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Merge remote-tracking branch 'upstream/main' into m2915-merge

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docs/agents.md
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@@ -483,7 +483,9 @@ undistort?, wait?}`) apply
Effect ▸ Perspective ▸ 3D Camera Tracker (or reuse the layer's) and analyse it in the background:
"Analyzing in background (step 1 of 2)" tracks features, "Solving camera" solves.
`camera.analyze {layer?, effect?, wait?}` re-runs it, `camera.cancel` stops it without writing
anything. `camera.solveStatus` reports `progress`/`banner`, `analyzed`, `solved`, `methodUsed`,
anything. `camera.solveStatus` reports `progress`/`banner`, `analyzed`, `solved` (every frame
solved), `partial` with `solvedFrames` of `frames` (the camera is interpolated on the other frames,
and `camera.exportBlender` refuses such a solve), `methodUsed`,
`averageError` (pixels), `focalLength`, `horizontalAngleOfView`, the current frame's `camera`
(position, orientation, zoom), `groundPlane` and the solved `lensDistortion` (`k1`, `k2`, normalised by
half the frame diagonal) when Solve Lens Distortion (`effects/#1/advanced/lensDistortion`, also on
@@ -759,6 +761,14 @@ effectcraft-cli render main.ecproj --comp Main --out main.mov --format prores --
effectcraft-cli render main.ecproj --comp Main --out 'main_[#####].exr' --exr-compression piz --exr-depth half # half-float PIZ OpenEXR frames
```
Runs that save over the project they opened (`--save`, or `--save-as` the same file) take turns, so
parallel scripts don't lose edits. Each holds an OS lock on `.<name>.lock` next to the project from
before it reads the file until it exits; the next one says so on stderr, waits, and then edits what
the first one saved. A crash releases the lock, and the empty file left behind is harmless. Only these
CLI runs take the lock: the desktop app, `mcp`, and a `file.save` step in a run without `--save`
don't. OS locks can also be unreliable over network shares and synced folders. If the lock can't be
taken, the run warns on stderr and saves anyway.
A long `run` doesn't fit on a command line (Windows caps it at 32 767 characters, Linux one
argument at 128 KiB). `run --args-file F` reads the same `<id> <json>` arguments one per line;
`run --commands FILE` reads steps as a JSON array of `{"command": ID, "params": {…}}` objects, or one
docs/control-protocol.md
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@@ -143,7 +143,9 @@ revolutions are `timeline.prop.<uid>.revolutions`, `effectControls.prop.<uid>.re
`viewer.showSnapshot`, `viewer.fastPreviews` (their popup entries are `viewer.<menu>Item.<n>`),
`viewer.ruler.top|left|origin`, `viewer.mask.<uid>.vertex.<i>`, `viewer.shapePath.<uid>.vertex.<i>`,
`viewer.motionPath.<layer>.<key>[.in|.out]`, `viewer.puppetPin.<uid>[.rotate|.scale]`,
`viewer.freeTransform.handle.<i>` and
`viewer.freeTransform.handle.<i>`, `viewer.cryptoPick` (the Cryptomatte eyedropper's hover chip; its
label is the chip's text), `viewer.cryptoPick.error` (the chip when it shows an error; label `whole`, or
`cut` when the message is cut off), `viewer.cryptoPick.highlight` (the hovered ID's highlighted area) and
`viewer.regionOfInterest`; the Graph Editor adds `timeline.graph.transformBox[.<i>]`,
`timeline.graph.snap` and `timeline.graph.reference`. Use `ui.elements` to see what is on screen.
docs/effects-parity.md
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@@ -26,7 +26,7 @@ corpus compares renders, each effect is assumed to differ somewhere, and users k
| Category | Effects | On the GPU | Known differences or bugs |
|---|---:|---:|---|
| 3D Channel | 8 | 8 | Cryptomatte selection can't be set in the UI and the GPU path is slow (#473; quoted names with commas fixed); multi-layer EXR decode shared (#474 open: f16 storage and cache sizing remain) |
| 3D Channel | 8 | 8 | Cryptomatte's GPU path is slow (#473; the Selection is picked in the viewer with an eyedropper, quoted names with commas fixed); multi-layer EXR decode shared (#474 open: f16 storage and cache sizing remain) |
| Audio | 13 | 0 | CPU by design (applied in the mixdown) |
| Blur & Sharpen | 16 | 15 | Radial Blur keeps the layer edges as After Effects 2026 (713 now pixel-identical); Gaussian Blur interaction and output to be measured first ([fidelity/ae-2026-acceptance.md](fidelity/ae-2026-acceptance.md)) |
| Channel | 13 | 13 | — |
docs/footage.md
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@@ -120,6 +120,10 @@ Nuke's `beauty`) show the beauty pass: the layer named Combined, Beauty, Image,
Color, else the first colour layer that isn't a data pass. Cryptomatte, depth, mist, normals,
vectors, positions and IDs are never the picture. EXtractoR reads every other layer and channel.
The Cryptomatte effect keys objects by their Cryptomatte ID passes, with the names from the
file's manifest. Pick them with the eyedropper next to its Selection, then click in the
Composition viewer (Shift adds, Alt or Ctrl removes).
## Replacing and reloading
Importing a layered file as a composition refreshes the decoded sources used by its layers,
docs/gaps.md
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@@ -65,14 +65,14 @@ are grouped by area; the issue tracker has the rest.
| 6 | **Linux and Windows interaction bugs** | Open: #488 rename arrows (hardening landed, reporter asked for details), #492 anchor drag, #268 file drops on Wayland (winit), #613 Direct3D 12 compositor. Now closed: #491, #493, #467, #320, #302, #596 | Many reports come from Linux; some Windows GPUs fail to start the compositor | 25–45 h | G2 · [ui-parity.md](ui-parity.md) |
| 7 | **Animation presets: 76 against 621** | After Effects ships 621 `.ffx` presets (Behaviors, Backgrounds, Shapes, Synthetics, Text, Transitions…); we ship 76 original presets (8 text-animator; 23 Transitions: wipes, clock and fan reveals, blinds, dissolves, card flips, CC wipes, fades, #757; 23 Backgrounds: drifting gradients, fog, cloud and smoke, plasma and magma, cells, hexagons, scrolling grids and checks, pulse rings, bokeh, light sweep, #1096, driven by expressions so they keep moving, not seamless loops; 22 Behaviors: wiggle, shake, float, orbit, bounce, drift, pendulum, spin, pulse, heartbeat, blink, strobe, flicker on transform and opacity, #1510) and read only our `.ecpreset`. Missing: Shapes, Synthetics, Image and more Text | Presets are how many designers start; tutorials assume them | 15–35 h (original presets; `.ffx` reading is out of clean-room scope) | G8 · [effects-parity.md](effects-parity.md) |
| 8 | **Mask and shape bugs** | Open: #1004 mask vertex multi-select, #999 auto-pan, #1042 / #1033 vertex nodes under the bounding box, #959 / #960 shape group toggles and operators. Now closed: #510, #513, #527, #509, #303, #553, #932 (Convert To Bezier Path on a shape layer's parametric path) | Masks are core compositing | 10–20 h | G2 · [target-app-parity.md](target-app-parity.md) |
| 9 | **Effect behaviour bugs** | #580, #463 Curl Noise, #369 Motion Tile output size, #943 Turbulent Displace Evolution, #473 Cryptomatte selection (quoted names with commas fixed, 3b7f1ace; UI and GPU time open), #474 multi-layer EXR (decode shared, faffad3a; f16 storage and cache sizing open). Closed: #526, #514, #533–#536 | Each one breaks a look someone built | 10–20 h | G1/G2 · [effects-parity.md](effects-parity.md) |
| 9 | **Effect behaviour bugs** | #580, #463 Curl Noise, #369 Motion Tile output size, #943 Turbulent Displace Evolution, #473 Cryptomatte selection (quoted names with commas fixed, 3b7f1ace; the viewer eyedropper added; GPU time open), #474 multi-layer EXR (decode shared, faffad3a; f16 storage and cache sizing open). Closed: #526, #514, #533–#536 | Each one breaks a look someone built | 10–20 h | G1/G2 · [effects-parity.md](effects-parity.md) |
| 10 | **Colour pipeline differences** | #340 ProRes 4444 tagged bt709 but sRGB-encoded (open); ACES 2.0 / OCIO 2.5 configs (26.5) missing; now closed: #494 32-bpc blend modes, #495 and #750 Working Gamma 2.4, #546 / #547 viewer colour | Wrong colour in delivery is a client-visible failure | 15–30 h | G1 · [file-format-parity.md](file-format-parity.md) |
| 11 | **Text rendering and layout** | #453 CJK text in comps: the Han fallback now reaches the installed Chinese faces; open: #316 paragraph alignment inverted (maintainers' tests show Left/Right correct; asked for a project), #417 soft at Fit (mostly fixed by #444), #550 toolbar font options. Closed: #483, #583 | Text is in almost every motion graphic | 10–20 h | G2 · [ui-parity.md](ui-parity.md) |
| 12 | **3D interaction and depth** | No 3D transform gizmos (#392, #347); camera aperture (#260); reflections (#261); extruded surface materials beyond Front / Bevel / Side / Back Color (fb5a5e9a; #315 closed); #307 reopened (the viewer's renderer button now shows and switches the renderer, #645); Z position (#489) closed | Advanced 3D is After Effects' growth area since 2023 | 20–35 h | G2 · [ui-parity.md](ui-parity.md) |
| 13 | **3D model formats and materials** | After Effects 26 imports FBX, USD/USDZ, STL besides glTF and OBJ (`usd_plugins`), and Substance 3D materials with mesh displacement (26.0–26.2); we read glTF, OBJ, STL (binary and ASCII, with facet colours) and FBX 7.x (binary and ASCII: meshes, hierarchy, Lambert/Phong materials and textures; no FBX animation or skinning yet) | Product shots and 3D scenes come as FBX/USDZ | 25–45 h | — · [file-format-parity.md](file-format-parity.md) |
| 14 | **Object Matte** (26.2, disk cache in 26.5) | First slice (#783): the Object Matte effect (Effect ▸ Matte) and `objectMatte.apply` turn a point (and optional box) on a reference frame into a matte and follow the object up to 600 frames each way, or segment every frame on its own; Roto Brush's engine, cache and model (MobileSAM from Settings ▸ Roto Brush, classical graph cut without it). Since then: the Object Matte tool in the viewer (click / drag a box, hover crosshair), the box as the model's box prompt, background tracking with progress and cancel, Freeze, and segmentations kept in the disk cache (26.5). Missing: a comparison with After Effects ([plan](fidelity/object-matte.md)) | The new one-click roto | 10–20 h | G7 · [target-app-parity.md](target-app-parity.md) |
| 15 | **Hardware video decode and encode** | No VideoToolbox, NVENC, Quick Sync or VA-API; #498 asks for it (answered: CUDA / NVENC need Nvidia's proprietary SDK through FFI, which the no-`unsafe` rule forbids); open PR #819 adds hardware decoding via `filmcraft-platform`; FilmCraft has VideoToolbox / NVENC / VA-API paths to borrow | 4K playback and export speed | 25–45 h | G5/G6 · [hardware-parity.md](hardware-parity.md) |
| 16 | **Localization depth** | Menus in 11 languages (ja, zh-hans, zh-hant, uk, es, pt-br, ru, fr, de, cs, ka: 630 rows each, 629 in Georgian); panels in 7 (ja 996 rows, zh-hans 998, zh-hant 951, uk 524, pt-br 695, cs 518, ka 885); effect names translated in Simplified Chinese (307), Japanese (297) and Georgian (307, plus the generated Effect menu), their ~1,650 parameter names untranslated; Korean and Italian (After Effects ships them) absent; Hangul probe added (#599 closed) | After Effects is used heavily in Japan, China, Korea, Brazil, Europe | 60–110 h + native review | G9 · [localization-parity.md](localization-parity.md) |
| 16 | **Localization depth** | Menus in 11 languages (ja, zh-hans, zh-hant, uk, es, pt-br, ru, fr, de, cs, ka: 630 rows each, 629 in Georgian); panels in 7 (ja 996 rows, zh-hans 998, zh-hant 951, uk 524, pt-br 695, cs 518, ka 885); effect names translated in Simplified Chinese (308), Traditional Chinese (308, plus 21 categories), Japanese (297) and Georgian (308, plus the generated Effect menu), their ~1,650 parameter names untranslated; Korean and Italian (After Effects ships them) absent; Hangul probe added (#599 closed) | After Effects is used heavily in Japan, China, Korea, Brazil, Europe | 60–110 h + native review | G9 · [localization-parity.md](localization-parity.md) |
| 17 | **Media Browser lists files import refuses** | The Media Browser, the import and proxy dialogs and `media::is_importable` share one movie list since #1701, AVI included (Targa and Radiance HDR import since #745; DPX and Cineon since #756, log shown as stored unless Interpret Footage ▸ Cineon Settings converts it; MXF OP1a / OP-Atom since #767; AVI since #1701, without DV, MPEG-4 Part 2 or other legacy codecs yet); #431 and #324 closed | Confusing failures on common VFX formats | 15–30 h | G6 · [file-format-parity.md](file-format-parity.md) |
| 18 | **Relative paths and relinking** | Projects store absolute footage paths; no relink when a project moves | Moving or sharing a project breaks it | 6–12 h | G4 · [file-format-parity.md](file-format-parity.md) |
| 19 | **Plug-in ecosystem** | No After Effects SDK hosting (#600, #327 OpenFX, #334, #376 plug-in manager); our WebAssembly API has no third-party plug-ins | Many pro projects depend on Trapcode, Element, Saber… | 40–80 h for API growth; SDK hosting needs an owner decision | G8 · [scripting-parity.md](scripting-parity.md) |
docs/localization-parity.md
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@@ -1,6 +1,6 @@
# Localization parity
> **Last reviewed:** 2026-10-14 · **Last updated:** 2026-10-30 · **Change:** minor (Polish (`pl`): menus 630, panels 695; recounted at this tree after #1774: Japanese 1,923 of ≈ 4,200 interface strings (46%, with 297 effect names), Simplified Chinese 1,935 (46%, with 307 effect names), Traditional Chinese 1,581 (38%, its panel catalog 951 rows after #2244); overall ≈ 24%; previously: minor, the panel/dialog catalogs grow by 303 rows in Japanese, Simplified Chinese and Traditional Chinese: panel tabs, form and dialog labels, context menus, tracker/graph/text-panel labels, credits and File-panel footers; previously: minor, catalogs recounted at `upstream/main` 470ea7a3: menus in 10 languages, panels in 6, Hangul probe (#599)) · **Target:** Adobe After Effects 2026
> **Last reviewed:** 2026-10-14 · **Last updated:** 2026-11-03 · **Change:** Traditional Chinese (`zh-hant`) effect names are complete: 308 names and 21 categories (#2037). Previously: minor (Polish (`pl`): menus 630, panels 695; recounted at this tree after #1774: Japanese 1,923 of ≈ 4,200 interface strings (46%, with 297 effect names), Simplified Chinese 1,935 (46%, with 307 effect names), Traditional Chinese 1,581 (38%, its panel catalog 951 rows after #2244); overall ≈ 24%; previously: minor, the panel/dialog catalogs grow by 303 rows in Japanese, Simplified Chinese and Traditional Chinese: panel tabs, form and dialog labels, context menus, tracker/graph/text-panel labels, credits and File-panel footers; previously: minor, catalogs recounted at `upstream/main` 470ea7a3: menus in 10 languages, panels in 6, Hangul probe (#599)) · **Target:** Adobe After Effects 2026
How much of EffectCraft's interface is translated, language by language, compared with After
Effects. [gaps.md](gaps.md) gap 16 and workstream G9 hold the work;
@@ -29,18 +29,19 @@ interface; Arabic and Hebrew text *in layers* is supported through its Middle Ea
the Simplified Chinese catalog's 694 rows, plus 191 for panels converted to the catalog since
(885 in all). Swedish (added later) also has one.
- **Effect names:** `crates/ui-egui/src/i18n/effects.rs`, keyed by **effect id**, in Simplified
Chinese (307 rows, one per effect in the registry), Japanese (297 of the 307 ids), Georgian
(307 rows, plus its 21 categories) and Swedish (307 rows, plus its 21 categories). The registry's
Chinese (308 rows, one per effect in the registry), Traditional Chinese (308 rows, plus its 21
categories), Japanese (297 of the 308 ids), Georgian (308 rows, plus its 21 categories) and
Swedish (308 rows, plus its 21 categories). The registry's
English name stays the effect's identity: `effect.list`, `effect.apply {"effect": …}`, scripts
and expressions match on it, and the property tree stores it as the effect group's name. Only
the drawing — the Effect menu, Effect Controls, the Timeline and Effects & Presets — goes
through the catalog, so a project file is identical whichever interface language opens it.
A repeat (`Gaussian Blur 2`) keeps the index the engine appends, and a group the user renamed
in Effect Controls stays verbatim. Adding a language there is two tables and one arm, and no
panel changes: Traditional Chinese has its table in place and empty, and Japanese fills 297 of
the 307 ids, so the rest draw English until a translator completes them. Each language decides
for itself which names stay English — Adobe's Japanese interface leaves the `CC`, `VR` and
`OCIO` sets in English while its Chinese one translates them — so a row repeating the English
panel changes: Traditional Chinese now covers all 308 ids and 21 categories, and Japanese fills
297 of the 308 ids, so the rest draw English until a translator completes them. Each language
decides for itself which names stay English — Adobe's Japanese interface leaves the `CC`, `VR`
and `OCIO` sets in English while its Chinese one translates them — so a row repeating the English
name is a choice, not a missing row.
- **Missing strings:** a string with no row in the interface language shows in English, and no
test, build or release fails on a missing translation. The `missing_translations_report` test
@@ -68,7 +69,7 @@ and recounted again at this tree after #1774 by counting catalog rows (`const` t
`crates/ui-egui/src/i18n.rs`, `i18n/ui.rs` and `i18n/effects.rs`: 630 menu rows, 998
panel/dialog sources in Simplified Chinese, 951 in Traditional Chinese and 996 in Japanese). The
denominator, **≈ 4,200 user-visible strings**, is a rounded estimate: the 630 fixed menu entries,
the 998 panel/dialog sources, 307 effect names, ≈ 1,650 distinct effect parameter names and
the 998 panel/dialog sources, 308 effect names, ≈ 1,650 distinct effect parameter names and
≈ 620 other unwrapped interface strings (Home screen literals, engine-built tooltips, error and
status messages). It counts distinct strings, not catalog rows; engine messages are only partly
counted, so the true percentages are slightly lower.
@@ -76,14 +77,14 @@ counted, so the true percentages are slightly lower.
| Language | Code | UI strings translated | Dialogs / tooltips / help | Script support | Native review | Status | To `full` |
|---|---|---|---|---|---|---|---|
| English | `en` | ≈ 4,200 (100%, source) | All; docs in English | — | yes | full | — |
| Simplified Chinese | `zh-hans` | 1,935 (≈ 46%): menus 630 rows, panels 998, effect names 307 | Panels and dialogs partly; no help, effect names translated and their parameter names not; Home screen literals unwrapped (#574, closed) | System CJK fallback; Han follows the UI language; CJK text in comps renders wrongly (#453); IME in text layers | no | partial | 6–9 h + review |
| Simplified Chinese | `zh-hans` | 1,936 (≈ 46%): menus 630 rows, panels 998, effect names 308 | Panels and dialogs partly; no help, effect names translated and their parameter names not; Home screen literals unwrapped (#574, closed) | System CJK fallback; Han follows the UI language; CJK text in comps renders wrongly (#453); IME in text layers | no | partial | 6–9 h + review |
| Spanish | `es` | 1,142 (≈ 29%): menus 629 rows, panels 513 | Menus only; the panel catalog from #996 | Latin, fine | no | partial | 9–12 h + review |
| Hindi | `hi` | 0 | — | UI: Devanagari fallback font but no shaping; text layers shape Devanagari | no | none (After Effects: none) | 9–13 h + shaping in the UI |
| Arabic | `ar` | 0 | — | UI: Arabic fallback font but no shaping and no RTL layout; text layers: bidi + shaping | no | none (After Effects: none) | 9–13 h + 15–25 h RTL UI |
| French | `fr` | 2,124 (≈ 51%): menus 632 rows, panels 1,184, effect names 308 | Panels and dialogs at the source list of the other panel catalogs; effect names and their 21 categories; no help; machine-translated from the English, not yet native-speaker proofread | Latin, fine | no | partial | 2–4 h + review |
| Portuguese (Brazil) | `pt-br` | 1,324 (≈ 34%): menus 629 rows, panels 695 | Panels and dialogs at the Chinese catalogs' source list; the six keys main added after that count are translated too; AI-assisted, not yet native-speaker proofread | Latin, fine | no | partial | independent native review |
| Indonesian | `id` | 0 | — | Latin, fine | no | none (After Effects: none) | 8–12 h + review |
| Japanese | `ja` | 1,923 (≈ 46%): menus 630 rows, panels 996, effect names 297 | Panels and dialogs partly; no help, effect names translated for 297 of the 307 ids and their parameter names not; Home screen literals unwrapped (#574, closed) | Japanese system fallback; vertical text and Tate-Chu-Yoko in text layers; IME | no | partial | 6–9 h + review |
| Japanese | `ja` | 1,923 (≈ 46%): menus 630 rows, panels 996, effect names 297 | Panels and dialogs partly; no help, effect names translated for 297 of the 308 ids and their parameter names not; Home screen literals unwrapped (#574, closed) | Japanese system fallback; vertical text and Tate-Chu-Yoko in text layers; IME | no | partial | 6–9 h + review |
| German | `de` | 624 (≈ 16%) | Menus only (open PR #666 adds interface translations) | Latin, fine | no | menus only | 7–10 h + review |
| Korean | `ko` | 0 | — | Hangul fallback probe added (#599, closed); not checked on macOS here | no | none | 9–13 h + review |
| Vietnamese | `vi` | 0 | — | Latin with stacked diacritics; untested | no | none (After Effects: none) | 8–12 h + review |
@@ -92,18 +93,18 @@ Other languages EffectCraft ships (6):
| Language | Code | UI strings translated | Status | To `full` |
|---|---|---|---|---|
| Traditional Chinese | `zh-hant` | 1,581 (≈ 38%): menus 630 rows, panels 951 | partial | 6–9 h + review |
| Traditional Chinese | `zh-hant` | 1,889 (≈ 45%): menus 630 rows, panels 951, effect names 308 (+ 21 categories, not counted, as for the other languages) | partial; effect names complete, parameter names and engine text still in English | 3–5 h + review |
| Ukrainian | `uk` | 1,153 (≈ 29%): menus 629 rows, panels 524 | partial | 6–9 h + review |
| Polish | `pl` | 1,325 (≈ 34%): menus 630 rows, panels 695 | partial; unwrapped UI, effects and engine text still in English; AI-drafted, native review welcome | Remaining strings + native review |
| Czech | `cs` | 1,147 (≈ 29%): menus 629 rows, panels 518 | Existing catalog entries covered; unwrapped UI, effects and engine text still in English; AI-assisted, not yet native-speaker proofread | Remaining strings + independent native review |
| Georgian | `ka` | 1,514 (≈ 39%): menus 629 rows, panels 885 (the Simplified Chinese catalog's 694 plus 191 Georgian-only rows: form dialogs, context menus, column headers), effect names 307 + 21 categories; native-speaker reviewed | partial | 5–8 h |
| Swedish | `sv` | menus 630 rows, panels 723, effect names 307 and categories 21; added after the measurement above | Settings, Edit menu and Match System (`sv-*` locales) offer it; parameter and engine text still in English; not yet native-speaker reviewed | Remaining strings + native review |
| Georgian | `ka` | 1,822 (≈ 43%): menus 629 rows, panels 885 (the Simplified Chinese catalog's 694 plus 191 Georgian-only rows: form dialogs, context menus, column headers), effect names 308 + 21 categories; native-speaker reviewed | partial | 5–8 h |
| Swedish | `sv` | menus 630 rows, panels 723, effect names 308 and categories 21; added after the measurement above | Settings, Edit menu and Match System (`sv-*` locales) offer it; parameter and engine text still in English; not yet native-speaker reviewed | Remaining strings + native review |
Russian (`ru`) has a menu catalog (630 rows, ≈ 15%); After Effects also ships Italian, which EffectCraft does not (8–12 h).
**Overall: ≈ 24%**, the average coverage of After Effects' 10 non-English languages
(Simplified Chinese 46%, Traditional Chinese 38%, Japanese 46%, Brazilian Portuguese 34%,
Spanish 29%, French, German and Russian 16%, Korean and Italian 0%; 241 / 10, was ≈ 21% on
**Overall: ≈ 25%**, the average coverage of After Effects' 10 non-English languages
(Simplified Chinese 46%, Traditional Chinese 45%, Japanese 46%, Brazilian Portuguese 34%,
Spanish 29%, French, German and Russian 16%, Korean and Italian 0%; 248 / 10, was ≈ 24% before #2037's effect names and ≈ 21% on
22 October; Ukrainian (≈ 29%) and Czech (≈ 29%) are EffectCraft-only and stay out of that
average). This is the localization row in [target-app-parity.md](target-app-parity.md#by-dimension).
@@ -119,6 +120,7 @@ can give; only Georgian, contributed by a native speaker (#1843), has had it.
| Date | Change | Summary |
|---|---|---|
| 2026-11-03 | minor | Traditional Chinese (`zh-hant`): effect names complete — 308 names and 21 categories (#2037); the menu and panel catalogs stay at 630 and 951 rows |
| 2026-10-30 | minor | Recounted on the merged tree after #1774: Japanese 1,923 (46%, 297 effect names), Simplified Chinese 1,935 (46%, 307 effect names), Traditional Chinese 1,581 (38%, 951 panel rows after #2244's prune); overall ≈ 24% |
| 2026-10-22 | minor | Panel/dialog second step: 300 more catalog rows in Japanese, Simplified Chinese and Traditional Chinese, plus the three rows the review found missing (Basic, Advanced and Play/Stop) — panel tabs, form and dialog labels, panel context menus, the tracker and graph controls, text-panel options, File-panel footers and credits; the panel tables are now 996 Japanese and 998 Simplified Chinese rows, all drawn through `tr`/`tr_args`, with the tests keeping the three catalogs listing the same sources; the 30 October recount above carries the share |
| 2026-10-18 | minor | Brazilian Portuguese completes its panel catalog (278 new rows, 417 → 695, the Chinese catalogs' source list); the doc recount closes the drift the batch merges left in every language's panel count; AI-assisted, not yet native-speaker proofread |
docs/roto-brush-sam2.md
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@@ -155,7 +155,9 @@ of clicks, and measured confidence collapses with many (0.99 with 1–7 points,
## Speed (this PC: AMD RX 7900 GRE and a 16-thread CPU, release build)
SAM 2 runs on the GPU when there is one (wgpu compute kernels, so AMD, NVIDIA and Intel alike; candle itself has no AMD
backend) and on the CPU otherwise. The model loads on the GPU automatically; `EFFECTCRAFT_SAM2_DEVICE=cpu` (or `gpu`)
overrides it. A GPU that fails (no adapter, out of memory, a lost device) makes the CPU take over for the rest of the
overrides it. wgpu's environment variables apply to the adapter it picks (`WGPU_BACKEND`, `WGPU_POWER_PREF`,
`WGPU_ALLOW_UNDERLYING_NONCOMPLIANT_ADAPTER`…); a software adapter, or one without compute shaders, leaves SAM 2 on
the CPU. A GPU that fails (no adapter, out of memory, a lost device) makes the CPU take over for the rest of the
session, and `roto.status` reports `tracker.device` (the GPU's name, or `CPU`).
| Step | CPU | GPU |