4 Commits

Include renames

Author	SHA1	Message	Date
JonRC	6d5e84e7a5	Export: H.264, HEVC and AV1 tag the frames' own colour (#2879) ... Every MP4 export said BT.709 whatever the Output color space, in the colr box and in the bitstream, so Rec. 2020, P3, PQ and HLG renders were labelled as BT.709. Move the ProRes colr mapping to output_codes and use it for every movie path: the nclx colr box, FilmCraft's H.264 ColorConfig (VUI), and new colour fields in effectcraft-hevcenc (VUI) and effectcraft-av1enc (color_config), which wrote 1-1-1 as constants. The matrix stays BT.709, the coefficients every path converts with. Default renders don't change.	2026-11-02 14:11:33 -03:00
Brandon ThomasandClaude Opus 5.5	9e4942592c	M13.4: hevcenc sign data hiding, noise / QP 0 tests, README ... Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-03 05:19:19 -04:00
Brandon ThomasandClaude Opus 5.5	c9d5e7335e	M13.4: hevcenc deblocking filter (in-loop, bit-exact with ffmpeg), scratch buffers, POC-wrap / high-QP tests ... Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-03 05:15:09 -04:00
Brandon ThomasandClaude Opus 5.5	7f97c25c3e	M13.4: hevcenc I/P encoder (CABAC, RD CU decisions, intra/merge/AMVP), filmcraft + ffmpeg bit-exact round trips ... Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>	2026-10-03 05:05:28 -04:00