Resolve imported composite fonts by resource identity and preserve literal
display names. Export AppliedFont as an object reference instead of registering
a composite definition as an ordinary font family.
Share composite lookup and typed font usage between composition, font inventory,
and preflight. Include nested cells and notes, and report only component fonts
selected by the document's characters.
Add synthetic coverage for reference round trips, footnote character mapping
and metrics, nested font inventory, component replacement, and undo.
Resolve forward story references before importing embedded frames and groups.
Compose embedded stories, retain anonymous-story objects for screen and PDF
rendering, and invalidate layout caches when embedded frame geometry changes.
Measure inline objects by geometry, fill open contours, reject cyclic frame
references, and distinguish unplaced stories from located overset text.
Add synthetic round-trip, composition, preflight, pixel-rendering, and PDF
regressions. Update the roadmap with the supported import and rendering paths.
An empty paragraph's mark format now also supplies #83's first-baseline
heights through line_metrics.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
#83's Keep Lines Together tests change expectation: with the last baseline
allowed on the bottom inset, the first frame holds one more line, so the
10-line paragraph splits 7/3 instead of 6/4 (the keep rule is unchanged).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Vertical Type is now the story's direction: the full-descent check reads
FrameSpec::vertical, and the vertical-extent test sets the story vertical.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Pieces of a paragraph that differ only in how they are painted are
shaped together; the kenten character only picks the emphasis mark drawn
over the text, so it is one of those paint attributes, like kenten
itself.
Text is shaped in pieces that differ only in paint, so each piece group,
and each piece shaped apart, takes its style's environment: a missing
font's substitute draws the characters it lacks from fallback fonts
whatever Draw Missing Glyphs from Fallback Fonts says.
Bold and Italic find the linked style through the document's font scope,
so a family from the document's fonts folder links its own styles; the
Character panel's B and I state reads the same scope.
The paragraph Kashidas attribute is imported and exported by the Arabic
attribute code; the second copy in the paragraph defaults, which read and
wrote the same values, is gone.
A drop cap set in one of the document's own fonts measures its side
bearing in that font, through the document's font scope, so Align Left
Edge puts its ink at the indent.
Shao Wenbin
skylar taylor-barrick
Haseom Shin
aiongg
Brandon ThomasandClaude Opus 5.5