* Use craft-raster-codecs, craft-dpx, craft-tga, craft-gif and craft-exr for the format code in crates/codecs
* Regenerate lockfile for current shared format crates
* Pin shared format crates to current craft-libs main
* Fix codec module imports for clippy
Resolve conflicts by keeping both the Image Processor source parameter
and main's pdfSpotPlates text, and by combining the Last updated
headers in docs/gaps.md and docs/target-app-parity.md.
One conflict, the gaps.md header: main's line (2026-11-08, G9 Column
Size now leads it) with this branch's G10 spot-plate item in front.
Main's changes to control-protocol.md and pdf/text.rs merged cleanly;
the doc.save row keeps `pdfSpotPlates`.
Co-Authored-By: Claude <noreply@anthropic.com>
Conflicts were the two docs headers only: gaps.md and
file-format-parity.md each take main's line (Fujifilm compressed RAF
now leads it) with this branch's PDF spot-plate items in front. Main
did not touch the PDF writer or the save commands since 009b93c5e.
Co-Authored-By: Claude <noreply@anthropic.com>
Main rewrote the PDF writer since e4e2607c8: a page per artboard with
page labels, writer cancellation (`ctl`), an export memory budget, and
PDF import. This branch adds spot plates, an optional page image and an
XMP packet. The merged writer keeps both:
- `print_pdf_pages` numbers its objects dynamically: per page its page,
contents, image and one XObject per plate; then the shared font, ICC
profile, overprint ExtGState and XMP metadata stream, each only when
present, the selection font and last the page-label tree. The XMP
packet is a parameter now, not a page field, since it is the
catalog's.
- `export(doc, spot_plates, ctl)` / `export_with(doc, spot_plates, xmp,
ctl)`. An artboard page carries its own region of every plate
(`plates_of` takes the page rect), so a two-board document separates
into two pages of named plates; a Multichannel artboard document is
pages of plates alone. The export budget counts one byte a pixel per
plate alongside the composite. New test:
artboard_pages_carry_their_region_of_each_plate.
- lib.rs passes `ctl` through; the PDF arm keeps the XmpEmbed gate.
- file_cmds.rs: main's `maximizeCompatibility` and this branch's
`pdfSpotPlates` both listed in the four spec strings and the import.
- docs: gaps.md and file-format-parity.md headers take main's line with
this branch's items in front; the PDF parity row keeps main's new
read column and notes and this branch's plate notes, plus that an
artboard page carries its region of each plate; control-protocol.md's
doc.save row lists both new params.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Main added toolbar rows next to the JPEG size-readout rows in 17
translation catalogs and new status-line entries in docs/gaps.md and
docs/target-app-parity.md; kept both sides.
Co-Authored-By: ashokram-si <ashokram-si@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The cylinder is outlined and cut into a 3 × 2 grid (two horizontal curves and
the centre line) that hugs the warped picture. The handle in the middle of the
upper arc sets the bend of both arcs, the one in the middle of the lower arc the
lower edge's height, and the wrap handle sits at the grid's centre and slides to
the right (starting 15 % along), stretching the middle of the picture and
squeezing its sides round the back.
A smart object's stored warp used to enter Warp mode with the layer's already
warped render as the preview texels, which the mesh then warped again, so the
picture never sat on the grid: the session now previews the source placed
without the warp over the warp box. Edit › Transform › Warp carries a check
while the active layer is warped, as the reference's does.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
As a maintainer compared it with the reference application: Bend, H and V stay
in the bar, greyed (no Top/Bottom/Wrap fields); the starting cylinder has its
four corners on the box and both curves 50 % deep; five handles (the top-right
and bottom-left corners, the front of each curve, a wrap handle near the middle
dragged sideways); a drag on the surface moves the whole cylinder; the overlay
is the two curves and the centre line, not a grid.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
The Warp menu lists Cylinder after the presets (not on type). Picking it starts
a cylinder fitted to the box; handles set its seven values: the corners move a
silhouette and an edge, the middle of a silhouette moves it alone, the middle of
the top and bottom edge sets that ellipse's depth, and a drag across the surface
turns the contents round the cylinder. The options bar shows Top, Bottom and
Wrap in place of Bend, H and V, with Split, Grid and the orientation switch
greyed. The warp stays a cylinder through the commit, so a smart object keeps it
as `warpCylinder`.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Only the doc status lines, histories and raw tables conflicted. The
status lines take main's with the #7377 entry kept first; histories keep
both sides. The RAF table row keeps this PR's compressed support next to
main's new Hasselblad 3FR row and its sidecar status, and points at the
moved test file tests/it/raf.rs. The Camera RAW row keeps main's 3FR and
Nikon text and no longer lists compressed RAF as open.
Co-Authored-By: Yorgos S. <smyrgeorge@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflicts: the status lines of docs/file-format-parity.md and docs/gaps.md take main's entries
plus this PR's JPEG clause; the JPEG row takes main's text with this PR's size-readout sentence.
Co-Authored-By: Ashok Ram <ashokram-si@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main added Brush Tip Shape Angle/Roundness tests and doc rows at the same places as
this PR's Scatter header tests and rows; both sides are kept, and the doc status
lines name both changes.
Co-Authored-By: augrclk <augrclk@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflicts: the i18n catalogs keep both main's new rows and the JPEG size row; the parity docs
take main's status lines plus this PR's JPEG clause; the JPEG Options module doc keeps both the
size readout and main's remembered settings.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Resolves the status-line conflicts in docs/gaps.md and
docs/target-app-parity.md (both sides kept) and the module list in
crates/engine/tests/it/main.rs.
Co-Authored-By: arjen <76012639+ArjenS-LA@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main moved brush_sections.rs to panels/, its tests to brush_sections/tests.rs and
split widgets.rs into modules. The PR's tests now live in brush_sections/tests.rs and
scrub_label_within is crate-visible from widgets/scrub.rs; both doc status lines and
history rows keep both sides.
main moved brush_sections.rs to panels/ with its tests in
panels/brush_sections/tests.rs, and gave the Angle and Roundness fields
accessible names. Keep the PR's left column and right-hand widget with
main's accessible names, move the PR's three layout tests and
section_harness_width into the new tests file, and find the captions with
main's caption_rect (get_by_label now also matches the named fields).
Docs: both sides' status entries kept.
Co-Authored-By: augrclk <217665348+augrclk@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main moved crates/raw/src/testgen.rs into testgen/ and the integration
tests into tests/it/, and its preview fallback now also opens a larger
JPEG XL preview. The compressed RAF test generator moves to
testgen/raf.rs; the JPEG fallback and the damaged-data fallback both go
through preview_image (Adobe RGB tag from the EXIF) under the caller's
decode limits. Doc status lines and histories keep both sides; G14 and
the Camera Raw row no longer list compressed RAF as missing.
Co-Authored-By: Yorgos S. <smyrgeorge@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The pointer hooks read PEN_FLAG_INVERTED from GetPointerPenInfo and
report the pen end through Services::pen_end, so flipping the pen
switches to the Eraser and the tip restores the previous tool, as on
macOS. A WH_CALLWNDPROC hook beside WH_GETMESSAGE catches
WM_POINTERLEAVE, which Windows documents as sent, not posted.
PEN_FLAG_ERASER alone is an eraser button on the barrel and does not
switch tools.
The X2D II 100C's 3FR files develop at full sensor resolution instead of
falling back to the camera's embedded JPEG preview. A 3FR is a TIFF whose
IFD0 holds the camera's JPEG and whose CFA image sits in a SubIFD with
DNG-style tags but no DNGVersion and no CFA-pattern tag (neither the
TIFF/EP pair nor the EXIF one), which is why the generic TIFF/EP path
reported "CFA pattern not recorded". The new decoder reuses the shared
strip reader, takes BlackLevel, WhiteLevel, DefaultCropOrigin/Size and
AsShotNeutral from the file, and takes the Bayer phase from a measured
per-body table (the X2D II 100C: RGGB at the data origin, measured
against the camera's own embedded JPEG; unmeasured bodies warn).
Lossless-JPEG 3FR stays preview-only, like uncompressed-only ORF and RAF
before it.
Clean-room: the TIFF 6.0 and DNG specifications, the sample file's bytes
and its embedded JPEG; no code or tables from dcraw, LibRaw, rawspeed,
rawler or darktable.
Adds round-trip and hostile tests through a mirrored synthetic builder
(tests/it/hasselblad.rs, testgen::Hasselblad3frSpec) and updates the
support matrix (file-format-parity, gaps G14, target-app-parity).
David Mann
Dylan M. Taylor
FredApps
ashokram-si
Tom InglingandClaude
FredApps
Tsieg
Tim BrittandClaude Fable 5.1
RickiNano
Gotya-OFFCIAL
ArjenS-LA