* interchange: probe EDL media the reader flags offline (#2836)
An EDL line without a SOURCE FILE comment only names its clip. The reader
guesses the path beside the list and flags the media offline, and the
importer never probed offline media, so the file next to the EDL stayed
missing. Offline media is probed like the rest; a path that is not there
still becomes a placeholder.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* interchange: probe guessed paths of EDL media only (#2836)
An OTIO missing reference also gets a path built from the clip name and
is flagged offline, so a same-named file beside the document would have
replaced the intended clip silently. Only EDL imports probe offline media.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* interchange: confine guessed EDL paths to the list's folder before probing (review point)
CodeRabbit: an EDL clip without SOURCE FILE gets a path from its clip name; a
name like ../x.mov or an absolute one could link a file outside the EDL folder,
and rebase_to_file_timecode probed it too. Such guessed paths are now not
probed and stay placeholders; SOURCE FILE paths are kept as before.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Sonnet 5.5 <noreply@anthropic.com>
Which clips use an hour or more of timecode was decided in seconds, so in a
29.97 fps drop-frame list a clip cut at 01:00:00;00 (3599.996 s) was left
out, and a missing file it used went unnamed. The hour is now 01:00:00:00 at
the sequence's rate and drop-frame setting.
The import now does the rebase FilmCraft's reader asks for, so passing the
reader's note on told people to do something already done. It is dropped
when every file the list uses at an hour or more of timecode was rebased,
and replaced by a warning naming the ones that weren't (the file is missing
or has no start timecode).
FilmCraft's EDL reader keeps source timecodes as media time and leaves the
rebase to the caller after probing. The probe now keeps the file's start
timecode (Footage::file_timecode), and an EDL import rebases each found
file's clips with filmcraft_interchange::rebase_source_timecode before the
layers are made, as FilmCraft's own import does.
A few kilobytes of internal entities expanded to millions of nodes (each top-level
reference stays under roxmltree's per-reference cap), so a 1 MB file exhausted memory.
SVG keeps DTDs, which Illustrator's exports use for entities, but caps the expanded
document at 4 million nodes. Final Cut Pro XML and FCPXML, which FilmCraft parses
without a node limit, are refused when they declare an entity; real exports never do.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Problem: the hardware-decoding work (#819) needs a newer FilmCraft than the
pinned 2c5ba7a, and the pin bump should be reviewable apart from it.
Fix: move all filmcraft-* deps to 4e2d0bc2. Adapt to MediaInfo.audio ->
audio_streams and VideoStreamInfo.hdr; ask the pool for a quarter into the
frame because FilmCraft now rounds requests half up; adapt rotation and the
AAC downmix; use Decoder::with_threads(1) in the VP9 tests. No
filmcraft-platform, no hardware setting.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
FCP 7 XML / FCPXML nested about 1 000 elements deep overflowed an 8 MiB stack in the XML
parser (aborting the app). Import now scans XML and OTIO JSON nesting first and returns
Error::TooDeep beyond 256 levels.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Removes the six expect() calls from timeline export/import and denies the panic lints in the
crate. A precomp layer whose source item is not a composition (a damaged project, or an item
that was deleted) made export panic in Exporter::sequence; it now leaves that layer out.
Exporter::sequence and track_item return Option, the Motion/Opacity/Volume effect defaults
come from effect_or_new (None if FilmCraft's registry lacks one), and import's motion() skips
a layer without a transform group.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>