* M4: typing 1) and a space starts a numbered list, as 1. does
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Parity: the Text area row names the list creation characters
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Parity: the list creation characters without spaces inside the code spans
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Shortcuts: Cmd/Ctrl+Shift+Alt+= / - / 0 make the interface larger, smaller and default-sized
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Interface size keys: live while editing text too, and the new size draws on the next frame
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* A preference set during a frame repaints this window too, so the interface size applies on the next frame
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Control channel: a preference changed by a hidden window's command repaints every window
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Shortcuts: Cmd/Ctrl+Alt+arrows rotate a degree at a time, 15 with Shift
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* The rotate gesture's label in the English catalog
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Rotate keys: about the selection's rotation origin, not while editing points, Dev Mode refusal on the control path too
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M3: Delete on a layer inside an instance hides it instead of being refused
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* The components structure test: Delete inside an instance hides
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
* M4: a link on text is underlined by default, and Underline takes it off
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* text.link: only a new link takes the default underline; Underline reads the texts inside a target
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
* Shortcuts: the Layers panel opens with Ctrl+1 as well as Alt+1 on Windows and Linux
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
* Parity note: in the browser Ctrl+1 is the browser's tab key
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
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Co-authored-by: Claude Fable 5.1 <noreply@anthropic.com>
Review follow-up on #1766: a backward wall-clock step between the push and the test read made the ordering assertion flaky.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Review follow-up on #1775: the dark rule is the one text uses (on_dark_background); a frame with no fill, or a fill under 50% alpha, is looked through to what is behind it, and the threshold is Color::is_dark (#757575 is dark, #767676 is light).
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Found while testing crates/engine/src/cmd/variables.rs:267 (move_mode)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Found while testing crates/engine/src/cmd/page.rs:132
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Found while testing crates/engine/src/cmd/create.rs:~286 (create, the `points` branch using filter_map)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Figma: "a round 3px stroke weight in black, unless you are sketching on a dark canvas or frame". The Pencil always drew black. It now takes the colour from the same dark-background rule new text uses (the nearest ancestor with a mostly opaque solid fill, else the page), and the overlay carries that colour for the stroke in progress so the preview matches. Engine and UI regression tests.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
The event log read the clock through std::time::SystemTime and Instant, which panic on wasm32-unknown-unknown ("time not implemented on this platform"). Every mutating comment.* command appends an event, so the first comment posted in the web build hit it. The log now takes SystemTime, UNIX_EPOCH and Instant from web_time, as the rest of the engine does. A test checks the stamp is a current Unix time read through the same clock.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Found while testing crates/engine/src/cmd/variables_io.rs:~80-105 (css, non-tailwind `name` closure using css_var_of) with crates/engine/src/dev/codegen/css.rs:41 (css_var_name)
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Found while testing crates/engine/src/dev/codegen/css.rs:121 (css_decls, the PaintKind::Gradient arm calling css_gradient at :255)
Co-authored-by: Claude Haiku 5.5 <noreply@anthropic.com>
* Escape backslashes and line breaks in CSS font-family export
Found while testing crates/engine/src/dev/codegen/css.rs:223 (text_decls, the font-family put)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* Escape quotes and < in CSS font-family export
A double quote in a family name is escaped instead of turned into a single quote (CodeRabbit on
#1752), and < is written as \3C so a name can't end the generated page's <style> block.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Haiku 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Fix code export printing inf for very large finite numbers
Found while testing crates/engine/src/dev/codegen.rs:185 (num)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* Keep rem values finite past num6's scaling overflow
num6 had the same x1e6 overflow as num: a huge finite length printed 0rem (CodeRabbit on #1757).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Haiku 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
selection.createColorStyle gives the new style the variable bindings of the fill or stroke it is made from, the color and the gradient stops, so linked layers keep following the variables. Targets bound to different variables are refused, and the Styles menu leaves Create style out for them.
selection.applyColorStyle chose the library path only when `library` read as a string, so an
object or array fell through and linked a local style of the same name. Any non-null `library`
now goes to the library lookup, which refuses a non-string before any change.
A created style holds the row's one paint, and linking it replaces the target's whole fill or
stroke list, so a layer with other fills or strokes lost them. selection.createColorStyle now
refuses such targets before any change, and the Styles menu leaves Create style out for those
rows.
A row's Styles menu lists this file's color styles (library copies are no
longer listed as local), then each enabled library's published color
styles under the library's name. Choosing a library style copies it in,
linked and read-only, and applies it to every fill and stroke the row
stands for in one undo step (selection.applyColorStyle with `library`).
A row linked to a style or variable now has the Styles button too, so it
can switch to another style.
Create style on an ordinary row opens a window with the next free
"Color n" name. Create makes a style of the row's whole paint (gradient
stops, opacity and blend mode included) and links it to every target in
one undo step (selection.createColorStyle {targets, name, description?}).
A name another style has, an empty name, or a row whose slots no longer
share one paint is refused, and the window stays open. Text ranges with
fills of their own take the style's value without a link.
vector.simplify and vector.offset rebuild a closed vector from its rounded
outline with the layer's corner smoothing, as the canvas draws it. A vector
whose regions have paints of their own was rebuilt from its sharp points
before; it now keeps its rounded corners. The Penpot export writes a stroked
vector's path with its smoothed corners.
A JPG exported in a profile other than the document's was converted while
still translucent and then composited over white, so translucent fills,
shadows and antialiased edges came out a few levels off what the document
shows. The render is now flattened over white in the document's profile
first. PNG and WebP keep their alpha and are unchanged.
Each export setting has a color profile: Same as file (the default, the
document's profile when it exports), sRGB or Display P3. PNG, JPG and
WebP settings list it in their advanced settings, and export.add,
export.update, file.export, file.exportLayers (for every setting) and
the MCP export tool take it as colorProfile. The rendered pixels are
converted to the chosen profile (out-of-gamut colors clip) and the file
is tagged as before: an sRGB chunk for sRGB PNG, the generated ICC
profile (and cICP in PNG) for Display P3; sRGB JPG and WebP stay
untagged. A setting keeps its choice when its format changes, and
settings saved without one read as Same as file.
SVG, PDF and Android XML show no choice and stay sRGB; PDF has no
output intent yet.
A vector's corner smoothing was stored, imported and exported, but its
rounded points were drawn as plain circular arcs, and the Design panel
hid the Corner smoothing control for vectors.
A vector with a closed region now draws its rounded points with the
layer's corner smoothing, on the canvas, in hit testing, in PNG, SVG and
PDF exports, and in the fill and stroke geometry of .fig exports. Each
point keeps its own radius; a point without one stays sharp. The corner
uses the profile of smoothed polygon corners, and smoothing is reduced
before the radius when a corner does not fit in half of each segment.
FigCraft's own rules for cases the help page does not describe: only a
point between two straight segments that both bound a closed region is
smoothed; points on open branches and points next to a curved segment
keep the plain arc; concave corners are smoothed like convex ones.
The Design panel shows Corner smoothing and its iOS (60%) button for
vectors with a closed region, and not for open paths.
* M3: library analytics list how each style and variable is used
A file reports how many of its layers use each of a team library's styles and
variables, and Show usage lists them by a Type choice with their layers and
files. Layers in instances count for their component. Also ignores plugins/target.
* M3: the style analytics test waits for the instance report too
A widget description can have a line, 100 long and black and 1 thick unless told
otherwise, and an SVG that comes in as locked layers, scaled to fit a size and
within the widget's 256 layers. The Counter example uses both.
Bound variables with an iOS or Android code syntax are named in generated SwiftUI and Compose in place of their value: paints, stroke weight, sizes, corner radius, gaps, padding, opacity and text. A variable with none for the platform keeps the value.
Choosing Image shows a checkered placeholder and Upload from computer instead of a dialog at once; an image paint shows its asset preview. A file dropped on the open picker replaces the image, keeping the fill mode, crop, position and adjustments (image.replace, one undo step; paths capped as image.place's). The browser's file picker reaches the tab too. Also fixes a race in library_detach_tests.
Trevor BrownandClaude Fable 5.1
dotCooCoo
NetterSilverandClaude Haiku 5.5
BFlat