* Export, Media: H.264, ProRes, HEVC, VP9, AV1, AAC, MP4 and Matroska come from craft-libs
crates/export and crates/media use craft-video, craft-audio and craft-media
(one craft-libs rev) instead of filmcraft-h264enc, -prores, -aac, -isobmff,
-matroska and -opus. The av1enc, hevcenc and vp9enc crates are removed:
craft-video carries the same encoders, with the later changes merged in
storytold/craft-libs#829. Their round-trip tests move to crates/export/tests
and run against craft-video.
opusenc stays (craft-libs has no Opus encoder yet), as do filmcraft-mpegts
and the filmcraft-vp9, -hevc and -av1 decoders the tests use as oracles.
* Pin craft-libs at the main commit that has the encoder colour description (e7c3dda7)
* Dev profile: line tables only for workspace crates, no debug info for dependencies
* xtask ci: dev-profile gate, nextest, tests without examples, wasm --keep-going
* One integration-test binary per crate
* xtask ci: run effectcraft-gpu's shared-device tests in one cargo test process
* xtask ci: run every stage and report all failures
* xtask ci: name the stage type (clippy type_complexity)
* xtask ci: run every test pass and report all failures
* cargo fmt
Application/Mode/Bandwidth API with OpusEncoder::with_application and
with_mode; SILK analysis-by-synthesis encoder mirroring the decoder's
fixed-point reconstruction with noise feedback, LTP, NLSF quantisation and
per-frame rate control; hybrid CELT from band 17 in the shared range coder;
pre-skip 120 in every mode. Oracle tests against filmcraft-opus and ffmpeg
(native opus + libopus).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dylan M. Taylor
aiongg
Dexter
Brandon ThomasandClaude Opus 5.5