Dragging a mask or shape vertex, a tangent or a Pen point against the
edge of the Composition panel now pans the view toward that edge, faster
the further out the pointer is, and the point keeps moving with it, so
zoomed-in rotoscoping no longer stops at the panel edge (as in After
Effects).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dragging an effect's (or mask's, shape item's, text animator's) row in
the Timeline drew a marquee. The row now drags: a line shows where it
lands among its siblings and the drop runs prop.moveGroup (one undo
step); Escape cancels, as the layer reorder drag does.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text strokes were always drawn with round joins. The document gets a
Line Join (`lineJoin: miter|round|bevel` in layer.setText / newText),
Miter for new text as in After Effects, Round for documents saved before
it so their look is kept. The 2D and Advanced 3D (extruded) text strokes
use it, expressions' style copies carry it, and the Character panel has
Miter / Round / Bevel buttons under the stroke width.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Gesture::Vertices took the raw drag delta; it now goes through one_axis, as a
Shift-dragged layer's move does, before snapping.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Timeline's comp tabs had a × on the shown comp only, so closing another
comp meant showing it first. A comp tab the Timeline does not show now shows
its × while the pointer is over it, and clicking it closes that comp without
showing it. Every comp tab keeps the ×'s room, so a tab keeps its width when
it is shown or hovered. Automation: `panel.tab.Timeline.<comp>.close` for
each comp's ×; `panel.tab.Timeline.close` stays for the shown comp's.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Composition and Layer viewers took every scroll as a zoom, so a trackpad
could not pan. A trackpad's two-finger scroll now pans; a pinch,
Ctrl/Cmd+scroll, a mouse wheel and Alt + a trackpad scroll zoom around the
pointer.
Where the platform names the device (egui's MouseWheelSource, macOS), that
decides. Elsewhere browsers and some high-resolution wheels report a mouse
wheel in points, as a trackpad does, so the unit alone doesn't decide. A
scroll in points pans only once it has shown it is a trackpad: a touch phase,
movement on both axes at once, or a pinch. That holds until a wheel scrolls
in lines. Until then the vertical part zooms and the horizontal part pans.
ui.scroll gains unit (point|line), source (wheel|trackpad) and pinch so
agents can drive both gestures.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The button row followed each tab's content, so it jumped when switching
between Basic, Advanced and 3D Renderer. The tabs not on show are laid out
unseen each frame and the dialog pads to the tallest, so Cancel and OK stay
put with any font, language or scale.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A double-click on a creation tool in the Tools bar makes what it draws, as in After Effects: a text layer from the Type tools; from the shape tools a shape that fills the comp - into the selected shape layer's Contents, as a mask on the selected layer (or when Tool Creates Mask is on), or as a new shape layer when neither applies. The shape geometry defaults now match AE: the Rounded Rectangle tool's Roundness is a fixed 20 instead of growing with the drawn size, and the Polygon tool draws five points.
Main split the panels' value editors into one function per value kind.
The expression colour now comes from Tokens::for_value in each of them:
Effect Controls through PropCx::value_tokens, the Timeline's scalar,
vector and enum editors, and the Properties transform row.
Groups, paths, fills, strokes and operators in a shape layer's Contents show the
Video eye in the A/V column (a group's Transform doesn't). Clicking it runs
prop.setGroupEnabled, which the shape renderer already honours; layer-style
eyes keep layer.style.toggle. Row building and search results share eye_of.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review of the first commit found three places that still asserted the old cleanup: the UI integration
test (which would have failed CI), docs/agents.md, and the comments on TextEdit::created, layer.newText
and the engine test itself.
Co-Authored-By: DeepSeek V4.1 Flash <noreply@deepseek.com>
Edit > Clear follows panel focus: with the Project panel focused it
redirects to project.delete, which removes the selection at once when
nothing uses it. With a text edit open, that deletes the composition
being typed into — the user is working in it — and undo restores the
item but not the active composition. During a text edit the redirect
stands down (Clear does nothing) and the Edit menu's Clear entry is
disabled, mirroring how Deselect All stands down in #2096.
Co-Authored-By: GLM-5.3-Flash <noreply@z.ai>
Resolve viewport-edge insertion through the full Timeline outline, skipping
moving layers even below the viewport. Cancel a gesture if any captured
layer disappears before its ID can be interpreted as a layer index.
Cover intermediate drops, selected groups, deletion of the owner or another
group member, Undo/Redo, and later independent drags.
Finish reordering from the stored egui drag owner and primary-button
release even when wheel scrolling culls the originating row. Cancel
disabled, interrupted or stale gestures before they can arrange layers.
Cover scrolling in both directions, selected groups, Undo/Redo, later
drags and cancellation boundaries, including opening Settings mid-drag.
Make the existing no-op control cross the drag threshold.
Fixes#2492.
Review follow-up: the shape Size test linked only the rectangle, so a
change that handled rect and not ellipse would still pass. Link the
ellipse too and check that its height follows its width.
Resizing a rectangle or ellipse while keeping its proportions (a circle
that stays a circle, a 16:9 card that stays 16:9) needed W and H typed
or keyed separately. The Timeline's Size row of a shape's Rectangle
Path and Ellipse Path now has the chain link that Scale and Mask
Feather have. It starts off; turned on, typing or scrubbing W or H
keeps the ratio (Alt still edits one value).
Scale and Mask Feather keep their linked-by-default state in `unlinked`;
Size, which starts unlinked, records a turned-on link in a new `linked`
set, so neither default changes the other's saved state.
BFlat
pravdomilandClaude Opus 5.5
Egon 5000
tylerjenningsw
zitann2020andDeepSeek V4.1 Flash
mypenc
SusieeTheFemboyandGLM-5.3-Flash
WillPastor
Altynzhan Karybai
ashokram-si
dotCooCoo
Kristian Myram