Merge origin/main into craft-i18n-cutover

Keeps the deletion of the in-repo catalogs; #12357's Layer Via Copy/Cut
rows are in craft-i18n.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

docs/brush-parity.md

@@ -1,6 +1,6 @@
 # Brush and painting parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-07 · **Change:** minor (Both Axes on Scatter headers, #3825 partial; Angle/Roundness fields left of the Brush Tip Shape widget, labels right-aligned, #3825 partial; the eraser end of the pen switches to the Eraser on Windows with Windows Ink on, #2285; no estimate changed; Art History Brush Opacity on the options bar, #10263; no estimate changed; Shift+right-click menu for every painting tool: Edit Brush… and the tool's own Mode list; Brush Shift+right-click Mode picker and Escape dismissal; Art History Brush row added as partial, 8 of 10 styles, TOOL-213-20, #1610; hard-round built-in presets use 5% spacing to remove stacked-tip outlines and reduce pressure-opacity bands, #8842; Mode for Clone Stamp, Pattern Stamp, History Brush, Healing and Paint Bucket; named, stateful Brush Settings locks and visible keyboard focus; independent Brush Pose tilt-axis overrides; Transfer Wetness/Mix tool applicability; dragged preset tip preview; Hue Jitter amount track; Brush Settings minimum fields follow their Control; checkbox-only rows and non-destructive Smoothing switch; shaped-tip cursor follows the view; Color Replacement is a live toolbar tool; no brush-feel estimate changed; 2026-10-11: Pattern Stamp and Background Eraser draw live, TOOL-213-7) · **Target:** Adobe Photoshop 2026
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-07 · **Change:** minor (Both Axes on Scatter headers, #3825 partial; Brush Tip Shape Spacing checkbox and percentage share one header, #3825 partial; Angle/Roundness fields left of the Brush Tip Shape widget, labels right-aligned, #3825 partial; the eraser end of the pen switches to the Eraser on Windows with Windows Ink on, #2285; no estimate changed; Art History Brush Opacity on the options bar, #10263; no estimate changed; Shift+right-click menu for every painting tool: Edit Brush… and the tool's own Mode list; Brush Shift+right-click Mode picker and Escape dismissal; Art History Brush row added as partial, 8 of 10 styles, TOOL-213-20, #1610; hard-round built-in presets use 5% spacing to remove stacked-tip outlines and reduce pressure-opacity bands, #8842; Mode for Clone Stamp, Pattern Stamp, History Brush, Healing and Paint Bucket; named, stateful Brush Settings locks and visible keyboard focus; independent Brush Pose tilt-axis overrides; Transfer Wetness/Mix tool applicability; dragged preset tip preview; Hue Jitter amount track; Brush Settings minimum fields follow their Control; checkbox-only rows and non-destructive Smoothing switch; shaped-tip cursor follows the view; Color Replacement is a live toolbar tool; no brush-feel estimate changed; 2026-10-11: Pattern Stamp and Background Eraser draw live, TOOL-213-7) · **Target:** Adobe Photoshop 2026
 
 Painting is where Photoshop users notice differences first, so it gets its own checklist: the
 brush engine (`crates/paint/src/brush.rs`), the Brush Settings UI
@@ -19,6 +19,7 @@ tablets against Photoshop side by side.
 | Section | Status | Evidence |
 |---|---|---|
 | Brush Tip Shape: size, angle, roundness, hardness, spacing, flip X/Y | done | `brush.rs` |
+| Brush Tip Shape Spacing checkbox and percentage share one header without a duplicated label | done | #3825 (Spacing header only); UI regressions cover all 14 themes, enabled/disabled editing, percentage limits, fractional-value retention and `tools.setBrush` routing. |
 | Brush Tip Shape places aligned Angle/Roundness controls left of the interactive widget | done | #3825 (Angle/Roundness layout only); UI regressions cover 14 themes at two panel widths, imported-value retention, numeric limits, actual arrow/handle gestures and existing command routing. |
 | Shape Dynamics (size/angle/roundness jitter, pen pressure/tilt/rotation/wheel controls, minimums, flip jitter, brush projection) | done | #174 |
 | Scattering (both axes, count, count jitter) | done | |
@@ -135,6 +136,7 @@ tablets against Photoshop side by side.
 | 2026-10-12 | minor | A shaped tip's cursor outline turns and flips with a rotated or flipped view, and follows pixel aspect correction |
 | 2026-10-13 | minor | Shape Dynamics and Transfer minimum inputs follow their Control and retain their values while disabled (#3825, partial). No brush-feel estimate changed. |
 | 2026-10-13 | minor | Hue Jitter uses the same themed amount slider as other jitter controls (#3825, partial). No brush-feel estimate changed. |
+| 2026-10-13 | minor | Brush Tip Shape combines the Spacing checkbox and percentage into one header (#3825, partial), retaining the value while disabled. No brush-feel estimate changed. |
 | 2026-10-13 | minor | Brush-only Shift+right-click Mode menu shares options-bar choices, including Clear; preserves existing right-click gestures and consumes outside dismissal without painting (#4929). No brush-feel estimate changed. |
 | 2026-10-13 | minor | Scattering and Dual Brush place Both Axes on the shared Scatter header (#3825, partial), preserving label scrubbing and values. No brush-feel estimate changed. |
 | 2026-10-13 | minor | Angle/Roundness controls use right-aligned labels in the left column, with the interactive widget on the right (#3825, partial). Units, limits and gestures retained; no brush-feel estimate changed. |

docs/control-protocol.md

@@ -86,7 +86,7 @@ The transport is `apps/photocraft/src/control_server.rs`, and the handlers are i
   - A pixel tool pressed on a type, shape, Smart Object or fill layer (e.g. through `ui.pointer`) opens the "Rasterize?" prompt instead of painting: a dialog with `__rasterize` (`type|shape|smartObject|fill`), `message`, `layer`, `tool` and `at`. `ui.dialog.confirm` runs the `layer.rasterize.*` command and then paints at `at` (two history states, `{"rasterized", "painted"}`); `ui.dialog.cancel` does nothing.
   - Edit › Transform › Warp on editable type (`ui.menu.invoke {"id":"edit.transform.warp"}`, or the warp toggle of an open transform box) opens Warp mode with no prompt, as in Photoshop: the mesh can't be dragged or split, only the options bar's warp style, Bend, H and V apply, and the commit sets the layer's Warp Text in one step, so the type stays editable. Directly: `engine.execute {"command":"edit.transform.warp","params":{"style":"flag","bend":40}}` on a type layer. Distort and Perspective stay greyed for type.
 - `ui.window.open {document?}` / `ui.window.close {window}`: extra document windows
-- `ui.pointer {events: [{kind: down|move|up, x, y, pressure?, tiltX?, tiltY?, rotation?}], tool?, modifiers?, button?}`: drive the active tool in document coordinates (pressure 0..1, tilt in degrees -90..90, barrel rotation 0..360: a simulated pen). Modifier flags (`shift`, `alt`, `command`, `ctrl`, `space`) go either at the top level or grouped under `modifiers`; when `modifiers` is present, top-level flags are ignored. `space: true` holds Space (the Crop frame, marquee, lasso or shape being drawn then moves instead of growing). With the Crop tool in its default mode (Use Classic Mode off) a drag inside the box moves the image and one outside turns it, the view panning and turning with it; a drag's `move`/`up` points are read as the view showed the document at its `down`, so an `up` where the last `move` was changes nothing more. `command: true` with a painting, retouching, eraser, gradient, eyedropper or other non-selection tool makes the gesture the Move tool's, as holding ⌘ (Ctrl off the Mac) does in the app: a drag moves the active layer (the selected pixels when there is a selection), with `alt: true` as well it duplicates the layer first, and a click picks the layer under the point; the tool is unchanged afterwards. The Hand, Rotate View, Zoom, Crop, Slice, Path Selection, Pen, shape, Type and selection tools keep `command` for themselves. `ctrl: true` with `alt: true` and a brush tool is the on-canvas brush resize instead (in the app, Ctrl+Alt-drag off the Mac). `button: "right"` (or `"secondary"`) is the right button: with the Move tool (or `command: true` with any tool) it opens the canvas layer menu (`layerMenu` in `ui.inspect` lists the layers there, topmost first; select one with `layer.select`); with Marquee, Lasso, Magic Wand, Object Selection, or Pen, or with a Type tool on text being edited or on committed type, it opens a tool context menu (`canvasToolMenu` in `ui.inspect`, with ordered command ids, separators, and enabled states); with Zoom or Hand it opens the view menu there (Zoom In and Zoom Out step about the pressed point; `view.fillScreen` is its Fill Screen row); with a painting tool it opens the Brush Preset picker, or erases with Preferences › Tools › Right-click with painting tools = erase. For a painting tool's Shift+right-click, see the Mode menu exception below. The menus open at the screen position of the pressed document point. Use `ui.context.choose {id}` for enabled tool-context actions. The Pen menu is documented in `docs/context-menu-parity.md`. `button` is `left` (default), `right`, `secondary` or `middle`, and an event's `kind` is `down`, `move` (default) or `up`. With a Color Picker as the top dialog, `down` and `move` sample the image into its new colour instead (its eyedropper, like a click on the canvas) and the tool is not driven. A `down`/`up` at the same point with the Rectangle, Ellipse, Triangle or Polygon tool opens Create Rectangle / Ellipse / Triangle / Polygon (Photoshop's click-to-size dialog); set its `width` and `height` (document pixels), `fromCenter`, `radii` [tl, tr, br, bl] (Rectangle) or `sides` and `starRatio` (percent, Polygon) with `ui.dialog.set`, then `ui.dialog.confirm` runs `shape.create` at the clicked point.
+- `ui.pointer {events: [{kind: down|move|up, x, y, pressure?, tiltX?, tiltY?, rotation?}], tool?, modifiers?, button?}`: drive the active tool in document coordinates (pressure 0..1, tilt in degrees -90..90, barrel rotation 0..360: a simulated pen). Modifier flags (`shift`, `alt`, `command`, `ctrl`, `space`) go either at the top level or grouped under `modifiers`; when `modifiers` is present, top-level flags are ignored. `space: true` holds Space (the Crop frame, marquee, lasso or shape being drawn then moves instead of growing). With the Crop tool in its default mode (Use Classic Mode off) a drag inside the box moves the image and one outside turns it, the view panning and turning with it; a drag's `move`/`up` points are read as the view showed the document at its `down`, so an `up` where the last `move` was changes nothing more. `command: true` with a painting, retouching, eraser, gradient, eyedropper or other non-selection tool makes the gesture the Move tool's, as holding ⌘ (Ctrl off the Mac) does in the app: a drag moves the active layer (the selected pixels when there is a selection), with `alt: true` as well it duplicates the layer first, and a click picks the layer under the point; the tool is unchanged afterwards. The Hand, Rotate View, Zoom, Crop, Slice, Path Selection, Pen, shape, Type and selection tools keep `command` for themselves. `ctrl: true` with `alt: true` and a brush tool is the on-canvas brush resize instead (in the app, Ctrl+Alt-drag off the Mac). `button: "right"` (or `"secondary"`) is the right button: with the Move tool (or `command: true` with any tool) it opens the canvas layer menu (`layerMenu` in `ui.inspect` lists the layers there, topmost first; select one with `layer.select`); with Marquee, Lasso, Magic Wand, Object Selection, or Pen, or with a Type tool on text being edited or on committed type, it opens a tool context menu (`canvasToolMenu` in `ui.inspect`, with ordered command ids, separators, and enabled states); with Zoom or Hand it opens the view menu there (Zoom In and Zoom Out keep the view centre with the non-temporary Zoom tool and Zoom Clicked Point to Center off; other cases retain their pressed-point behaviour; `view.fillScreen` is its Fill Screen row); with a painting tool it opens the Brush Preset picker, or erases with Preferences › Tools › Right-click with painting tools = erase. For a painting tool's Shift+right-click, see the Mode menu exception below. The menus open at the screen position of the pressed document point. Use `ui.context.choose {id}` for enabled tool-context actions. The Pen menu is documented in `docs/context-menu-parity.md`. `button` is `left` (default), `right`, `secondary` or `middle`, and an event's `kind` is `down`, `move` (default) or `up`. With a Color Picker as the top dialog, `down` and `move` sample the image into its new colour instead (its eyedropper, like a click on the canvas) and the tool is not driven. A `down`/`up` at the same point with the Rectangle, Ellipse, Triangle or Polygon tool opens Create Rectangle / Ellipse / Triangle / Polygon (Photoshop's click-to-size dialog); set its `width` and `height` (document pixels), `fromCenter`, `radii` [tl, tr, br, bl] (Rectangle) or `sides` and `starRatio` (percent, Polygon) with `ui.dialog.set`, then `ui.dialog.confirm` runs `shape.create` at the clicked point.
   - Magnetic Lasso (`tool: "magneticLasso"`): a `down`/`up` pair is a click. The first sets the first fastening point (its modifiers set the selection mode); later clicks fasten a point, or close the border on the first point. `move` events trace the border with or without a button held, fastening points by themselves; with `alt: true` a click draws a straight segment and a drag a freehand one. `ui.inspect` shows the border in progress under `magnetic` (`path`, `anchors`, `live`, `mode`). `ui.key` Enter closes it along the edges, Backspace removes the last fastening point, Escape cancels. To select along edges in one call instead, use the `select.magneticLasso` command with rough points around the shape.
   - Image › Adjustments › Curves on top, no eyedropper armed (#7325): a `down` with `command: true` adds a point on the curve the dialog shows (its Channel popup), at the pixel's tone (RGB: Rec. 709 luma; Gray: the mean) and at the curve's current output there, so the preview does not change; with `shift: true` as well, one point on each of Red, Green and Blue at that channel's value. It samples the merged image like the eyedroppers, never moves an existing point (a point already within 2 levels is selected instead, a 16-point curve takes no more), and the tool is not driven. Nothing is added with a pencil-drawn curve, in Lab or CMYK, or with a mask, saved channel or Quick Mask targeted.
   - Levels or Curves adjustment layer, Properties eyedropper armed (`layerPicker` in `ui.inspect`: `{layer, point, tool}`, set by the panel's Set Black/Neutral Gray/White Point buttons): a `down` sets that point from the image below the layer as one `layer.setAdjustment {"layer", "eyedropper": {"point", "at": [x, y], "size"}}` (send that command directly to skip the UI) and the tool is not driven; Esc, another tool or another layer disarms it.
@@ -565,7 +565,10 @@ Open also applies the other Camera Raw Defaults (Sharpen For as part of the Came
 colour space, bit depth and Open as Smart Object, so the step works on the pixels the dialog
 previewed; Apply auto tone fills the dialog), reported as `defaults` in the commit's reply; the
 resolution is set when the file opens. With "Open in Camera Raw" off the sidecar and the defaults
-apply without the dialog.
+apply without the dialog. A sidecar's crop (`crs:HasCrop="True"` with `CropTop` / `CropLeft` /
+`CropBottom` / `CropRight`, fractions of the raw as stored, before its Orientation) crops the
+document as Open re-develops it, before the Camera Raw step; the dialog previews the whole frame.
+A straightened crop (`CropAngle` not 0) is named as not supported and not applied.
 
 **Opening a raw file.** An interactive open (File › Open, Open Recent, drag and drop, the
 command line) of a camera raw developed from its sensor data shows this dialog first, titled

docs/file-format-parity.md

@@ -1,6 +1,6 @@
 # File-format parity
 
-> **Last reviewed:** 2026-10-12 · **Last updated:** 2026-11-06 · **Change:** minor (CLI `--metadata none|all` for `convert`, `run --out` and `batch`: `none` leaves the document XMP and free-form text out of flat exports, as Export As's Metadata: None, `all` the default, #9466; Hasselblad 3FR/FFF, the X2D II 100C, decodes; scripted PSD/PSB saves take `maximizeCompatibility`, and the CLI `--no-maximize-compatibility`, #8064; TIFF Options on Save As and Save a Copy: Image Compression None/LZW/ZIP, Save Image Pyramid, Save Transparency and Discard Layers, also `tiffTransparency`/`tiffPyramid` for scripts, the CLI and MCP, #8827; `.atn`: 145 supported events including Shear after Actions batch 12 (Groups A–I, command options, version 12 files, reference forms); the supported table and measured reference are in [atn.md](atn.md); TIFF: YCbCr images open as RGB, including JPEG-compressed scans with subsampled chroma, #10316; TIFFs up to 300,000 px a side open, decoded a group of rows at a time into the layer, #8169; embedded AI/PDF/EPS save-back retains native format with a source-bound SVG display preview; PSD Filter Gallery: Halftone Pattern dot/circle/line settings survive PSD/PSB saves (#8940); Save for Web writes WebP, lossy or lossless, #6391; Photoshop's `MTrn` merged-transparency marker, from a layered TIFF saved with Save Transparency, marks the merged transparency, #8877; layered TIFF writes the TySh text version and descriptor in PSD big-endian order while the header, matrix, warp and bounds keep container order, #9098; layered TIFF writes Photoshop's 14-byte global layer mask, so Photoshop opens the layers instead of only the composite, #9095; legacy PSD point text placed from the layout ink box after font resolution, #6094; `.atn`: a recorded Save As imports with its format and file (`file.saveAs`, `file.saveACopy` for As a Copy) instead of as a plain Save that wrote over the played file, #7102; folder destinations stop playback until #5430; `.asl` layer style libraries read and written, #1051; JPEG Options on File › Save, Save As and Save a Copy, FILE-215-19 partial (no Matte, progressive Scans or size preview); 32-bit Hue/Saturation unclipped and Colorize as Photoshop does them, Photoshop-oracle floor 190/258, #5781; JPEG Options on Save As and Save a Copy, FILE-215-19; TIFF compression for scripted saves, `tiffCompression`, #5301; the Nikon D4 white level follows the sample depth (12 and 14 bit), #5978; Apply Layer Comp action mapping, #7101; Cineon write: 10-bit gray/RGB; animated WebP frames load into video layers, #1198; Photoshop mixed-order TIFF type geometry, #4758; DDS textures save: uncompressed or BC1–BC3, optional mip chain, DDS Options in Save As (#1327); PSD smart filters: 53 filters (39 more: Pinch, Polar Coordinates, Ripple, Spherize, Twirl, Wave, ZigZag, Invert, Blur, Surface Blur, Smart Sharpen, Diffuse, Wind, Offset, Mezzotint, Clouds, Difference Clouds, Fibers, Lens Flare and others) plus Hue/Saturation and Perspective Warp mapped both ways, #6296, #6298, #6300, #6302, #6304, #6314, #6316, #6267, #6268, FILE-215-2; large-file fixtures: a 20 MP layered PSD, a 150-layer layout, a 2 GB PSD and a 4.4 GB PSB generated at test time and round-tripped, FILE-216-2 done, #5107; earlier: smart objects keep Photoshop's Cylinder warp through re-renders and saves, #4112; PNG `sTER` stereo pairing kept on save, #6063; PDF write one flattened page via Save As / Save a Copy / CLI, #3401; CMYK Invert, Posterize and Threshold on the inks; smart filter masks on PSD open and save; Photoshop-oracle floor 188/258; lossy DNG, compression 34892, decodes with its levels and LinearizationTable applied to the stored 8-bit samples, FILE-215-11; CMYK Hue/Saturation and Color Balance keep the black ink; CMYK Posterize on the stored values, psd-tools oracle floor 242/309; CMYK adjustment layers composite on the document's inks; Photoshop-oracle floor 165/258; CMYK Brightness/Contrast on the inks, CMYK Threshold's luma; modern Brightness/Contrast's brightness curve; Photoshop-oracle floor 151/258; Lab documents composite on their stored L, a, b; Photoshop-oracle floor 152/258; Levels on whole levels at every step with Photoshop's shadow toe; Photoshop-oracle floor 146/258, psd-tools 238/309; 32-bit adjustments unclipped; Photoshop-oracle floor 149/258; mask feathers blur with their exact variance; Threshold splits on Photoshop's luminosity; a pass-through clipping base with an adjustment renders isolated; psd-tools oracle floor 240/309; 16-bit Posterize as Photoshop bins it; psd-tools oracle floor 241/309; Gradient Map luminosity; Photoshop-oracle floor 147/258; PSD: `Mt16`/`Mt32` merged transparency read; palette PNGs open in Indexed Color mode, #4804; 16-bit Lab Invert; Photoshop-oracle floor 145/258; `.atn` import maps 112 events; DDS textures open, #1327; DPX read and write, #1049; #2465 fixed: CS2 placed layers with only a `PlLd` block open their contents; Photoshop Actions `.atn` read and write; `.sLine truncated
+> **Last reviewed:** 2026-10-12 · **Last updated:** 2026-11-08 · **Change:** minor (Camera Raw: an `.xmp` sidecar's crop crops the opened raw, and `crs:RawFileName` is no longer named as unsupported, #9985; CLI `--metadata none|all` for `convert`, `run --out` and `batch`: `none` leaves the document XMP and free-form text out of flat exports, as Export As's Metadata: None, `all` the default, #9466; Hasselblad 3FR/FFF, the X2D II 100C, decodes; scripted PSD/PSB saves take `maximizeCompatibility`, and the CLI `--no-maximize-compatibility`, #8064; TIFF Options on Save As and Save a Copy: Image Compression None/LZW/ZIP, Save Image Pyramid, Save Transparency and Discard Layers, also `tiffTransparency`/`tiffPyramid` for scripts, the CLI and MCP, #8827; `.atn`: 145 supported events including Shear after Actions batch 12 (Groups A–I, command options, version 12 files, reference forms); the supported table and measured reference are in [atn.md](atn.md); TIFF: YCbCr images open as RGB, including JPEG-compressed scans with subsampled chroma, #10316; TIFFs up to 300,000 px a side open, decoded a group of rows at a time into the layer, #8169; embedded AI/PDF/EPS save-back retains native format with a source-bound SVG display preview; PSD Filter Gallery: Halftone Pattern dot/circle/line settings survive PSD/PSB saves (#8940); Save for Web writes WebP, lossy or lossless, #6391; Photoshop's `MTrn` merged-transparency marker, from a layered TIFF saved with Save Transparency, marks the merged transparency, #8877; layered TIFF writes the TySh text version and descriptor in PSD big-endian order while the header, matrix, warp and bounds keep container order, #9098; layered TIFF writes Photoshop's 14-byte global layer mask, so Photoshop opens the layers instead of only the composite, #9095; legacy PSD point text placed from the layout ink box after font resolution, #6094; `.atn`: a recorded Save As imports with its format and file (`file.saveAs`, `file.saveACopy` for As a Copy) instead of as a plain Save that wrote over the played file, #7102; folder destinations stop playback until #5430; `.asl` layer style libraries read and written, #1051; JPEG Options on File › Save, Save As and Save a Copy, FILE-215-19 partial (no Matte, progressive Scans or size preview); 32-bit Hue/Saturation unclipped and Colorize as Photoshop does them, Photoshop-oracle floor 190/258, #5781; JPEG Options on Save As and Save a Copy, FILE-215-19; TIFF compression for scripted saves, `tiffCompression`, #5301; the Nikon D4 white level follows the sample depth (12 and 14 bit), #5978; Apply Layer Comp action mapping, #7101; Cineon write: 10-bit gray/RGB; animated WebP frames load into video layers, #1198; Photoshop mixed-order TIFF type geometry, #4758; DDS textures save: uncompressed or BC1–BC3, optional mip chain, DDS Options in Save As (#1327); PSD smart filters: 53 filters (39 more: Pinch, Polar Coordinates, Ripple, Spherize, Twirl, Wave, ZigZag, Invert, Blur, Surface Blur, Smart Sharpen, Diffuse, Wind, Offset, Mezzotint, Clouds, Difference Clouds, Fibers, Lens Flare and others) plus Hue/Saturation and Perspective Warp mapped both ways, #6296, #6298, #6300, #6302, #6304, #6314, #6316, #6267, #6268, FILE-215-2; large-file fixtures: a 20 MP layered PSD, a 150-layer layout, a 2 GB PSD and a 4.4 GB PSB generated at test time and round-tripped, FILE-216-2 done, #5107; earlier: smart objects keep Photoshop's Cylinder warp through re-renders and saves, #4112; PNG `sTER` stereo pairing kept on save, #6063; PDF write one flattened page via Save As / Save a Copy / CLI, #3401; CMYK Invert, Posterize and Threshold on the inks; smart filter masks on PSD open and save; Photoshop-oracle floor 188/258; lossy DNG, compression 34892, decodes with its levels and LinearizationTable applied to the stored 8-bit samples, FILE-215-11; CMYK Hue/Saturation and Color Balance keep the black ink; CMYK Posterize on the stored values, psd-tools oracle floor 242/309; CMYK adjustment layers composite on the document's inks; Photoshop-oracle floor 165/258; CMYK Brightness/Contrast on the inks, CMYK Threshold's luma; modern Brightness/Contrast's brightness curve; Photoshop-oracle floor 151/258; Lab documents composite on their stored L, a, b; Photoshop-oracle floor 152/258; Levels on whole levels at every step with Photoshop's shadow toe; Photoshop-oracle floor 146/258, psd-tools 238/309; 32-bit adjustments unclipped; Photoshop-oracle floor 149/258; mask feathers blur with their exact variance; Threshold splits on Photoshop's luminosity; a pass-through clipping base with an adjustment renders isolated; psd-tools oracle floor 240/309; 16-bit Posterize as Photoshop bins it; psd-tools oracle floor 241/309; Gradient Map luminosity; Photoshop-oracle floor 147/258; PSD: `Mt16`/`Mt32` merged transparency read; palette PNGs open in Indexed Color mode, #4804; 16-bit Lab Invert; Photoshop-oracle floor 145/258; `.atn` import maps 112 events; DDS textures open, #1327; DPX read and write, #1049Line truncated
 
 **PSD Filter Gallery (#8940, 2026-10-23):** Halftone Pattern maps its size, contrast and dot/circle/line pattern as editable settings on import and export, with the reference application's descriptor keys (`HlSz`, `Cntr`, `ScrT`: `ScrD`/`ScrC`/`ScrL`). PSD/PSB round trips pass at 8/16/32 bits. This does not claim pixel equivalence for the existing renderer. Unknown or malformed settings remain verbatim on import.
 
@@ -75,7 +75,7 @@ supports many more, including CR3).
 | Fujifilm RAF (Bayer and X-Trans) | uncompressed only; no Fuji colour calibration | |
 | Hasselblad 3FR/FFF | uncompressed only; compressed (lossless-JPEG) files: embedded preview only | X2D II 100C uses a measured Bayer phase; other bodies assume it with a warning (`crates/raw/src/hasselblad.rs`) |
 | Others (CRW, IIQ, X3F, SRW, MRW, ERF…) | embedded preview only | |
-| .xmp sidecars, highlight modes, raw preferences | missing | FILE-215-11 |
+| .xmp sidecars, highlight modes, raw preferences | partial (sidecars and preferences; no highlight modes) | 2026-10-28: a sidecar's crop (`crs:HasCrop` with `CropTop` / `CropLeft` / `CropBottom` / `CropRight`, fractions of the developed frame as stored, mapped through its Orientation) crops the opened raw: Open re-develops and crops before the Camera Raw step, so the post-crop vignette centres on the crop; the dialog previews the whole frame. A straightened crop (`CropAngle` not 0) isn't applied and is named, as are unreadable or empty ones; `HasCrop` missing or `False` means no crop; `RawFileName` is bookkeeping (#9985; `crates/io/src/camera_raw_xmp.rs` tests, `crates/io/tests/it/raw.rs` `camera_raw_tuning_crops_in_the_stored_orientation`, `camera_raw_ui/tests.rs` `a_sidecar_crop_crops_the_opened_raw`). 2026-10-13: sidecars fill the open-time dialog and Open writes them back; Camera Raw Defaults wired. FILE-215-11 |
 | Camera Raw as a PSD smart filter | partial | 2026-10-07: WB, Light/Presence, curves, HSL, grading, detail, grain, vignette mapped (FILE-215-12) |
 
 2026-10-11: on #2135's embedded-JPEG rendering work, open-time Camera Raw tuning
@@ -157,6 +157,7 @@ The original reference entry retains its source date and historical totals; curr
 | 2026-10-24 | minor | Hasselblad 3FR/FFF: the X2D II 100C's 16-bit uncompressed CFA decodes; compressed 3FR still opens as the embedded preview |
 | 2026-11-02 | minor | Actions Shear (`Shr `) loads, plays and saves the measured curve points and edge mode; unsafe subranges and unrepresentable forms remain kept steps (#10605). |
 | 2026-11-03 | minor | CLI `--metadata` (`none` or `all`) for `convert`, `run --out` and `batch`: `none` leaves the document's XMP packet and free-form text out of flat exports (PNG, JPEG, WebP, TIFF, …) through Export As's Metadata: None path; `all`, which keeps them as Save As does, stays the default. The ICC profile, EXIF and resolution are written as they are without the option (a palette PNG carries only its resolution, either way); PSD, PSB and `.pcraft` always keep the XMP (#9466) |
+| 2026-11-03 | minor | Camera Raw `.xmp` sidecars: the crop (`crs:HasCrop` with `CropTop` / `CropLeft` / `CropBottom` / `CropRight`, fractions of the raw as stored, mapped through its Orientation) crops the opened raw, with the dialog's Open and without the dialog; out-of-range fractions are clamped, and inverted, unreadable or straightened (`CropAngle` not 0) crops are named as not supported instead of applied; PhotoCraft's own sidecar keeps the crop when it is rewritten; `crs:RawFileName` is no longer named as unsupported (#9985) |
 | 2026-11-01 | minor | `.atn`: 23 newer measured forms mapped, including explicit Link/Unlink, Smart Object file operations, Make Type to Shape, radius-only Shape Blur, Artboard from Group and the Crop Photos parent; supported in batch 13; Link Layers keeps the measured toggle. Artboard forms with unmeasured settings and generated Crop helper steps remain kept. |
 | 2026-11-01 | minor | Recorded direct Gradient Map and Lab-range Replace Color load, play and retain their measured settings on save; unsupported forms remain preserved (part of #10607). |
 | 2026-11-02 | minor | TIFF Options on Save As and Save a Copy (#8827): Image Compression (None, LZW, ZIP), Save Image Pyramid (half-size levels marked reduced-resolution, down to 64 px, alpha-weighted; +45 ms on a 30 MP RGB/8 save), Save Transparency (on: transparency kept ahead of alpha and spot channels, `MTrn` in a layered file; off: matted on white) and Discard Layers and Save a Copy. Scripts, `doc.save`, MCP `save` and the CLI (`--tiff-transparency`, `--tiff-pyramid`) take the same answers. JPEG compression, Pixel Order and Byte Order not offered |

docs/gaps.md

@@ -1,6 +1,6 @@
 # Where PhotoCraft falls short of Photoshop
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-07 · **Change:** minor (G4: Both Axes on Scatter headers, #3825 partial; G14: Hasselblad 3FR/FFF, the X2D II 100C's uncompressed CFA, decodes; G4: Angle/Roundness fields left of the Brush Tip Shape widget, #3825 partial; G12: the eraser end of flipped pens selects the Eraser on Windows with Windows Ink on, #2285; no estimate changed; RGB and CMYK documents preview their spot inks as an overprint on the canvas and in the PSD thumbnail, FILE-215-17 narrows to PDF Separation, #10249; G2: compositor compilation moved off the first document refresh, with startup measurements pending, #9157; G11: Playback Options dialog with Step by Step and Pause For, #5212; G11: Stop step messages with Continue/Stop and nested resume, #8386; adjustment-layer Make keeps name, blend mode and clipping, #8384; tile-sparse Select and Mask outputs and preview coverage, #8822; classical Select › Sky can seed substantial high-confidence components beneath an obstructed top band; learned segmentation remains open; Art History Brush Opacity on the options bar, #10263; no estimate changed; G8: Type › OpenType › Stylistic Sets submenu, Set 1–20, #10285; G8: PhotoCraft-native PSDs keep stylistic sets and other Txt2-only OpenType flags through save/reopen, #10308; G10: TIFF Options dialog on Save As and Save a Copy, compression, Save Image Pyramid, Save Transparency, #8827; G11: Batch Esc Continue/Stop and read-only input previews; full live tabs remain open, #4579; G11: action recording folds Move-tool nudges, records relative keyboard document switches and scales point text placement; paragraph boxes remain open, #4514; G11: Batch measured output naming and UTF-16 log corrections; remaining progress and cancel prompt parity tracked, #4579; G11: Render ATN events mapped; Stylize/Pixelate ATN events mapped, current counts 128 supported/89 unmapped; G9: 11 of 183 preferences do nothing: startup reads Graphics Adapter through the typed Performance section, so the scorecard audit sees it; selected colour sets edit drawing, tone and supported filters; geometry remains open; G11: `.atn` document offsets preserve opening order after tab reordering, #7103; embedded AI/PDF/EPS save-back retains native format with a source-bound SVG display preview; Smooth and Feather command masks cropped to selection bounds plus blur reach; G1: Halftone Pattern Filter Gallery settings survive PSD/PSB saves (#8940); cropped selection morphology and command mask conversion performance evidence added; G6: Art History Brush landed as partial, TOOL-213-20, #1610, so no toolbar tool is missing; G4: five hard-round built-in presets use 5% spacing to remove stacked-tip outlines and reduce pressure-opacity bands, #8842; G9: Crop tool canvas menu, #6561; G2: Content-Aware Scale seam carving 1.65–3.6× faster with unchanged output, P28 row 3.3 → 1.6 s on a 4-core VM, #5236; G9: UI scale presets done, 105–120% steps, #3222; G14: lossy DNG, raw sidecars, Camera Raw Defaults live, Calibration and Auto, CR3 assessed as not clean-room feasible; G8: PSD type on a path opens on its path and saves back into the file's `Txt2`, #7962; G11: a recorded Save As imports with its format and file (`file.saveAs`, `file.saveACopy` for As a Copy) instead of as a plain Save that wrote over the played file, #7102; folder destinations stop playback until #5430; adjustment clipping stays visible in compact Properties, #5231; G9: Color panel modes, ramp and copy commands, the same in every theme, UI-217-17, #6000; G17: Help › Check for Updates and an opt-out check once per launch, DIST-220-1 partial, #5485; G10: `.asl` style libraries landed, #1051; G8: area type (TYPE-218-10); G1: smart objects keep Photoshop's Cylinder warp, #4112; G8: paragraph direction buttons in the Paragraph panel and options bar, TYPE-218-2 partial; G1: 32-bit Hue/Saturation and Colorize as Photoshop does them, Photoshop-oracle floor 190/258, #5781; G11: compound layer properties export as separate Photoshop Set events, rename last, #8304; G11: Batch and droplets take the result at the action's Save step, so actions ending in Save As and Close work; G11: `.atn` steps that switch to another open document import, play and save back, #7103; G14: the Nikon D4 white level follows the sample depth, so 12-bit D4 NEFs no longer open 2.6 stops dark, #5978; G14: a Nikon NEF's Adobe RGB preview is read as Adobe RGB (maker-note ColorSpace 0x001E), #5987; Apply Layer Comp action mapping, #7101; G10: JPEG Options dialog landed, FILE-215-19 partial (no Matte, progressive Scans or size preview); G10: Cineon write; G10: DPX read and write, #1049, Cineon and Amiga IFF read; Classical Object Finder improvement; learned segmentation remains open; G4: named, stateful section locks and visible keyboard focus in Brush Settings; G4: independent Brush Pose tilt-axis overrides, #3825 partial; G4: Transfer Mixer-only controls, #3825 partial; G9: Preferences › File HandlinLine truncated
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-07 · **Change:** minor (G4: Both Axes on Scatter headers, #3825 partial; G4: combined Spacing checkbox and percentage header, #3825 partial; G14: Hasselblad 3FR/FFF, the X2D II 100C's uncompressed CFA, decodes; G4: Angle/Roundness fields left of the Brush Tip Shape widget, #3825 partial; G12: the eraser end of flipped pens selects the Eraser on Windows with Windows Ink on, #2285; no estimate changed; RGB and CMYK documents preview their spot inks as an overprint on the canvas and in the PSD thumbnail, FILE-215-17 narrows to PDF Separation, #10249; G2: compositor compilation moved off the first document refresh, with startup measurements pending, #9157; G11: Playback Options dialog with Step by Step and Pause For, #5212; G11: Stop step messages with Continue/Stop and nested resume, #8386; adjustment-layer Make keeps name, blend mode and clipping, #8384; tile-sparse Select and Mask outputs and preview coverage, #8822; classical Select › Sky can seed substantial high-confidence components beneath an obstructed top band; learned segmentation remains open; Art History Brush Opacity on the options bar, #10263; no estimate changed; G8: Type › OpenType › Stylistic Sets submenu, Set 1–20, #10285; G8: PhotoCraft-native PSDs keep stylistic sets and other Txt2-only OpenType flags through save/reopen, #10308; G10: TIFF Options dialog on Save As and Save a Copy, compression, Save Image Pyramid, Save Transparency, #8827; G11: Batch Esc Continue/Stop and read-only input previews; full live tabs remain open, #4579; G11: action recording folds Move-tool nudges, records relative keyboard document switches and scales point text placement; paragraph boxes remain open, #4514; G11: Batch measured output naming and UTF-16 log corrections; remaining progress and cancel prompt parity tracked, #4579; G11: Render ATN events mapped; Stylize/Pixelate ATN events mapped, current counts 128 supported/89 unmapped; G9: 11 of 183 preferences do nothing: startup reads Graphics Adapter through the typed Performance section, so the scorecard audit sees it; selected colour sets edit drawing, tone and supported filters; geometry remains open; G11: `.atn` document offsets preserve opening order after tab reordering, #7103; embedded AI/PDF/EPS save-back retains native format with a source-bound SVG display preview; Smooth and Feather command masks cropped to selection bounds plus blur reach; G1: Halftone Pattern Filter Gallery settings survive PSD/PSB saves (#8940); cropped selection morphology and command mask conversion performance evidence added; G6: Art History Brush landed as partial, TOOL-213-20, #1610, so no toolbar tool is missing; G4: five hard-round built-in presets use 5% spacing to remove stacked-tip outlines and reduce pressure-opacity bands, #8842; G9: Crop tool canvas menu, #6561; G2: Content-Aware Scale seam carving 1.65–3.6× faster with unchanged output, P28 row 3.3 → 1.6 s on a 4-core VM, #5236; G9: UI scale presets done, 105–120% steps, #3222; G14: lossy DNG, raw sidecars, Camera Raw Defaults live, Calibration and Auto, CR3 assessed as not clean-room feasible; G8: PSD type on a path opens on its path and saves back into the file's `Txt2`, #7962; G11: a recorded Save As imports with its format and file (`file.saveAs`, `file.saveACopy` for As a Copy) instead of as a plain Save that wrote over the played file, #7102; folder destinations stop playback until #5430; adjustment clipping stays visible in compact Properties, #5231; G9: Color panel modes, ramp and copy commands, the same in every theme, UI-217-17, #6000; G17: Help › Check for Updates and an opt-out check once per launch, DIST-220-1 partial, #5485; G10: `.asl` style libraries landed, #1051; G8: area type (TYPE-218-10); G1: smart objects keep Photoshop's Cylinder warp, #4112; G8: paragraph direction buttons in the Paragraph panel and options bar, TYPE-218-2 partial; G1: 32-bit Hue/Saturation and Colorize as Photoshop does them, Photoshop-oracle floor 190/258, #5781; G11: compound layer properties export as separate Photoshop Set events, rename last, #8304; G11: Batch and droplets take the result at the action's Save step, so actions ending in Save As and Close work; G11: `.atn` steps that switch to another open document import, play and save back, #7103; G14: the Nikon D4 white level follows the sample depth, so 12-bit D4 NEFs no longer open 2.6 stops dark, #5978; G14: a Nikon NEF's Adobe RGB preview is read as Adobe RGB (maker-note ColorSpace 0x001E), #5987; Apply Layer Comp action mapping, #7101; G10: JPEG Options dialog landed, FILE-215-19 partial (no Matte, progressive Scans or size preview); G10: Cineon write; G10: DPX read and write, #1049, Cineon and Amiga IFF read; Classical Object Finder improvement; learned segmentation remains open; G4: named, stateful section locks and visible keyboard focus in Brush Settings; G4: independent Brush Pose tilt-axis overrides, #3825 partial; G4: Transfer Line truncated
 
 Every known shortfall against Photoshop 2026 (27.11.0), one entry each, ranked by user impact
 on the way to beta. This is the work list agents pick from: take the highest-ranked entry that
@@ -269,6 +269,10 @@ what an agent can't finish alone.
   and 0/49% smoothing. Other presets, explicit spacing and remembered brushes retain their
   settings; reselect a built-in preset to take its new default. Other brush-feel and latency
   gaps remain open; percentages and estimates are unchanged.
+- **Progress (2026-10-13, #3825 partial):** Brush Tip Shape's Spacing checkbox and
+  percentage share one header, removing the duplicated label. Disabled controls retain
+  the saved spacing; toggling does not round fractional imported values. The issue's
+  remaining layout and control gaps stay open.
 
 - **Progress (2026-10-13, #3825 partial):** Scattering and Dual Brush place Both Axes
   between the Scatter label and percentage field. The existing amount track, label
@@ -568,6 +572,7 @@ what an agent can't finish alone.
 | 2026-10-13 | minor | G8: a Type tool click on the work path or the active shape layer's path starts type on it at the point clicked (TYPE-218-1, partial); no readiness percentage or estimate changed |
 | 2026-10-13 | minor | G14: lossy DNG (#5112), `.xmp` sidecars, Camera Raw Defaults wired, Calibration panel and Auto; CR3 sensor decode ruled out under the clean-room rule |
 | 2026-10-13 | minor | G4: Hue Jitter amount-track appearance (#3825, partial); no readiness percentage or estimate changed |
+| 2026-10-13 | minor | G4: combined Spacing checkbox/percentage header (#3825, partial); disabled-value and percentage-edit behavior retained; no readiness percentage or estimate changed |
 | 2026-10-13 | minor | G2: Content-Aware Scale (P28) measured: carve 2013 → 556 ms, row 3.28 → 1.64 s on a 4-core VM, output unchanged; baseline, budgets and estimate unchanged |
 | 2026-10-13 | minor | G4: Scattering and Dual Brush Both Axes header placement (#3825, partial); label scrubbing and value retention preserved; no readiness percentage or estimate changed |
 | 2026-10-13 | minor | G4: Angle/Roundness column and label alignment (#3825, partial); existing values and interactions retained; no readiness percentage or estimate changed |