* M1: dragging a gradient handle on the canvas keeps the colour picker open (#1852)
A press on one of the open gradient's handles or stops closed the picker: the canvas took the press
and began the drag, then the picker, drawn later in the same frame, saw a press outside its card and
closed, committing the drag's interaction at once. The handles vanished with the picker and the drag
went on without an undo step of its own. The handles are the picker's controls: while a gradient
handle or stop drags (`handles::gradient_dragging`, the press included) the picker doesn't close on
an outside press, as it already doesn't while the eyedropper samples. A press elsewhere on the
canvas still closes it. Docs: ui-parity.md.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* M1: a handle drag released off the canvas ends there (#1852)
Review: a gradient handle drag whose button went up over a panel, over the colour picker or outside
the window stayed stashed, its interaction uncommitted, until the pointer was back on the canvas,
and the next press there moved the handle to wherever it landed; with the picker now held open while
a gradient drag is stashed, it would also have stayed open meanwhile. `handles::end_released_drag`
commits and clears a stashed drag when the button is up, called from the canvas input's off-canvas
branch and when the pointer is over something drawn above the canvas. Test:
`a_gradient_drag_released_off_the_canvas_ends_there` (released over the sidebar and over the picker).
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* M1: a handle drag ends on a release over a ruler, and when Escape or Undo closes its gesture (#1852)
The release check ran only where the pointer was not on the canvas, after the
comment pins and ruler guides had their turn; both return early, so a gradient
handle released over a ruler stayed dragged, uncommitted, until the next press.
It now runs first, wherever the pointer is, and the frame it ends a drag on is
the handle's, as the release on the handle itself was.
Escape (the picker closes and commits) or Undo can also close the gesture while
the button is still down. The stashed drag then kept setting the fill every
frame with no gesture open, one undo step a frame; with no gesture open the
drag is now over.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: FredApps <153173854+FredApps@users.noreply.github.com>
* M4: wrap style on a text layer: Auto, Balance and Pretty decide where its lines break (#1827)
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Docs: no table pipe inside the wrap-style row's code span
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Wrap styles: no new emergency breaks, hanging punctuation in Pretty's width, wrap style as an override
Balance and Pretty reject a re-break with more mid-word breaks than the greedy lines; Pretty narrows a line by its text less its hanging marks; wrapStyle joins the textStyle override group; docs wording. Tests.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M8: a click with the Bend tool curves a sharp point, its handles along the line between its neighbours (#1875)
A release without movement on a sharp point between two segments runs ops::auto_smooth instead of cancelling; a curved point still sharpens, a drag still sets the handles by hand, an endpoint is left alone. Tests; docs.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Vector edit hit test: the nearer of a handle's end and a point wins
A short path's handles end within the point's hit tolerance; a click on the point is on the point, one on the handle's end still takes the handle. Test short_handles_leave_their_point_clickable.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Vector edit hit test: the nearer of a handle's end and a point is judged on the page
Candidates stay within the tolerance as before; ranking by page distance keeps a non-uniform scale from favouring the wrong one. Test a_handle_and_a_point_are_compared_on_the_page.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Vector edit hit test: a handle wins a tie with a point, as before
A handle snapped onto another point stays selectable there. Test a_handle_on_another_point_is_still_the_handles (fails with the strict comparison).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M7: Minimize collapses the navigation bar and both sidebars, the right one back while something is selected (#1835)
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* M7: a narrow window ignores Minimize, and a rename started while minimized waits without repaints
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M4: superscript and subscript are synthesised where the font has no glyphs for them (#1828)
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Text: a zero OS/2 script offset counts as unset, and the native-glyph check sees the case-mapped characters
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M4: max lines on auto-width text keep it auto width, hugging that many lines
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* M4: an auto-width text with max lines hugs the ellipsis on its last line, and the editing test expects auto width
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M4: Backspace or Delete at a list item's start keeps its indentation level
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Lists: the level is kept by Backspace and Delete alone, and the tests read the text's own glyph
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Shortcuts: Cmd/Ctrl+Shift+Alt+= / - / 0 make the interface larger, smaller and default-sized
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Interface size keys: live while editing text too, and the new size draws on the next frame
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* A preference set during a frame repaints this window too, so the interface size applies on the next frame
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Control channel: a preference changed by a hidden window's command repaints every window
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Shortcuts: Cmd/Ctrl+Alt+arrows rotate a degree at a time, 15 with Shift
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* The rotate gesture's label in the English catalog
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Rotate keys: about the selection's rotation origin, not while editing points, Dev Mode refusal on the control path too
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Shortcuts: the Layers panel opens with Ctrl+1 as well as Alt+1 on Windows and Linux
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Parity note: in the browser Ctrl+1 is the browser's tab key
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
---------
Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Choosing Image shows a checkered placeholder and Upload from computer instead of a dialog at once; an image paint shows its asset preview. A file dropped on the open picker replaces the image, keeping the fill mode, crop, position and adjustments (image.replace, one undo step; paths capped as image.place's). The browser's file picker reaches the tab too. Also fixes a race in library_detach_tests.
* M4: the eyedropper with Cmd/Ctrl+Shift makes a colour style or variable of what it picks
* M4: the Create from color window's collection picker is its own function
* Docs: one copy of each row and status item, and a check that keeps it so
Merge resolutions that kept both sides had left progress-doc rows (the .fig row four times, co-editing, live cursors, Windows, M0.9) and status-line items (302 in all) twice or more. The rows are merged keeping every distinct fact, the newest wording winning (#1649's connector routing included); repeated status items are removed, the first kept. cargo xtask docs, run by ci, fails on a repeated table row or status item.
* Docs: remove the status items the merge of main brought back
Merging main into #1658 rebuilt the status lines from main's copies, which still listed items twice: ROADMAP 2, docs/roadmap.md 5, docs/gaps.md 43 and docs/target-app-parity.md 190, whose unclosed parenthesis also came back and hid them from cargo xtask docs. They are removed again, the first copy kept, and the parenthesis closed; every distinct item is still present against main.
A double-click with the pen drew on: its second press added a point on the last one, and a double-click meant to edit a layer drew a stray vector on it. A press on the last anchor now adds nothing; a double-click ends the path (or, when it only started one, edits the layer under it) and Enter ends the path, both going on in vector edit mode with the Move tool. In edit mode the pen's Enter and double-click take the Move tool, the double-click taking back what its first press began. Escape still keeps the pen (#760).
A search offered engine commands that need parameters the palette can't give, such as image.place (Place image, needing data or path), which failed with Invalid parameters and sat above the menu's Place image... row with the same label. A search now leaves out a command no menu lists when its params doc names a parameter without ? (figcraft_engine::cmd::needs_params, worked out once per command), and a row no menu item gives whose label reads like a menu item's. Place image runs the menu item, which opens the file dialog.
With pref.scrollWheelZoom on, a mouse wheel zooms the canvas about the pointer and Cmd/Ctrl+wheel scrolls; Shift+wheel still scrolls sideways, and trackpads, pinches and touch screens are unchanged. A wheel is told from a trackpad by the device macOS reports, elsewhere by line versus pixel steps.
Each sweep takes at most 250 000 segments and 2 million possible crossings (pairs of segments whose bounds overlap, counted in O(n log n)), and a fold at most 4 million segments swept over its steps; past them the operation is refused with PathOpsError::TooComplex before it runs. A boolean group past the caps draws without its result, with a warning once, and the refusal is cached; vector.flatten refuses it instead of dropping it.
* M1: Crop image from the Object menu, the right-click menu and the image fill row (#1464)
* M1: crop mode shows the image dimmed outside the layer and heavier crop marks (#1464)
* M1: the handle overlay draws gradients and crops in their own helpers (#1464)
Dragging a guide, or moving one, now snaps to nearby layer edges and centres on the guide's own axis: within 5 screen pixels, gated by Snap to Objects and suspended with Cmd/Ctrl. Page guides see the page's top-level layers; frame guides see the frame's box, its layout grids and every visible layer inside it, in the frame's own space.
Snapping sits in the interaction path (canvas/guides.rs, not guide.add/guide.move) so the commands stay deterministic for the control channel and MCP. Tests: guide_snap_tests.rs in the engine and ui-egui crates; docs/ui-parity.md updated.
Signed-off-by: Ahmed Mahmoud <ahmedmhmouad41@gmail.com>
Brings #1210 onto main as it stands after #1019 and #1209, and keeps both:
- #1019's flyout caret keeps its 16 pt target, 2 pt clear of its tool (#988).
- #1209's narrow-window handling stays as it landed: the pill is never wider
than the canvas less a margin and its buttons scroll inside it under a drag
or the wheel, the help button lifts above it when they'd overlap, and the
pill still clips to itself rather than floating over the panels.
The design itself, as #1210 proposed it:
- One grid for every state of the pill: 32 pt cells, 8 pt padding, 8 pt between
top-level items (the divider included), a 1 pt divider as tall as the content,
16 pt carets, 14 pt mode marks, and a 32 pt mode strip whose current mode is a
plain inset with no outline.
- The Resources button goes; the left rail's Assets tab, Shift+I, Alt+2 and
View > Panels > Assets remain the ways into the Assets panel (and the locale
key, its test and the parity notes go with it).
- The vector edit and shape builder pills move onto the same grid, so a pill
never changes its spacing as the tool changes.
main_width is now the same walk the pill draws, and a test walks it for the
design and board toolbars: the last item ends exactly PAD from the right edge.
That caught the board pill asking for 8 pt more than it drew.
* E21: require release font coverage and stabilize capture deadline tests
* E21: separate capture, IME and field-save regression phases
* M0: correct the migration qualification reference
* M-egui037: document input lifecycle and UI regression contracts
* M0: correct egui 0.37 status docs and stabilize join-code regression
---------
Co-authored-by: Dylan M. Taylor <dylan@dylanmtaylor.com>
Co-authored-by: Codebuff <noreply@codebuff.com>
Text went onto a path only with the Design panel's Put text on path
button (a text layer and a path selected together) or with text.onPath.
The Text on a path tool, in the Text flyout of the toolbar
(tool.textOnPath), shows the I-beam over a shape's or vector's path, and
a click there puts new, empty text on the path, starting at the click,
and starts typing. The text takes the path layer's place, transform,
box, constraints and effects, and its fills when one of them shows; the
path layer is removed. Ending the edit with nothing typed puts the path
back with no undo step.
The tool measures the distance on the page, so a layer scaled more one
way than the other, or shown smaller, is reached where it shows. Shapes
in front whose outline is away from the click do not hide a path behind
them, and paths that a mask or a clipping frame hides at the click are
skipped, as are locked layers and layers inside instances.
A double-click into a text layer that was just made no longer makes it
count as an existing layer, so leaving it empty records no undo step,
with this tool and with the Text tool.
A Selection colors row could take a color style but not a color
variable, and a row linked to a style or variable could not be
unlinked from there.
selection.bindColorVariable binds a color variable to every solid fill
and stroke slot a row stands for. It replaces a color style on that
list and any earlier binding of the slot. A text range with fills of
its own takes the variable's value in the layer's modes. Gradients and
slots outside the variable's scopes are refused.
selection.detachColor unlinks the style or variable of a row's slots
and keeps their colors.
In the Design panel, the Styles menu of an unlinked row lists the
document's color variables after its color styles, and a linked row
shows a Detach button in the Styles button's place.
Trevor BrownandClaude Fable 5.1
BFlat
Carbocode
Ahmed Mahmoud
Ahmed Mahmoud
叶林橦
aiongg
dotCooCoo