After the split an href="#id" whose target ended up in another chapter
file is dead; endnotes (#798) end the book, so their #en-N / #enref-N
links cross files. Rewrite such links to file#id from the id-to-file
map, as in aiongg's integration branch (#259, 0b353c6f). The test calls
the rewrite directly, since note export comes with #798.
Main moved double-click handling to the second press (click_count 2, from the mouse or the control channel); the frame/content toggle now sits there too, before main's text-frame edit.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Headings h1, h3, h2 put the h2 at the top level: the loop closed every
level deeper than the new entry. Close a level only while its parent is
as deep as the new entry or deeper, as in aiongg's integration branch
(#259, bc9b89fc), with both nesting cases as tests.
Main now keeps Edit › Paste available and reads the system clipboard's
text itself (#518: other apps' text pastes as a text frame), and has its
own view_centre. On top of that:
- SVG markup from the system clipboard, by the paste keys or a menu,
goes to edit.pasteSvg in DesignApp::run (with no insertion point), so
it becomes paths rather than a text frame of markup; typing, it is
text as before.
- The branch's request_system_paste / RequestPaste path and its own
view_centre are gone: main's clipboard reading replaces them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main moved double-click handling to the second press (click_count 2, from the mouse or the control channel); the handle double-click that fits the frame now sits there too, before main's text-frame edit.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review fix from aiongg (6db40bdb, the radial_ellipse part), ported to this
branch: a straight line's box has no ellipse, so its stroke's radial
gradient showed only the last stop once #823's gradient strokes land.
Co-authored-by: aiongg <aiongtaigi@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review fix from aiongg (72d7ea2e, with the line tests of 6db40bdb), ported
to this branch: Fill::linear_axis gives screen and PDF one gradient axis,
and a box with no extent along the gradient's angle takes its longer side.
Co-authored-by: aiongg <aiongtaigi@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review fix from aiongg (977b4b26), ported to this branch: the frame's
width becomes columns × column width + gutters + left/right insets.
Co-authored-by: aiongg <aiongtaigi@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
LYH Studio episode 6 colours the "1969" headline (8:28) and the loop's
stroke (9:15) from the Swatches panel, whose header holds InDesign's
Fill/Stroke proxy, Formatting Affects Container/Text and the Tint field.
- Header: a Fill/Stroke proxy showing the colours of what colour edits
apply to (panels::color_target; a click brings the other to the front,
as X does), the container/text buttons (app.formattingAffectsText) and
the tint of the colour in front.
- The Tint field sends only the tint, so each selected object (or run of
text) keeps its own swatch: object.fill takes a tint without a swatch,
and a stroke tint alone doesn't give a stroke-less object a stroke.
- Clicking a swatch applies it to the fill or stroke in front
(panels::apply_swatch, to the text when colours affect text); that row
is highlighted.
- Bottom row: New Color Group, New Swatch, Delete Swatch (the swatch last
clicked). Rows and the proxy are named for accessibility (and tests).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The icon column's Typography entry reused the Character icon. It now uses an
"OT" glyph (panel-typography), and a test checks it is neither the placeholder
nor the Character icon.
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
A Typography panel (Window ▸ Show Panel, and the icon column) lists the
features of the selected text's fonts, merged over those fonts, grouped as
Ligatures, Alternates, Stylistic Sets (named by the font), Figure Style,
Figure Width, Figure Position and Capitals. A section or choice appears only
when a font offers it.
Each feature is a checkbox: checked when all of the selection has it, a dash
when only some of it does, empty when none does. A feature only some of the
selection's fonts offer is italic. Mutually exclusive choices are checkboxes
too, and choosing one turns the others off.
type.openTypeFeatures reports each feature's applied and available state over
the selection. type.feature turns features on or off across the selection,
keeping each run's other features. The fonts crate reads GSUB and GPOS
feature lists and stylistic set names.
The Character panel's OpenType menu is now a button that opens or focuses the
Typography panel.
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Gert Pellin
moppeeerandClaude Opus 5.5
Andres TorresiandClaude Haiku 5.5
skylar taylor-barrick
Brandon Thomas