The IDML story writer skipped the endnote reference character, so an
exported body story lost every endnote's place: "an endnote here. End."
with nothing between "here" and the full stop. The endnote frame's
story was written with its numbers as text, so nothing linked the
listed endnote back to where it was referenced.
Each reference is now written as its own superscript character range
holding the endnote's number, formatted by Endnote Options (start,
style, prefix and suffix) as the endnote frame lists it. IDML's
Endnote / EndnoteRange elements are not written yet.
The Text Frame Options dialog filled its fields from the document's
ruler unit but never set the dialog's own unit, so it stayed at picas.
The spinner fields (Top, Bottom, Left, Right, a non-rectangular frame's
Inset, the column width and gutter, Paragraph Spacing Limit) showed
their values in picas whatever Preferences > Units & Increments said,
and a bare number typed in any measure field, Min under First Baseline
included, was read as picas.
The dialog now takes the document's horizontal ruler unit when it opens
and keeps it while open, as the Rectangle dialog does (#1964).
* Compose: count endnote, anchored object and cross-reference marks once per story
Each paragraph of a story with endnotes, anchored objects or
cross-references counted the marks before it from the story start, so
composing the story read its text once per paragraph. The marks before
each paragraph are now counted in one pass when composition starts.
* Compose: test cross-reference mark counts past the first paragraph
The mark-count fixture now puts a cross-reference in every paragraph, so the
test checks nonzero cross-reference counts and that each paragraph shows its
own cross-reference's text.
---------
Co-authored-by: Dylan M. Taylor <dylan@dylanmtaylor.com>
Footnote text is addressed as a cell, so with the insertion point in a
footnote the table commands (Insert Row, Delete Column, Merge Cells,
Table Options, Select Table, table styles) were enabled and then failed
with "no table 18446744073709551615". They are now disabled with "place
the insertion point in a table", as the cell commands already were. The
caret's footnote offset is no longer looked up in the main story either,
where it could land on a table's paragraph. table.get and the other
commands that take any selection report the same message instead of the
footnote address. A call that names a table still runs.
* Properties: Text Frame section shows inset spacing and vertical justification
Properties › Text Frame now shows the frame's inset spacing under the
columns: Top and Bottom, a link that makes all four the same, then Left
and Right. A non-rectangular frame shows one Inset, the distance its text
keeps from the outline. Four buttons set Vertical Justification to Top,
Center, Bottom or Justify. Type on a path shows neither.
The section also shows with the Type tool in a frame. There it changes
the frame that shows the insertion point, or every frame that holds part
of the selected text, as Object › Text Frame Options does.
* Properties: one Inset for a non-rectangular frame keeps the other sides
The single Inset sets only the top inset, the one kept from the
outline. A rectangular frame that holds part of the same selected text
keeps its own sides.
* Properties: the one Inset field and the composer share the frame outline test
FrameOutline::of_item builds an item's outline with its corner options
applied. The composer uses it to keep the top inset from the outline,
and the Properties panel uses it to decide whether a frame shows one
Inset, so the two give the same answer for every frame.
* Text Frame Options: frames taken while typing stay with their document
OK is refused when another document became active after the dialog opened, so the saved frame ids do not change frames in that document.
* Properties: the inset link starts linked again after Revert
The link's state is kept per document state instead of per document, so
a frame with equal insets in the reverted document starts linked.
* Text Frame Options: frames taken while typing are refused after Revert
Revert keeps the document's id but replaces its state, so a new frame
can reuse a saved frame id. The dialog now ties the frames to the
document state, and OK is refused after Revert as it is in another
document.
* Properties: the one Inset of a non-rectangular frame sets all four sides
The composer bounds a shaped frame's text by its rectangle less all four
insets as well as by the outline, so a single Inset that changed only the
top left hidden sides in place: lowering a uniform 96 pt inset to 0 kept
text overset. When every frame the field changes is shaped, it now sets
all four sides. With a rectangular frame among them, only the top inset
changes and each frame keeps its other sides.
* Fix text frame dialog merge resolution
* Keep text frame preview targets fixed
* Fix target field key inference
* Tests: Text Frame Options show four sides for text through an oval and a rectangle
With the Type tool and text selected through an oval and a threaded
rectangle, with the oval as the caret's stored frame, the dialog shows
the four inset sides, a changed Top leaves the rectangle's other sides
as they were, and the link stays off while the rectangle's sides are
uneven.
* Properties: the inset link starts off when another frame has uneven sides
With selected text that runs through several frames, the link of Text
Frame > Inset Spacing started linked when the frame the section shows had
four equal insets, and a changed Top then set all four sides of every
frame. The link now starts linked only when every frame the field changes
has four equal insets. Its state is kept for that set of frames, so a link
turned on for one frame does not carry over to selected text that also
runs through a frame with uneven sides.
---------
Co-authored-by: Dylan M. Taylor <dylan@dylanmtaylor.com>
Center, Bottom and Justify tested every moved line except the last against
the frame's outline down to its descent, so an outline that narrows under an
earlier line held the text higher by that line's descent. Each moved line is
now tested from its top down to its baseline, and its descenders may cross
the outline, as the last line's already did. Above footnotes and in vertical
frames the descenders still stay inside.
A render decoded each placed image that was not cached yet while drawing it,
one after another, so page thumbnails, image exports and the first canvas
frame of a page with several large photos took the sum of their decodes.
Before drawing, the renderer now lists the images in view (with the same
culling as drawing: hidden items and layers, nonprinting items, items out of
view, PDF layer choices) and decodes the uncached ones on up to eight threads,
with the mip levels they are drawn at. It leaves the work to the render when
fewer than two images need decoding, on the web, and in Fast display. The
images it decodes stay within what the cache keeps, sized by their pixels
(PDF pages and SVGs at the size they are rasterized at), and decodes in
flight together stay within half the cache budget.
Decoding a placed raster built a second full-size pixel vector from the
RGBA image and premultiplied every pixel into it. The pixels are now
premultiplied in place, opaque pixels are skipped, and the buffer becomes
the pixmap's pixels without a copy (bytemuck's cast_vec, with a copy when
the capacity is not a whole number of pixels). The rendered SVG path
reuses its buffer the same way. For a 6000 x 4000 opaque image the step
takes 7 ms instead of 120 ms, with identical pixels.
A placed JPEG drawn at a fraction of its pixel size was decoded at full
size first and then halved down to the level the screen needs. For a
24 MP photo that is a 96 MB decode per image, and with several such
images on a page the decoded pixels outgrow the image cache.
A YCbCr or grayscale JPEG whose wanted level is a half, a quarter or an
eighth of its size (or smaller) is now decoded at that size straight
from its compressed blocks with jpeg-decoder's scaled IDCT, cut to the
size the halving path gives the same level, and halved from there for
smaller levels. The embedded ICC profile is applied as in a full
decode. CMYK and YCCK JPEGs, other formats and the full size still
decode in full.
An edit that moves lines into other frames composes on until a paragraph
starts in the same frame and place as before, or to the story's end, as
an_edit_that_moves_lines_composes_up_to_the_next_frame_the_text_starts_in
shows. The ROADMAP line no longer cites an issue about selection lag.
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