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# After Effects project import
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> **Last reviewed:** 2026-11-05 · **Last updated:** 2026-11-11 · **Change:** an item made from one layer of a Photoshop file shows that layer (#3087); before that: the losses prompt shows every detail line and how many have none (`unlisted`); unmapped effects are listed most used first (#3365); a shape property recorded in the default state is no loss; an expression on Orientation is imported with its value or keys (#3087); before that: dropped projects and projects picked in File ▸ Import ▸ File… import as projects, several asked about one at a time; `file.import` hands them to `file.importAep`; the menu entries are named Adobe After Effects Project… (#3103); before that: After Effects' Puppet arrives as EffectCraft's Puppet without its meshes and pins, which are reported mesh by mesh (#3093; the storage is not sampled yet, aep-format 3.7); before that: Lumetri Color's master RGB curve, Hue vs Sat curve and colour wheels are imported (1200 presets made by hand); before that: Lumetri Color is imported (1200: every slider, checkbox and popup with a counterpart, by match name, also from records in the default state; switched-off sections, LUTs, looks, undecoded curves and wheels are reported); before that: the report names the After Effects version a file is written for and the one that wrote it (`aeVersion`); copies saved as 25.x and 24.x import like the 2026 save; before that: Curves and Mesh Warp are imported (961-965, 985; FORMAT S of the corpus); before that: a shape item's eye switch is imported (bit 0 of its group flags, 986 / 987: a switched-off Fill under Trim Paths is no longer drawn, render equal to After Effects), and a layer style's (switch group `tdsb` 0, 988); before that: a negative time stretch (Time Reverse Layer) is imported: in and out point in order, the layer plays backwards (981-983: render equal to After Effects at 7 points); before that: After Effects' None on Compound Blur, Displacement Map and Set Matte arrives as an explicit None (`NO_LAYER`), not as the owning layer; before that: layer styles are imported (the nine styles and Blending Options, 951-979; Global Light becomes the composition's); before that: the 27 effects of round 3 are in the table (`effectcraft_aep::effect_map`); before that: a layer of a clip, sequence or sound ends at its source's end (After Effects ends it there when it opens a project, read-back test f1), unless it is remapped or looped or runs less than a frame past; before that: keys of shape colours are read (the reader took their 152-byte spatial records for plain ones: `tdb4` byte 7 is 0 there, 854); before that: the effect table moved to `effectcraft_aep::effect_map`; point defaults in percent and a popup default slot of 0 (After Effects' save of a project it opened, e1 / e2 re-saves) are read; before that: the justification of right-to-left paragraphs is read relative to the direction (t7); before that: 24 more layer blend modes (906, 907); before that: 27 more effects are imported (batch 6: 903-905), with layer parameters; before that: a Rec. 709 working space also sets the output space (After Effects renders in the working space, 902); before that: a mask whose path was never set arrives as the source rectangle (900, 901); before that: Offset Paths' Copy Offset arrives as EffectCraft's (After Effects' value minus 1, 828); before that: project settings, image sequences, conformed clips and effect instance names are imported, next to the mattes, shapes, text settings and animators, effects, markers, time remapping, cameras and lights); before that: parallel and ambient lights (701, 702) and keyed Orientation (703) are imported; before that: masks on text and shape layers (705, 706: AE vs EffectCraft render 12 and 0 of 5184 points, glyph edges) and Merge Paths, Offset Paths, Repeater (707-710, 731; merge renders equal but for edges; Repeater copy opacity and Offset Paths' outline differ in EffectCraft's renderer) are imported; before that: keyframes: the ease of Anchor Point, effect point, effect colour and mask path keys is imported (597-599, 700, 730: within 0.5 px of After Effects' read-backs); before that: effects: Directional Blur, Radial Blur, CC Radial Blur, Venetian Blinds, Channel Blur, Black & White, Tritone, Luma Key, Simple Choker, Matte Choker and Transform are imported (711-723; render checks: CC Radial Blur and Channel Blur equal, Directional Blur within 5/255; Venetian Blinds, Radial Blur, Black & White (8/255), Tritone (19/255), Luma Key, Matte Choker and Transform differ in EffectCraft's renderer, see STATUS); before that: text: character and paragraph settings (stroke, scales, baseline shift, kerning, ligatures, tsume, indents, spacing, justified text, composer, direction, vertical text; 538-578) and text animators with range selectors (579-594, 114) are imported; render checks 594 (keyed range selector at 0 / 0.5 / 1 / 1.5 / 2.5 s), 595, 596 equal but for glyph edges; before that: cameras, spot and point lights, X / Y RotatLine truncated
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> **Last reviewed:** 2026-11-05 · **Last updated:** 2026-11-11 · **Change:** an effect without a counterpart arrives as a placeholder with its parameters, values, keys and expressions; it renders nothing and is still reported (#3087); before that: an item made from one layer of a Photoshop file shows that layer (#3087); before that: the losses prompt shows every detail line and how many have none (`unlisted`); unmapped effects are listed most used first (#3365); a shape property recorded in the default state is no loss; an expression on Orientation is imported with its value or keys (#3087); before that: dropped projects and projects picked in File ▸ Import ▸ File… import as projects, several asked about one at a time; `file.import` hands them to `file.importAep`; the menu entries are named Adobe After Effects Project… (#3103); before that: After Effects' Puppet arrives as EffectCraft's Puppet without its meshes and pins, which are reported mesh by mesh (#3093; the storage is not sampled yet, aep-format 3.7); before that: Lumetri Color's master RGB curve, Hue vs Sat curve and colour wheels are imported (1200 presets made by hand); before that: Lumetri Color is imported (1200: every slider, checkbox and popup with a counterpart, by match name, also from records in the default state; switched-off sections, LUTs, looks, undecoded curves and wheels are reported); before that: the report names the After Effects version a file is written for and the one that wrote it (`aeVersion`); copies saved as 25.x and 24.x import like the 2026 save; before that: Curves and Mesh Warp are imported (961-965, 985; FORMAT S of the corpus); before that: a shape item's eye switch is imported (bit 0 of its group flags, 986 / 987: a switched-off Fill under Trim Paths is no longer drawn, render equal to After Effects), and a layer style's (switch group `tdsb` 0, 988); before that: a negative time stretch (Time Reverse Layer) is imported: in and out point in order, the layer plays backwards (981-983: render equal to After Effects at 7 points); before that: After Effects' None on Compound Blur, Displacement Map and Set Matte arrives as an explicit None (`NO_LAYER`), not as the owning layer; before that: layer styles are imported (the nine styles and Blending Options, 951-979; Global Light becomes the composition's); before that: the 27 effects of round 3 are in the table (`effectcraft_aep::effect_map`); before that: a layer of a clip, sequence or sound ends at its source's end (After Effects ends it there when it opens a project, read-back test f1), unless it is remapped or looped or runs less than a frame past; before that: keys of shape colours are read (the reader took their 152-byte spatial records for plain ones: `tdb4` byte 7 is 0 there, 854); before that: the effect table moved to `effectcraft_aep::effect_map`; point defaults in percent and a popup default slot of 0 (After Effects' save of a project it opened, e1 / e2 re-saves) are read; before that: the justification of right-to-left paragraphs is read relative to the direction (t7); before that: 24 more layer blend modes (906, 907); before that: 27 more effects are imported (batch 6: 903-905), with layer parameters; before that: a Rec. 709 working space also sets the output space (After Effects renders in the working space, 902); before that: a mask whose path was never set arrives as the source rectangle (900, 901); before that: Offset Paths' Copy Offset arrives as EffectCraft's (After Effects' value minus 1, 828); before that: project settings, image sequences, conformed clips and effect instance names are imported, next to the mattes, shapes, text settings and animators, effects, markers, time remapping, cameras and lights); before that: parallel and ambient lights (701, 702) and keyed Orientation (703) are imported; before that: masks on text and shape layers (705, 706: AE vs EffectCraft render 12 and 0 of 5184 points, glyph edges) and Merge Paths, Offset Paths, Repeater (707-710, 731; merge renders equal but for edges; Repeater copy opacity and Offset Paths' outline differ in EffectCraft's renderer) are imported; before that: keyframes: the ease of Anchor Point, effect point, effect colour and mask path keys is imported (597-599, 700, 730: within 0.5 px of After Effects' read-backs); before that: effects: Directional Blur, Radial Blur, CC Radial Blur, Venetian Blinds, Channel Blur, Black & White, Tritone, Luma Key, Simple Choker, Matte Choker and Transform are imported (711-723; render checks: CC Radial Blur and Channel Blur equal, Directional Blur within 5/255; Venetian Blinds, Radial Blur, Black & White (8/255), Tritone (19/255), Luma Key, Matte Choker and Transform differ in EffectCraft's renderer, see STATUS); before that: text: character and paragraph settings (stroke, scales, baseline shift, kerning, ligatures, tsume, indents, spacing, justified text, composer, direction, vertical text; 538-578) and text animators with range selectors (579-594, 114) are imLine truncated
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File ▸ Import ▸ Adobe After Effects Project… (`file.importAep`) reads an `.aep` or its XML form `.aepx`
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and adds its items to the open project, in a folder named after the file (as After Effects does when it imports a project).
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@@ -318,6 +318,26 @@ parameter gets the file's value:
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`approximated_keyframes`.
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- **The fx switch** of each instance (the `tdsb` of its value group: 1 on, 0 off; `fx-switch.aep`)
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is imported and exported, and so is an expression on a stored effect parameter (its text and its switch).
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- **Effects without a counterpart** (third-party plug-ins, pseudo effects of expression controls,
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`Pseudo/…`) arrive as **placeholders** (#3087): an effect group whose effect id is the After
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Effects match name (expressions also find it by that name, `effect("Pseudo/0.25")`; its match id
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is that name as one path segment, `Pseudo_0_25`). Like a missing plug-in it renders nothing and is listed by Find Missing
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Effects. It holds the effect's parameters flat (without the twirl-down group markers), named as
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in After Effects, each with its value, keys and expression, in the units After Effects'
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expressions read (sliders and angles as stored, a float slider with its range, points in layer pixels, colours, checkboxes,
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popups over the file's items with separators, read 1-based; layer parameters name their layer,
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without a record the layer itself as for Layer Control, and their keys and expression are
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reported),
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so expressions that read them (`effect("Settings")("Speed")`) keep working. A parameter's id is
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its match name (`CC Cylinder-0003`), or `param<index>` when that name is no path segment (a
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pseudo effect's `Pseudo/0.25-0001`). Paths and arbitrary data are not kept; a popup whose
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definition is borrowed, or whose default slot holds no item, and that has no value record takes
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its first item (reported). One import keeps at
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most 200 000 placeholder parameters and popup items (a popup at most 1024 items; parameters it
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does not keep count, and an item one more per 16 bytes of its name); the rest is
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reported, and once that is spent a later effect without a counterpart arrives without a
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placeholder (reported). A placeholder is still reported in `effects` and counted in
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`imported.placeholderEffects`; .aep export reports it and leaves it out.
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## What is reported
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@@ -331,7 +351,7 @@ for the `unlisted` ones. The categories:
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| Category | Counted |
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|---|---|
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| `effects` | each effect on an imported layer that is not in the table (by name and match name); for an imported effect: each stored parameter outside the table, a parameter whose type or valid maximum differs from the table, keys or an expression on a layer parameter, an effect without readable parameter definitions |
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| `effects` | each effect on an imported layer that is not in the table (by name and match name; it arrives as a placeholder, "kept without rendering", unless it has no readable parameter definitions); for an imported effect: each stored parameter outside the table, a parameter whose type or valid maximum differs from the table, keys or an expression on a layer parameter, an effect without readable parameter definitions |
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| `masks` | a mask that is not imported because its path cannot be used (a Mask Path entry without shapes, a mask on a text or shape layer whose path was never set (its default is not sampled), unreadable, no vertices, a point count that is not a multiple of three, more than 65 536 vertices, numbers that are not finite), a mask mode code outside the seven known ones (imported as Add) |
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| `layer_styles` | per layer: a style in switch state 3 (not sampled; state 0 is imported as a style switched off, 988), Pattern Overlay, an unknown style or parameter, a gradient (`GCst`, not decoded: EffectCraft's default gradient stays), keys on a popup or checkbox, a value that does not fit, styles on a layer that takes none here (adjustment, camera, light) |
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| `markers` | a marker with an unknown cue type (imported as an event cue) |
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