JonRC 6d5e84e7a5 Export: H.264, HEVC and AV1 tag the frames' own colour (#2879) ...

Every MP4 export said BT.709 whatever the Output color space, in the
colr box and in the bitstream, so Rec. 2020, P3, PQ and HLG renders
were labelled as BT.709.

Move the ProRes colr mapping to output_codes and use it for every movie
path: the nclx colr box, FilmCraft's H.264 ColorConfig (VUI), and new
colour fields in effectcraft-hevcenc (VUI) and effectcraft-av1enc
(color_config), which wrote 1-1-1 as constants. The matrix stays BT.709,
the coefficients every path converts with. Default renders don't change.

2026-11-02 14:11:33 -03:00

..

src

Export: H.264, HEVC and AV1 tag the frames' own colour (#2879)

2026-11-02 14:11:33 -03:00

tests/it

Export: H.264, HEVC and AV1 tag the frames' own colour (#2879)

2026-11-02 14:11:33 -03:00

Cargo.toml

Export: Targa (.tga) sequence output, 24-bit RGB or 32-bit RGB + Alpha

2026-10-26 15:34:12 +05:30