The engine's atomic module keeps its functions and signatures and delegates to craft-libs/craft-atomic (pinned to e9546e19), so every save and export caller is unchanged. write_atomic_with also turns a panicking writer into an error, so its temporary file is removed. Recovery checkpoints and package output keep their own writers, which replace links instead of following them.
On Unix, new files follow the umask and replaced files keep their permissions.
open_dropped sent every dropped file that is not a document to
file.place, so a swatch exchange (.ase) file dropped on the desktop
window failed with a "Can't Place the File" alert: "invalid parameters
for `file.place`: unsupported or corrupt image".
open_dropped now sends .ase files to swatch.load with the dropped path,
as Load Swatches in the Swatches panel menu does with the picked path.
The web app already sent dropped .ase files to swatch.load. The
swatches are added to the active document as Load Swatches adds them,
and if the file can't be loaded, the status line shows the error.
eot() only refused fsType 0x0002 exactly, so 0x0003 (which
FontFace::restricted_licence and file.package already treat as
restricted) and Bitmap embedding only (bit 9, e.g. 0x0200, 0x0208) were
embedded with their glyf outlines. Reuse restricted_licence and also
refuse bit 9, matching VectorCraft's Package (storytold/vectorcraft#782).
A frame holding items pasted into it (Edit › Paste Into) was drawn by
its own branch in draw_item that skipped every effect: Basic Feather,
Inner Glow, shadows and the rest were stored but never drawn. LYH Studio
episode 14 (11:51) gives the outlined "GET MORE." title, with a photo
pasted into it, an Inner Glow and a Basic Feather.
Such a frame now goes the way of any other object: draw_body draws its
fill, its items clipped to the frame and its stroke, so draw_item_fx
wraps all of it. Its silhouette counts as solid for shadow spread.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A frame holding items pasted into it isn't a group. Ungroup took it
apart like one, leaving its content loose and losing the clipping shape,
and the Properties panel called it "Group" with an Ungroup quick action.
As in InDesign, Ungroup now only takes real groups apart; other objects
stay as they are and stay selected (Ungroup used to clear them from the
selection). Such frames are labelled by their shape (<ellipse>, ...), so
Properties shows "Ellipse" with Convert Shape.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in InDesign, outlining a text frame gives a group with one compound
path per line (split further by text colour within a line), so Ungroup
leaves each line on its own: LYH Studio episode 14 ungroups the outlined
title at 4:56 to tighten the space between its lines before making one
compound path again. A single line in one colour stays a single compound
path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Backspace at the start of the second of two consecutive tables merged their
anchor paragraphs: Story::delete kept one table id, the other table was
dropped and the paragraph held two anchors. Pasting a table next to an anchor
replaced the existing table the same way, and pasting several paragraphs
right before an anchor left its table unreferenced. Saving succeeded;
reopening failed with "paragraph must hold exactly one anchor".
fix_tables now splits a table paragraph that holds further anchors, so every
anchor gets its own paragraph again. delete and insert_story tell it which
table each surviving anchor belongs to (fix_tables_with), and insert_story
fixes tables up once after the whole paste instead of after every run.
Regression tests in doc (Backspace between tables, deleting the middle of
three, paste before/after an anchor, paragraphs pasted before an anchor) and
engine (text.delete and edit.paste through commands, then a file round-trip);
all failed before the fix.
Claude-Session: https://claude.ai/code/session_01La6SDgsmdZfgfDDmx3wiGU
With a placed image selected via Direct Selection (InDesign's content
selection), Copy now copies the graphic itself: a frame of the whole
image's bounds (uncropped) at its spread position, without the frame's
fill, stroke or effects. Paste Into then puts the full picture in place
inside the target shape, as InDesign does (LYH Studio episode 14, 5:44).
Cut and Delete with the graphic selected remove only the graphic; the
frame stays, empty and selected.
Nested items copy in spread coordinates (parent transform applied).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The .docx/.xlsx text import iterates attributes with quick-xml's default duplicate check, so one crafted
start tag with N attributes cost O(N^2) (RUSTSEC-2026-0194, fixed in quick-xml 0.41). Bumping also clears
RUSTSEC-2026-0195 (NsReader namespace allocation), which this workspace does not reach (no NsReader).
unescape_value() is deprecated in 0.41 (clippy -D warnings); normalized_value(Implicit1_0) is what the
deprecated method now does. Regression test: an element with 100,000 attributes parses in < 5 s.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
As in InDesign, the Eyedropper applies a colour sampled from a placed image
to the fill or the stroke, whichever is in front in the toolbox: with the
Stroke box in front a selected line takes it on its stroke (it has no
fill to show it). The toolbox's state reaches tools through
ViewInfo/ToolContext::stroke_in_front.
Depends on #572.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review follow-up.
- OK ran layout.section and then layout.chapterNumbering: two undo steps,
and a chapter start the second command refused (over 99 999) left the
section applied. `layout.numberingOptions {page, …section, chapter}`
checks both parts before the document changes and applies them in one
edit; the window's OK runs it. layout.section and
layout.chapterNumbering share its parsing.
- Enter or Escape with a Style menu open confirmed or closed the whole
dialog. Dialogs now leave both keys to an open popup (read before the
dialog draws, since egui closes a popup on Escape that frame).
- A start page of 4294967295 overflowed page_number (a panic in debug
builds, page 0 in release). Page numbers saturate; layout.section
refuses start numbers outside 1-99 999 (MAX_PAGE_NUMBER, as chapter
numbers) and Document Setup clamps its start page instead of wrapping
a 64-bit number into 32 bits.
Also rebased on main: the restructured ROADMAP keeps main's text, and the
inventory in docs/target-app-parity.md lists chapter numbering and the
window.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Layout > Numbering & Section Options now opens its own window instead of
the generated command form, on the section of the page in view: Start
Section (always on for page 1), Automatic Page Numbering or Start Page
Numbering at, and a Page Numbering group with Section Prefix, Style,
Section Marker and Include Prefix when Numbering Pages; then Document
Chapter Numbering with its style, Automatic Chapter Numbering, Start
Chapter Numbering at, Same as Previous Document in the Book (only in a
book) and the book's name. OK and Cancel sit beside the options, out of
the scrolling body.
OK runs layout.section and layout.chapterNumbering; a refused value
(a prefix over eight characters or with + or a comma, a start number
below 1) keeps the window open and changes nothing. Opening the window
reads the chapter numbering without running a command, so it doesn't
stop a Data Merge preview. New strings are translated (German, French,
Spanish, Japanese, Chinese, Italian).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A section prefix is at most eight characters and contains no plus or
comma (page references and ranges use them); `layout.section` refuses
others and leaves the section unchanged. Symbols, a footnote style,
no longer number pages. The parameter documentation lists the 01, 001
and 0001 styles, and a test pins the fields the generated dialogs read
from both numbering commands.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A document's chapter number now has a style (1, I, i, A, a, 01, 001,
0001) and a source, as in Numbering & Section Options > Document
Chapter Numbering: Automatic Chapter Numbering (one more than the
previous document in the book; 1 first), Start Chapter Numbering at,
or Same as Previous Document in the Book.
`layout.chapterNumbering {style?, start?, source?}` sets them (undoable)
and, with no parameters, reports them with the open book that holds the
document. The book's Update Numbering (`book.paginate`) resolves chapter
numbers in book order and reports them. Chapter Number variables and
cross-reference chapter numbers use the style.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Side handles map to the frame's local axis through spread and frame
rotation. Graphic frames honour the axis. Locked frames and frames on
locked layers are left alone. Text frames fit by searching the frame
height with its own columns and vertical justification, so two columns
stay two columns and Bottom/Center/Justify don't inflate it. A mouse
double-click on a handle fits (main's canvas counts clicks on the press);
a UI test covers it with one undo step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In InDesign double-clicking a selection handle fits the frame to its
content: a corner fits both sides, a top or bottom handle the height, a
side handle the width. LYH Studio's tutorial uses it at 9:30 to fit the
INDESIGN text frame before moving it to the corner. In DesignCraft the
double-click switched to the Type tool.
- Selection tool: a double-click on a handle runs object.fit
{mode: fitFrameToContent, axis: both|height|width}.
- object.fit fitFrameToContent fits text frames to their composed text:
the bottom to the last line's descent, the right side to the longest
line (one column), plus the insets, keeping the top-left. Overset text
grows the frame first. Before, it fitted graphic frames only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review follow-up. Enter in the Save Document Preset popup created the
document and Escape closed the whole dialog: the dialog footer took
both keys while a popup was open. The dialog now leaves Enter and
Escape to an open popup (read before it draws, as egui closes a popup
on Escape that frame): Enter in the preset name saves the preset,
Escape closes only the popup. Clicking the name field no longer closes
the popup either (menus close on any click; this one only outside), and
the field takes focus when the popup opens.
Saved presets lived only in the UI state, so `file.new {preset: name}`
refused them. They are now engine preferences (saved with prefs.json):
`file.savePreset {name, …the file.new settings}` replaces a preset of
that name and refuses built-in names, `file.deletePreset {name}` removes
one, `file.presets` lists them after the built-in ones (`saved: true`),
and `file.new {preset}` makes documents from them by name. The Saved tab
reads and writes them through those commands.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > New > Document now shows Recent, Saved, Print, Web and Mobile
tabs of page cards (drawn to the preset's proportions; double-click
creates) beside the preset's details: document name, width and height
with arrows, units, orientation, pages, start page #, facing pages,
primary text frame, columns and gutter, and collapsible margins and
bleed and slug per edge with link toggles. Save Document Preset keeps
presets by name; documents made are remembered for the Recent tab.
Small windows stack the details above the presets and scroll; the
layout mirrors for right-to-left languages. New strings go through the
translation tables (Italian, German, French, Spanish, Japanese, Chinese).
file.new takes intent, units, startPage and per-edge bleed and slug.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Swatch lists (Character panel, Properties, task bar) shaded the row under
the pointer with the theme's hover grey, a few levels from the popup's
own background, so it looked as if nothing changed. The row under the
pointer is now white on blue, like a menu; the current swatch keeps its
shading. The lists also grow to fit their longest name, and their rows
stop short of the scroll bar that floats over the list's edge, so names
like C=15 M=100 Y=100 K=0 are no longer cut by it. The four copies of
the list are one shared function now.
The Glyphs panel counted its columns from the panel's whole width, so
the last column ran under the floating scroll bar and was cut off; the
columns now leave the bar room.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text is composed in the box around a frame's path in the frame's own
coordinates. A sheared then rotated frame turns that box past its path's
bounds, which was all a move repainted, so its text left trails behind.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The renderer painted the paper, then blended page items with it: black
text in Color Dodge over blank paper dodged the white to white and
vanished, and other modes showed the same way. In InDesign (and in PDF,
where the page group starts transparent) the paper is not a backdrop:
over blank paper an object in any blend mode shows as it is, and only
the objects below it are blended with. On spreads that use a blend mode
the items are now drawn in their own group, laid over the paper once;
other spreads render as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The DestIn mask now covers the whole render target (and the PDF's
exported area), with the gradient kept in item space through the paint
transform, since past the gradient's ends the end opacity carries on: a
child's long drop shadow or thick stroke is faded, not cut off at a box.
feather_bounds counts only shown children and active states, walking
nested groups without recursion.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A gradient feather on a group (Gradient Feather tool over grouped text, as
in LYH Studio's poster tutorial) did nothing on screen: groups never went
through the effects path. In PDF the group's mask was the group's own path
bounds, and a group has no path, so the mask covered a box of zero size and
hid the group.
- Item::feather_bounds: the box the feather spans, the objects' bounds for
a group.
- Render: a feathered group draws its objects in one layer, then fades it
with the same mask as other objects (fx::gradient_feather_mask).
- PDF: the group's mask spans its objects.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Separable blend formulas work channel by channel, so the spread is drawn
twice through the ordinary renderer: C, M and Y complements into RGB, K
into a second raster, with the existing transparency groups, masks,
effects and parent-page placement. The inks are converted to sRGB once and
put over the paper. Two passes regardless of how many objects blend;
parent items, nested blends and effect blends (Multiply satin, shadows)
blend in CMYK too, and the pass covers the whole view, so blending
continues past the trim. An unchanged view is reused from a one-frame
cache (64 MiB cap). Spreads with Hue, Saturation, Color or Luminosity keep
the RGB-then-proof approximation. Effect blend layers sit outside their
clips and offscreen filters, so they see the object's backdrop (RGB too).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
aiongg
dotCooCoo
haranishi
Philipp Krüger
moppeeerandClaude Opus 5.5
Noah Scholz
natocool2andClaude Opus 5.5
moppeeerandClaude Opus 5.5
Brandon ThomasandClaude Opus 5.5