An adjustment layer replaced the comp below with its effects' result whatever its blend
mode. As in After Effects, a mode other than Normal now blends the adjusted comp onto the
comp below in that mode, inside the footprint, track matte and opacity (an adjustment
layer with no effects in Screen screens the comp with itself). CPU and GPU paths.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Noise, paint, the shutter, and the comp scene were still reaching the footprint key, so a finishing adjustment re-uploaded a full frame every frame. The key now uses EffectScope::Footprint and ignores that stack, while a moving mask still re-keys it.
Add Per-Corner Roundness to Rectangle Path: a checkbox (off by default) and four Pixels properties (top-left, top-right, bottom-right, bottom-left). New rectangles initialise the four values from their Roundness, so ticking the box keeps the shape; the radii are animatable and expression-driven.\n\nrect_radii() builds the path clockwise from the top-left with kappa quarter-circle arcs. Overlapping radii scale down like CSS border-radius; negative and non-finite radii are square; rect() delegates to it, so uniform roundness clamps to half the shorter side as before.\n\nLottie rc has one r: four equal static radii export as that value; mixed or animated radii export roundness 0 with a warning. Import puts r into the four per-corner values so ticking the box on an imported rectangle keeps the shape.\n\nTests: path geometry and clamping, rendered per-corner pixels, Lottie equal/mixed/checkbox-off export.
#2410's dependency walk for a soloed 3D model was written before
reads_other_times took the effect count; it asks about all effects (None),
as the other walks do.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text strokes were always drawn with round joins. The document gets a
Line Join (`lineJoin: miter|round|bevel` in layer.setText / newText),
Miter for new text as in After Effects, Round for documents saved before
it so their look is kept. The 2D and Advanced 3D (extruded) text strokes
use it, expressions' style copies carry it, and the Character panel has
Miter / Round / Bevel buttons under the stroke width.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflicts:
- viewer.rs: the undecodable-footage notice moved into phase_scene on main; it now
collects its layers in footage_problems, which keeps the proxy and collapsed-precomp
rules of #1701.
- project.rs: main's row layout, with the problem marker going by item_problem.
- movie_bytes.rs: the H.264 pin is FilmCraft 09aaf9b's bytes plus main's 19-byte
BT.709 colr box (104_322 + 19 = 104_341).
render/footage.rs imports ItemKind now that main names its imports.
Carry property, Font and Media Replacement overrides into the collapsed nested EvalCtx so nested layers render beyond the precomp frame instead of falling back to a clipped, flattened image. Key the layer cache on instance overrides to keep distinct collapsed instances isolated.
The referenced model's solo render goes through the comp camera: its
depth of field (focus, aperture, iris, highlights) blurs it, none of
which is in the projection matrix — the evaluated Dof is hashed in now
(CodeRabbit, review of #2410).
A model with an animation clip selected is posed at its layer time
(Animation Speed and Looping are static and hashed): the layer time is
folded into the key, so every time is its own entry. A model without a
clip keeps one key across times, as before.
An Environment light's image lights Advanced 3D models, and its source
can be any layer's render (or any environment layer) — too open-ended
to hash: while one is on, the read is not cached. Each is covered by a
render test.
Conflicts were main's new code next to this branch's additions; both kept:
- crates/effects/src/lib.rs: main's Buf::pad_sides stays as main wrote it
(Transform's transform_grow bounds that padding itself); Buf::pad keeps
this branch's effective-pad clamp.
- crates/raster/src/lib.rs: main's quantize_px/round_half_up and this
branch's MAX_PADDED_SIDE (still equal to limits::MAX_SIZE on main).
CC Composite stays After Effects-pure: its Layer parameter is gone, so
parameter indices match AE again (scripts and expressions that address
parameters by index). The model reference lives in its own effect,
ec.3d.instance3d (3D Channel, CPU, one layer parameter), which replaces
the layer's pixels with the referenced layer's render — alpha included.
A referenced model's solo render is now hashed into the owner's cache key
instead of declining the entry (Bflat, review of #2410): the layer, its
animated values and transform, the mesh item, the comp camera and lights,
draft 3D, the renderer setting and the in/out gate. Covered by a render
test: the copy is cached, served on the second render, and re-rendered
when the camera pans or the model leaves its in/out range.
- add_environment takes the evaluated light (&EnvLight) instead of nine
loose parameters — strict clippy (#2496) denies too_many_arguments.
- The Environment light's shadow map moves into env_shadow_map so
shadow_maps stays under the cognitive-complexity limit.
- tests/it/ui_env_light_repro.rs deleted: it duplicated ui_env_light_gpu
and the engine tests, and polled with sleeps of up to 12 s.
Signed-off-by: Minher0 <minhero@outlook.fr>
The mixdown evaluated levels and effect parameters once per block, and export mixes WAV/AIFF
in one-second blocks, so a level fade became a staircase that changed once a second. Animated
Audio Levels are now evaluated on a 1 ms grid of comp samples and interpolated in dB between,
and animated per-sample effects (Stereo Mixer, Backwards) run in 1 ms pieces with their
parameters at each piece. The grid is aligned to comp sample indices, so the result still does
not depend on the block size.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
wiggle_transform looks up its Transform group itself and returns when
the group is missing, so it takes seven parameters and no longer needs
the clippy::too_many_arguments allow.