perspective stay greyed for type (#2701), Puppet Warp and
Perspective Warp stay greyed for non-pixel layers, as in Photoshop.
Scorecard TYPE-218-9 -> done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Type: Warp on live type takes the warp styles, no rasterize prompt (#3004)
Photoshop 2026 keeps Edit › Transform › Warp enabled on live type and asks
nothing: the mesh can't be dragged, only the options bar's warp styles
(Warp Text's) apply, and the type stays editable. The earlier version of
this change asked to rasterize first; that is gone (and with it the prompt
continuation, which nothing else used).
Warp mode on a type layer now starts from the layer's own Warp Text style
over the unwarped type, ignores mesh drags and splits (Split, Grid and the
Custom style are greyed/hidden, the split menu items are greyed), and the
commit runs edit.transform.warp, which on type sets the Warp Text: one
history step, recordable, the layer stays Text. None takes a warp off. A
box scaled or rotated before toggling Warp is applied first.
Scorecard TYPE-218-9 note updated: Photoshop doesn't prompt for Warp;
Distort and Perspective stay greyed (#2701).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Alt during a drag unlinks the handle pair (only the outgoing one keeps following),
Alt-press on the last anchor's outgoing handle turns that handle alone, and pressing
the first anchor now closes on release, so a drag pulls out that anchor's handles
(a stand-in knot folded into the first one on commit). A plain click still closes
without touching the first anchor's handles. Still one History step per path.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Select and Mask: Output To New Document, with or without a layer mask (#2998)
select.refineEdge takes output newDocument / newDocumentWithMask: a new
document like the source (size, mode, depth, resolution, profile) with
the active layer cut out by the refined edge, or with the matte as a
layer mask. The source document is left untouched. The dialog's Output
choice lists all six targets, translated in every catalog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n: drop the duplicate pt-br New Layer row (main already has it)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Character section (Properties and Window > Character) shows one slider
per axis of the style's variable font below the font style (Weight, Width,
Slant, Italic, or the font's own tag), setting type.setStyle variations; a
drag is one history step. Optical size has no slider: the layout now sets
opsz to the type size unless the style sets it, as CSS font-optical-sizing
auto. Picking a font style or weight resets the wght axis to it, so an
earlier slider value no longer overrides the style the dropdown shows.
Scorecard TYPE-218-4 -> done.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Select and Mask: live preview in Photoshop's view modes (#1754)
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Select and Mask: Refine Edge Brush (#2972)
Select and Mask had no Refine Edge Brush. select.refineEdge now takes
refineStrokes: [{"points":[[x,y],...],"size":px,"mode":"add|subtract"}],
applied in painting order. Added areas become unknown and take a colour
estimate: each pixel's colour projected on the line between the mean known
foreground and background colours around it (normalised convolution over
a box of the brush size, four times as far where none are near), so hair
or fur beyond the edge-detection band joins the selection. Subtracted
areas keep the original edge. Malformed or oversized strokes are rejected
(stroke / point / swept-area limits), never a panic.
The dialog gets the brush: Refine Edge Brush (R), Mode (Expand Detection
Area / Restore Original Edge, Alt swaps), Size ([ and ]) and Clear Brush
Strokes. With it on, dragging on the canvas paints strokes into the
dialog's refineStrokes field, so the live preview, Show Edge and OK use
them, and ui.dialog.set / agents drive them like any other param.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Color Sampler tool (#1046)
Add the Color Sampler to the Eyedropper (I) flyout: click to pin numbered
sample points to canvas pixels, drag to move, Alt-click (or drag off-canvas)
to remove, Clear All in the options bar, at most 10 per document. Each point
reads one composite pixel (RGB 0-255 and naive device CMYK, same as the
pointer readout) and the Info panel lists them under their number with the
position in the ruler unit; the readouts refresh when the document changes.
Points are per-document engine view state (DocState.color_samplers): they
belong to their document, are discarded on close, and are not saved to
.pcraft or PSD. They are driven by commands shared by the UI, CLI, control
channel and MCP (view.colorSamplers.add/.move/.delete/.clear/.list); the
mutations change no pixels and add no History step.
Points follow the canvas geometry (crop, Canvas Size, Image Size, Image
rotation/flip, rotated crop) through a pending Session.sampler_map that
Session::edit applies before culling the points that land outside the new
canvas; the count removed is reported in the status bar.
- engine: new sampler_cmds.rs (commands + shared readout helpers) and the
sampler_map wiring in lib.rs, image_cmds.rs, mode_cmds.rs, commands.rs,
analysis_cmds.rs (compound rolls points back on error).
- ui-egui: Tool::ColorSampler + original sampler.svg icon, toolbar slot,
Info panel list, options bar, pointer handling, overlay markers, cursor.
- docs/scorecard.md regenerated (TOOL-1649-1 no longer says the tool is
missing). No menu item, so parity is unchanged (627/627).
* Color Sampler follow-up: tool count, README, i18n, roadmap
The full ui-egui suite (not just the filtered tests) surfaced these gaps:
- state.rs: Tool::ALL.len() assertion 52 -> 53.
- README.md: "52 tools" -> "53 tools" and add Color Sampler to the list,
so readme_tool_list_matches_tool_all passes.
- i18n: the options-bar hint, "{n} of {max} sample points" and
"No document open" need entries in every catalog that claims complete
menus (every_tl_literal_is_translated); added to all 16 (coverage
1584/1584). The translations were drafted alongside the tool.
- docs/roadmap.md: drop Color Sampler from the missing-tools list and note
it landed.
* Color Sampler: fit main's new tools and Image Size resample type
Reset Tool covers ColorSampler, the test ViewXform sets aspect, and
Image Size checks Method::None instead of an Option.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* fix(ui): respect native desktop scale under Auto UI scaling (#1278)
* UI scale: drop the now-unused monitor size, update docs and scorecard
Merge main; Auto no longer reads the monitor size, so remove the parameter and its
computation, simplify the test, and update ui-design.md and UI-217-9 to match.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Mirror the shell for right-to-left UI languages (DIST-220-4)
Arabic, Hebrew, Persian and Urdu read right to left, but the window's
chrome was hard-wired left to right, so an RTL catalog (#2505) would
put Arabic labels into a left-to-right layout.
The reading direction now follows the language code
(i18n::dir_for_code: ar, ckb, dv, fa, he, ps, sd, ug, ur, yi), so a
catalog needs no extra setting and the LANGUAGES rows are unchanged.
In a right-to-left language the shell mirrors:
- the menu bar starts at the right with File; menus open under their
title's right edge, and the arrow keys step through them in screen
order
- the toolbox docks on the right, the panel dock and its rail on the
left; tool flyouts open towards the canvas and their corner marks
and the header chevrons follow
- the title, options and status bars read from the right, with the
workspace controls and the Fit/progress group at the left end; the
title and window-drag gap use the free span between them
New module direction.rs holds the helpers (start_panel/end_panel,
row/trailing layouts, horizontal_centered, the popup alignment). Left
to right, every change lays out as before.
No RTL catalog ships yet, so PHOTOCRAFT_UI_DIRECTION=rtl forces the
mirrored layout for review (read once, native only). Panel interiors,
dialogs, menu rows, submenus and document tabs stay left to right, and
egui still draws UI labels without Arabic shaping or bidi reordering;
docs/localization.md and the parity docs say so.
Adds Lucide's chevron-left (the status bar's info menu arrow points
left in RTL; Timeline's Previous frame button asked for it too and drew
the fallback square).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localization docs: egui shapes Arabic words; what's missing is a font and bidi word order
egui 0.36 shapes right-to-left runs with HarfRust, so letters join within
a word. The gaps are an Arabic fallback font in the UI and paragraph bidi
(words are placed left to right; emilk/egui#8576, #8577).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: MathMattTech <334629259+MathMattTech@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
View › Rulers (⌘R) now writes unitsAndRulers.showRulers, which is applied
at launch and whenever the preference changes, so new and opened documents
show the rulers as last set, as in Photoshop. The Preferences dialog doesn't
list it: the View menu sets it.
Guides are Vec<f64> (doc, New Guide/Move Guide, guide layouts, artboard and
canvas geometry, snapping, PSD resource 1032), so a guide placed in ruler
units or read from a PSD's 1/32 px positions keeps its exact place.
Scorecard UI-217-20 done (part of #217).
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Text fields: right-click edit menu (#2921)
Right-clicking in any text field (layer rename, a number field being
typed into, dialog and panel fields) opens Undo, Cut, Copy, Paste,
Delete and Select All at the pointer, acting on that field. A
right-click inside the selection keeps it, Esc closes only the menu,
and clicking the menu doesn't take the field's focus (the layer rename
would commit). The right-click never reaches the canvas or tool menus.
An egui plugin (text_field_menu.rs) opens and closes the menu for
every TextEdit; the app draws it before any field, so a chosen item is
handed to the field as its keyboard input in the same pass. Paste asks
the window for the clipboard text like Cmd+V in a field. No spelling
suggestions: there is no spell checker (UI-217-8 stays partial).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Text field menu: correct the spell-checker note (#2921)
PhotoCraft has a spell checker (edit.checkSpelling with a suggest
action); it just isn't wired into the text-field context menu yet.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Context-menu parity doc: same spell-checker correction (#2921)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Every effect with a contour (Drop/Inner Shadow, Outer/Inner Glow, Satin,
Bevel & Emboss Gloss Contour and Contour element) now shows a contour
thumbnail with a preset picker and an Anti-aliased checkbox. Clicking the
thumbnail opens the Contour Editor: add/drag/delete points (the shared
point-curve editor), Corner per point, Input/Output, Preset, and Load…/Save…
of .shc contour files, read and written from Adobe's public File Formats
Specification (Contours). Edits go to the dialog's pending params, so the
preview follows and OK applies them in the one layer.layerStyle.replace.
- doc: Contour::Custom gains per-point corner flags (serde default).
- compose: contour_curve_lut splits the spline at corner points; CPU and
GPU effects use it.
- engine: the 12 standard presets with our own control points (older names
still accepted); `contour` params also take a curve object
{name, points, corners}; antiAlias params; Satin contour; the bevel
Contour element edits in place; contours_from_shc / contour_to_shc.
- io: PSD contour points read and write the Cnty (continuity) flag.
- psd: shc.rs parser/writer.
- scorecard FILE-215-15 missing -> partial.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* scorecard: eight Open bugs rows describe work that is already in the tree
AGENTS.md sends contributors to the scorecard's missing and partial rows when
picking work, so a stale row costs someone a session: they sit down to write a
test that is already there. These eight ask for work that exists and is covered
by passing tests.
#205 / #207, mask and channel transforms:
- BUG-205-4 ("no raster-mask test"): linked_raster_mask_moves_with_the_pixels.
- BUG-205-5 ("the other two not implemented"): all three cases are covered, by
linked_mask_with_a_selection_moves_only_the_selected_region,
unlinked_mask_stays_put and targeted_unlinked_mask_transforms_alone.
- BUG-207-4 ("transform() has no target handling"): edit.transform takes target
(pixels, mask, quickMask or {channel: i}) and documents it in its params doc;
targeted_alpha_channel_transforms_alone covers the alpha channel.
#206, kerning — the whole section:
- BUG-206-1: CharStyle has both `kerning: Kerning` and `kern: f32`.
- BUG-206-2 / BUG-206-3: io/tests/psd_kerning.rs round-trips manual, Off and
Optical kerning, and reads the AutoKerning flag and Kerning value of every
character back out of the written TySh.
- BUG-206-4: Alt+Left/Right at a collapsed caret calls kern_pair, and the
Character panel field parses Metrics / Optical / a manual value; both tested.
- BUG-206-5 stays partial, not done: the round trips are covered, but no oracle
corpus file is dedicated to kerning values, which that row also asks for.
FILE-216-5 keeps its missing status (no save-path tests for layered TIFF, PDF,
SVG, ACO/ASE, .shc or Smart Filters), but its note claimed there is no
atomic-save failure-injection test; format/src/atomic/tests.rs has two, and
BUG-203-6 already records them as done.
docs/scorecard.md regenerated with cargo xtask scorecard; Open bugs moves from
22/2/8 to 29/2/1.
* scorecard: the Type section's kerning and Thai rows are out of date too
TYPE-218-6 ("Optical renders as Metrics; Alt+arrow moves by word") is done:
Alt+Left/Right at a collapsed caret calls kern_pair, optical kerning is computed
from the glyph outlines in text/src/optical.rs and applied by layout.rs when the
run's mode is Optical, and both modes round-trip through PSD. Covered by
type_tool_alt_arrows_kern_the_pair, optical_matches_photoshop,
optical_kerning_tightens_open_pairs, txt2_carries_optical_kerning and
io/tests/psd_kerning.rs. The row points at #206, whose own rows are in the same
state.
TYPE-218-3 goes to partial, not done: Thai is covered (THAI_FAMILIES in fonts.rs
and thai_in_latin_font_falls_back_to_installed_thai_font, #1909), but Khmer and
Indic have no fallback list and there are still no per-script golden tests.
Unchanged because they read correctly: TYPE-218-1 (TextShape is still Point and
Box), TYPE-218-2 (no direction UI), TYPE-218-4 (the axes in the shell are the
brush's), TYPE-218-8 (no triple or quadruple click) and TYPE-218-9.
* scorecard: Tools and Distribution rows are out of date too
TOOL-213-7 ("Live stroke only for Brush and Eraser"): canvas.rs strokes_live
covers Brush, Pencil, Eraser, Blur, Sharpen, Smudge, Dodge, Burn and Sponge,
and live_retouch_command adds the Clone Stamp, Healing Brush and History Brush.
TOOL-214-8 ("ruler only feeds straighten"): image.rotation.arbitrary opens
seeded with the measured ruler angle and the direction that straightens it;
arbitrary_rotation_starts_at_the_ruler_angle checks 5.7106 deg within 1e-3 and
the direction for three lines.
TOOL-214-5 goes to partial, not done ("No context menu in canvas.rs or
transform_tool.rs"): TRANSFORM_MENU does open on a right click during a
transform, with Free Transform, Scale, Rotate, Skew, Distort, Perspective and
Warp, and three tests cover it — but the row also asks for Flip and
Rotate 90/180, which are not there.
DIST-220-2 ("release.yml only x86_64 and i686 msvc"): the Windows matrix has
{ arch: arm64, target: aarch64-pc-windows-msvc }, and windows-arm64.yml
installs that MSI on a Windows 11 ARM64 runner, checks the binaries are ARM64
and runs the CLI natively. Signing takes the same path as x64 (DIST-2).
Unchanged because they read correctly: the whole Automation section (ABI_VERSION
is still 1 with Kind::Filter only, there is no ONNX dependency, no such xtask
check, and agent_tasks.rs really does run ten scripted tasks), TOOL-213-12,
TOOL-214-4, TOOL-214-6, DIST-220-1 and DIST-220-3.
* scorecard: Workspace and UI and File compatibility rows are out of date too
UI-217-9 ("prefs.rs UiScale unused"): prefs::UiScale offers Auto plus 75 to 300
percent, display_scale resolves it and sync_display_scale applies it with
ctx.set_zoom_factor; being a preference, it is remembered. The zoom_factor
assert the note cites is in a canvas-zoom test, checking that zooming the
document does not scale the interface.
FILE-216-1 ("No corpus step in ci.yml; in progress in #190"): ci.yml has a
corpus job on every PR and on main, pinned, sha256-verified and cached by the
pins. #190 is merged.
UI-217-22 and UI-217-23 go to partial, not done:
- layer.stampVisible merges the visible layers into a new layer and leaves the
originals, and layer.stampDown exists, but neither has a menu entry and
Alt+Merge is still missing.
- layer.copyToDocument copies layers into another document keeping masks,
styles and blending (#589), but there is still no copy/paste layer clipboard.
UI-217-11 keeps missing; only its note changes, from "five themes" to the eight
ThemeKind has. No Soft dark/Soft light, previews or outlined knobs.
Unchanged because they read correctly: UI-217-20 (guides are still Vec<f32> and
there is no rulers preference), FILE-215-6 (SmartObject.transform is still an
Affine), FILE-215-19 (no JPEG Options dialog), and the rest of both sections.
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Photoshop's Artboard tool in the Move flyout (V, ⇧V cycles Move ↔ Artboard):
dragging on an empty spot draws a new board (`layer.new.artboard`), clicking a
board selects it, dragging it moves it with its contents, and the selected
board's edge and corner handles resize it (`layer.artboard.set`,
moveContents: false). Each gesture is one undo step. Options bar: Size preset,
W/H, Make Portrait, Make Landscape, Add New Artboard. Original toolbar glyph
(assets/icons/artboard.svg, ATTRIBUTION.md row).
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
With Auto-Select on (or Cmd held with it off), a Move-tool drag that starts where
no layer has pixels (an empty spot, or the pasteboard) now draws a marquee instead
of moving the previously selected layer. Releasing selects every layer whose
content touches it (Auto-Select: Group selects their outermost groups); Shift adds.
New engine command layer.selectInRect; the UI side lives in move_box.rs.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
edit.transform without a "target" (or "layer") param now follows the
Channels panel: a targeted alpha channel or the Quick Mask transforms
instead of the layer. Edit › Transform › Rotate 180°/90° and Flip
Horizontal/Vertical are routed to the panel target like the paint and
filter commands, so they turn a targeted alpha channel, the Quick Mask or
an unlinked layer mask within its frame (one undo step). The Background
no longer greys the transforms when a channel is targeted.
Flips scorecard row BUG-207-4.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Free Transform context menu listed only the modes. It now follows
Photoshop's order: the modes, then Content-Aware Scale and Puppet Warp
(greyed while a box is open), Rotate 180°, Rotate 90° CW and CCW, and Flip
Horizontal and Vertical.
The Rotate and Flip items, whether chosen from this menu, Edit › Transform,
a shortcut or the control channel, now turn or mirror the live box about its
reference point without committing it (transform_tool::intercept). Before,
they ran the engine preset on the layer under the open box. They are greyed
while warping. Distort and Perspective are greyed over a box on editable
type, matching #2701. A control-channel right-click during a transform opens
the same menu as the canvas.
Scorecard TOOL-214-5 is now done.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Crop tool: New / Delete Crop Preset saves and removes user presets (#1919)
The Crop options-bar dropdown ends with New Crop Preset... and Delete Crop
Preset..., as in Photoshop. A crop preset is a "crop" tool preset
(tool.presets.*, persisted with the preferences), so it also shows in the
Tool Presets panel. New saves W x H x Resolution (W, H, resolution and
unit) or a ratio under a name made from the values; it is greyed out with
nothing to save. Delete lists the saved crop presets for a multi-select;
built-in size presets stay. The dropdown shows the preset the fields hold.
Engine: tool preset names are checked (1-255 chars) and the store capped;
saved tool presets load entry by entry so a damaged one is skipped; a
multi-name delete is all or nothing. ui.dialog.open gains newCropPreset /
deleteCropPreset.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Regenerate the scorecard after rebasing onto main
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The engine already had paint.colorReplacement, but the desktop UI had no
tool for it: no Tool entry, no toolbar slot, no options bar and no stroke
routing, so only agents and the CLI could use it.
Tool::ColorReplacement joins the Brush (B) flyout after the Mixer Brush,
so B / Shift+B cycle to it and ui.set / ui.inspect name it. Its options bar
has Mode, Sampling (Continuous / Once / Background Swatch), Limits,
Tolerance and Anti-alias, all mapped to the command's params, with the
foreground as the replacement colour. Strokes are drawn live through
LiveDab, which can now preview the stroke's finishing dab, so the preview
at the last move matches the commit. The command refuses a mask, channel
or Quick Mask target instead of silently recolouring the layer. New icon
derived from Lucide's brush; label translated in all 16 catalogs.
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Releasing a brush stroke no longer freezes: the commit takes the pixels the live stroke already drew (P32: 136 ms → 0.8 ms)
Brush phase 4. On release the canvas dropped its live stroke and ran `paint.stroke` over every
point again (the whole stroke re-rendered), then re-composited the stroke's bounding box, although
the canvas already showed exactly those pixels. Long strokes froze for 100–250 ms at mouse-up
(#2068).
- `Session::offer_live_stroke` hands the finished live stroke to the next command. A
`paint.stroke` / `paint.pencil` whose command, document revision, params, seed and points match
it exactly takes its pixels instead of rendering (result `"fromLive": true`). Anything else
ignores the offer and renders as before. It still runs through the normal dispatch
(authorization, journal, one history step), and a replay renders identical pixels.
- The canvas feeds the release frame's last points to the live stroke first, then remembers the
stroke's per-step damage for one revision (`CommittedStroke`): each canvas cache re-composites
only the steps it hadn't shown, usually nothing, instead of the bounding box.
- P32 (brush release on a long stroke) becomes measurable: perf_scenarios times a 600-point
200 px soft stroke on 24 MP. 136 ms → 0.83 ms on the GPU canvas, 257 ms → 0.71 ms on the CPU
canvas (RTX 5090, release). Budget 16 ms, not enforced until a baseline run.
- Scorecard: TOOL-213-10 (⌃⌥-drag resize with readout) is done; TOOL-213-7 (live strokes for every
brush-based retouch tool) is partial (Spot Healing, Mixer Brush, Background Eraser and Pattern
Stamp still aren't live).
* Mask view test: a commit that takes the live stroke uploads nothing it already showed
* Move tool: highlight the layer Auto-Select would pick on rollover (#2834)
With the Move tool and Auto-Select on (or ⌘ held while it is off), hovering
the canvas outlines, in the theme accent, the layer (or group, per the
Auto-Select target) that a click there would pick. Preferences › Tools ›
Show Highlight on Rollover turns it off (on by default).
The hover asks the click's own hit test (pick_cmds::auto_select_target, now
shared with layer.pickAt), so a type layer is outlined anywhere inside its
text and fully locked layers are clicked through, as on a click. The answer
is cached per document revision and pointer pixel. Nothing is drawn while a
button is down, a drag or transform runs, or the selected pixels would move.
Part of #214 (scorecard TOOL-214-4, now partial).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Move hover: follow main's moves_selected_pixels_with rename
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Progress docs per craftrules standards/progress-docs.md: target-app parity (merges parity-estimate.md), gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, and UI, brush, format, hardware and localization parity docs. docs/parity.md is now docs/parity-checklist.md.
The Windows test failure (file_dialog::tests::save_dialogs_remember_where_each_document_was_last_saved) is pre-existing on main: the test hard-codes POSIX paths.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Crop tool: Photoshop's default mode turns the image behind an upright box; Use Classic Mode (P), Auto Center Preview (#1919)
The Crop tool's gear menu gets Use Classic Mode (P toggles it while the tool shows a box; off by
default, as in Photoshop) and Auto Center Preview (on by default). In the default mode the box
stays upright on screen: a drag outside it turns the image about the box's centre (Shift 15 deg
steps, angle readout), a drag inside moves the image under the box, the arrow keys nudge the
image, Straighten turns the image so the line is level, and with Auto Center Preview a drawn or
resized box is re-centred in the canvas. Classic Mode is the previous behaviour.
The crop model and the commit are shared: crop_rect + crop_angle and one image.crop {angle}.
crop_mode.rs only drives the view: while a frame is edited the view's rotation is -crop_angle,
pivoting so the box (or the pressed point) stays put, and the user's view (a Rotate View turn,
its centre) is put back on commit, cancel, leaving the tool or switching to Classic Mode. The
untouched default frame leaves an R turn alone. The options live in ToolOptions.crop_shield
(classic_mode, auto_center_preview; ui.set cropShield). ui.pointer reads a default-mode drag's
points in the view at its press, so an up where the last move was is idempotent.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Crop default mode: match Photoshop (view upright on tool pick, live Auto Center, image-turn readout, gear menu order) (#1919)
Checked by hand against Photoshop in its default (non-classic) mode:
- Picking the Crop tool turns a Rotate View (R) turn upright at once (about the view centre),
and the view stays upright after Enter or Esc: the save/restore of the user's view is gone.
Classic Mode still leaves the view alone (not checked against Photoshop).
- The angle beside the pointer while the image turns is the image's turn, clockwise positive.
- Auto Center Preview keeps a box being resized centred live: the handle follows the pointer,
the box grows on both sides, and on the image the opposite edge (with Alt the centre) stays
put. Computed from the press, so the view following the frame can't feed back into the drag.
- Gear menu order as Photoshop's: Use Classic Mode (P), Show Cropped Area (H), Auto Center
Preview, no separator; Classic Mode greys out the other two. Show Cropped Area then acts as on
and H does nothing (the stored choice is kept). German: Classic-Modus verwenden, Automatische
zentrierte Vorschau.
- Crop preview past the canvas in a turned view: each band is drawn as its turned quad (the
screen bounding box stretched band textures and spread the checkerboard). The white corners in
the earlier offscreen snapshot were egui_kittest clamping the repeating checker texture; the
real app shows the checkerboard in both modes.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* docs: regenerate scorecard for the crop default-mode row (#1919)
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Crop default mode: the canvas keeps the view the Crop tool moves; a move starts from a centred box (#1919)
Tried by hand in the app: with Auto Center Preview on, a drag inside the box made the box wander
instead of moving the image, and a handle drag didn't keep the box's centre in place (after a
Space pan, too). Root cause: canvas_view works on a copy of the view for the frame and writes it
back at the end, so every camera change the Crop tool made during the frame (the image moving
with the pointer, the live-centred resize, Auto Center on release, the pivot while turning) was
undone, while the frame itself moved in the document. Tests driving tool_event never saw it.
- canvas_view notes the camera before the frame's input and, before writing its copy back,
keeps a centre or rotation a tool changed meanwhile.
- With Auto Center Preview a move inside an off-centre box (after a pan) centres the box first,
then grabs the image point now under the pointer.
- New tests/crop_default_mode.rs drives the full app UI with egui pointer and key events over
several frames (offscreen wgpu): the box stays put while the image follows the pointer, and a
resize after a Space pan keeps the box's centre fixed while the handle follows the pointer. Both
failed before the fix.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Crop default mode: a moved or resized box stays where it is on screen (#1919)
Checked in Photoshop: after a Space (Hand) pan the box isn't snapped back to the middle of
the canvas. A drag inside moves only the image, the box staying wherever it is; a resize keeps the
box's centre where it was at the press (also after a pan), and its release no longer pans the box
to the middle. Auto Center Preview still centres a newly drawn box on release and X still
re-centres. Classic Mode is unchanged.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Crop tool: Classic Mode turns a Rotate View turn upright too (#1919)
Checked in Photoshop: with Classic Mode on and the view turned with Rotate View (R), picking
the Crop tool also turns the view upright, and the crop frame stays on the same image area. So the
Crop tool now drives the camera in both modes: default mode keeps it at -crop_angle (the box
upright), Classic Mode at 0 with the frame drawn with its own turn. Picking the tool pivots about
the view centre; commit and cancel leave the view upright in both modes, and P switching modes
never brings the R turn back. Auto Center Preview stays default-mode only.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Regenerate the scorecard; update the crop test's header
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Crop: snap a new box's corner inside the untouched default frame in both modes (#2549 with #2545)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Interface > Show Channels in Color only reached the Channels panel
thumbnails (#1986); the canvas overlay hard-coded in_color = false, so an
isolated RGB/CMYK channel stayed gray while its thumbnail changed color.
channel_view::ensure now reads the preference (the view cache key already
carries the flag, so toggling rebuilds the texture), and a hidden Lab
Lightness goes neutral instead of black under the preference, so an
isolated a/b channel tints over mid gray like Photoshop. Lightness itself
stays grayscale (Adobe's exception).
Verified with the offscreen snapshot example: RGB green canvas goes
(128,128,128) -> (0,128,0) and CMYK cyan -> (0,176,232) when the
preference is on; unit tests cover render(), the Lab exception and the
cache key.
Co-authored-by: highperfocused <highperfocused@pm.me>
image.crop takes optional targetWidth/targetHeight (px), resolution (ppi)
and resample: the cropped area is resampled to exactly that size (the
Image Size code path, now shared) and the resolution set, in the same
undo step, also after a turned crop. The Crop options bar gets
W x H x Resolution with unit-aware W/H fields, a px/in or px/cm
resolution, Photoshop's built-in size presets, Front Image (and I) and
Clear; the frame holds W:H while drawn or resized, X and the swap button
swap W and H.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Menus: name the platform file manager in Reveal in Finder off macOS
The command opens Explorer on Windows and the desktop's file manager
(xdg-open) on Linux, but the Smart Objects menu item and the document
tab menu still said "Reveal in Finder". menus::reveal_label picks
"Show in Explorer" on Windows and "Show in Folder" on Linux and the web;
macOS keeps "Reveal in Finder". The menu catalogue (docs/parity.md),
the engine command labels and the command ids stay unchanged.
The help search, command palette and keyboard shortcut list read the
relabelled menu item, so they follow. Every complete language gets both
new labels, with the localized Windows name for Explorer.
* scorecard: platform shortcut hints and Reveal label are done (UI-217-19)
* Make large pixel operations allocation-fallible
* Warp: drop the fixed 400 MP cap; fallible reservations already cover large transforms
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Adapt #2530 to main: fallible steep-Distort warp, Result from mask paste in float moves; regenerate scorecard
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Expose native shape stroke controls with staged previews
* Document shape stroke defaults in MCP control schema
* Regenerate docs/scorecard.md
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: optimalbytee <optimalbytee@users.noreply.github.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
On a smart-object layer, Image > Adjustments now records an editable
smart filter instead of committing disaster.
- new engine helpers:
- adjust_cmds::has_adjustable / adjust_as_smart_filter route
image.adjustments.<kind> onto the source, with the selection as the
filter mask, through smart_cmds::add_smart_filter
- brush/eraser/pencil/live preview strokes now render inside
with_cmyk_space(doc_cmyk_space(session)), so painted colours follow the
document profile the same way the compositor does
- docs/scorecard.md: FILE-215-4 partial -> done
- tests: adjust_cmds/tests + brush_cmds/tests, plus panic_hunt and
the lib suite all green on the committed tree
Known follow-up, already filed:
- FILE-215-5 rows: double-clicking an adjustment smart-filter row is still
a no-op. smart_ui::open_editor only proceeds when
filter_dialog::has_dialog returns true, and has_dialog accepts
filter.*, a fixed non-adjustment set and PREVIEWED - but not
image.adjustments.* (those open through adjust_dialog::open, which isn't
wired into the smart-filter row).
This is one commit on top of the latest upstream/main (rebased to fix the
stale fork ancestry that was blocking PR creation).
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Add the Remove tool with non-local patch completion
Tool::Remove (J flyout) paints a hole that paint.remove fills from its
surroundings as a background job, in one undo step. A stroke around an
object also removes what it encloses; the selection limits the hole.
The fill (photocraft_algo::nonlocal) follows Newson, Almansa, Gousseau and
Pérez (IPOL 2017): texture features in the patch distance, onion-peel
initialisation, match fields upsampled between levels and a best-patch
final copy, plus gradient-domain hiding of edge and interior seams.
Sparse holes are filled in tiles. inpaint::complete (Content-Aware Fill,
Spot Healing, Content-Aware Move) is unchanged.
On 20 holes in public-domain photos (remove_quality) the fill keeps 0.89
of the texture it replaces, against 0.54 with the Wexler/PatchMatch
completion. 24 MP (remove_bench): 100 px ring 120 ms, 1000 px ring 2.5 s.
* Translate the Remove tool's label and tighten comments
Adds "Remove Tool" to every UI catalog, following each one's pattern for
tool names and its existing word for Remove. Corrects comments that no
longer matched the code: the benchmark's description, the tile and margin
minimums, and the reasons given for two parameters.
* Put the Remove tool first in the J group
The J flyout's slot now shows Remove until another J tool is picked, and
J from another group selects it; repeated J goes on to Spot Healing Brush,
Healing Brush, Patch, Content-Aware Move and Red Eye.
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Pen pressure curve: Preferences › Tools shapes how pen pressure reaches every brush
Brush phase 6a (TOOL-213-11, #610). Every pen paints its pressure straight through, so artists
with a heavy or a light hand, or a tablet whose response feels off, had no way to adjust it.
- `tools.pressureCurve`: [input, output] points, linear by default, settable with `prefs.set`
(validated: 2..=16 pairs within 0..1).
- `prefs::PressureCurve` reads it as a monotone cubic (Fritsch–Carlson), so a firmer press never
gives less pressure. It sanitises the points itself (finite, clamped, sorted, one per input,
capped, outputs made non-decreasing; flat beyond the ends), because a whole-section update or a
hand-edited file can store anything.
- The stylus maps every pen sample's pressure through it before any brush sees it, so the live
stroke, the commit and the journal agree. A mouse stays at full pressure.
- Preferences › Tools draws a curve editor under Use Tablet Pressure: drag a point, click to add
one, right-click to remove one, with Linear, Soft and Hard presets. Translated in all 16 catalogs.
* Regenerate docs/scorecard.md
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* scorecard: Marquee Shift, Alt and size readout are done (TOOL-214-2)
The row still said canvas.rs passes false for Shift (#208), but #208 is
fixed: marquee_corners applies Shift (square or circle) and Alt (from the
centre), the W x H readout follows the drag, and marquee_tests.rs covers
all three.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* scorecard: on-canvas brush resize drag is done (TOOL-213-10)
The row said only [ ] resize the brush, but brush_resize.rs (#297, #370)
implements Photoshop's drag: Alt+right-drag, or Control+Option-drag on
macOS, sets diameter and hardness with a circle and readout, and is
covered by nine tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Crop options bar gets Photoshop's gear menu (Set additional Crop options): Show Cropped Area
(H toggles it while the Crop tool shows a box; off hides everything outside the box behind the
canvas colour) and Enable Crop Shield with Color (Match Canvas, the pasteboard colour, or Custom…,
which opens the Color Picker), Opacity (default 75 %) and Auto Adjust Opacity (half the opacity
while the box is dragged). The shield used to be a fixed black at about 51 %. The options persist in
ToolOptions.crop_shield (older settings get Photoshop's defaults; a stray opacity is clamped) and
ui.set takes cropShield. Classic Mode and Auto Center Preview are left out: PhotoCraft always crops
in Classic Mode.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
The Crop options bar gets Photoshop's Straighten button (one-shot), and holding ⌘/Ctrl with the
Crop tool is a temporary Straighten. The drawn line (with an angle readout) turns the frame so the
line ends up level, or plumb when it is nearer vertical (the Ruler's straighten_angle convention),
and fits the frame to the largest of its proportions inside the image (Classic Mode). It is a
pending frame edit: Enter commits, Esc cancels. New logic lives in crop_straighten.rs.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
The wheel over the Layers panel's blend-mode dropdown (closed or open) steps to the next or previous mode, one per notch and one undo step each, stopping at the ends, as in Photoshop. Fractional wheel deltas add up to whole notches, and the wheel there no longer scrolls the panel (#1747).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Tanish Manku
mroxsoandhighperfocused
Simon
kubuntugamerandBrandon Thomas
JohnnYoruandBrandon Thomas
