Add a muted flag to Keyframe. Muted keys stay in the Timeline and Graph Editor (dimmed, selectable and movable) but evaluation skips them, so the active neighbours interpolate as if they were not there; auto-Bezier and eases use the active neighbours. When every key is muted the property falls back to its static value.\n\nkeys.setMuted {muted} mutes or unmutes the selected keys in one undo step. The Timeline context menu offers Mute/Unmute Keyframes and the Animation menu has Mute Keyframes. Muted keys have no Bezier handles and motion-path points are dimmed.\n\nLottie export omits muted keys (with a warning) because Lottie has no mute state; scripting keeps seeing them in numKeys/key().\n\nTests: keyframe evaluation (linear, auto-Bezier spatial, all muted), serialization and value replacement, engine command + undo, Lottie export.
A few kilobytes of internal entities expanded to millions of nodes (each top-level
reference stays under roxmltree's per-reference cap), so a 1 MB file exhausted memory.
SVG keeps DTDs, which Illustrator's exports use for entities, but caps the expanded
document at 4 million nodes. Final Cut Pro XML and FCPXML, which FilmCraft parses
without a node limit, are refused when they declare an entity; real exports never do.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Every undoable edit keeps the previous project for undo, so the comp it touches
is shared and Arc::make_mut deep-copies it: every layer and every keyframe. An
edit therefore costs time in proportion to the comp's size, and a script that
sets many keyframes in a big comp goes quadratic (a 1,600-layer build with
~100k sampled keys took ~45 minutes).
Comp::layers is now a Layers collection backed by Vec<Arc<Layer>>: copying the
stack copies pointers, and only the layer an edit changes is copied. The API
mirrors Vec<Layer>; serialized form is unchanged (a list of layers).
Comp::layer_mut and the iter_mut().filter/find call sites use find_mut /
iter_mut_where so they copy only the layers they actually change.
- prop.addKey in a 400-layer comp: 1.36 ms -> 0.16 ms per key (flat in comp size)
- the 1,600-layer script build: ~45 min -> 47 s, frames pixel-identical
- regression tests: an edit leaves the other layers shared with undo; layers
round-trip as a plain list
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01VkpGcKfWyCudfSsQNiWAaG
Problem: the hardware-decoding work (#819) needs a newer FilmCraft than the
pinned 2c5ba7a, and the pin bump should be reviewable apart from it.
Fix: move all filmcraft-* deps to 4e2d0bc2. Adapt to MediaInfo.audio ->
audio_streams and VideoStreamInfo.hdr; ask the pool for a quarter into the
frame because FilmCraft now rounds requests half up; adapt rotation and the
AAC downmix; use Decoder::with_threads(1) in the VP9 tests. No
filmcraft-platform, no hardware setting.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
FCP 7 XML / FCPXML nested about 1 000 elements deep overflowed an 8 MiB stack in the XML
parser (aborting the app). Import now scans XML and OTIO JSON nesting first and returns
Error::TooDeep beyond 256 levels.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Removes the six expect() calls from timeline export/import and denies the panic lints in the
crate. A precomp layer whose source item is not a composition (a damaged project, or an item
that was deleted) made export panic in Exporter::sequence; it now leaves that layer out.
Exporter::sequence and track_item return Option, the Motion/Opacity/Volume effect defaults
come from effect_or_new (None if FilmCraft's registry lacks one), and import's motion() skips
a layer without a transform group.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatasticandClaude Opus 5.5
Marco Arnulfo
Camille Moine
tylerjenningsw
Eduardo EspinosaandClaude Opus 5.5
vangel76andClaude Sonnet 5.5
Brandon ThomasandClaude Opus 5.5