The coverage was eroded by sampling two rings of points, which could miss a hole smaller than the gaps between them. Erosion now takes the smallest alpha within an octagon of the band's radius, in four passes along the axes and the diagonals.
Both shifted copies are the same at distance 0, so the coverage mask is empty. The effect is now skipped before the image is drawn offscreen and scanned.
Satin on a frame holding a graphic draws the object's coverage once
offscreen and compares the two shifted copies pixel by pixel, taking the
difference of their coverages. A partly transparent area that both copies
cover equally gets no plain satin, so a uniformly half-transparent image
no longer shows satin across its middle. Inverted satin keeps the
object's coverage where the copies agree.
The offscreen coverage for satin and for a center inner glow on a graphic
now covers its whole area at a lower resolution when it would be wider
than the largest raster side or hold more than 4096 x 4096 pixels.
Inner glow from the center on a frame holding an image filled the
frame's shape, so it painted over the transparent parts of the image.
It now draws the object's coverage once offscreen, shrinks it by the
glow's band, colors and blurs it, and keeps the result to the painted
pixels. Partly transparent pixels keep their coverage.
With more render threads than bands of 32 rows fit evenly, the rows split
into fewer bands than requested, and the returned count was the requested
one. It is now the number of bands converted.
Satin on a frame holding an image used the frame's shape. Where the
image is transparent, the satin color multiplied over whatever lay
behind the frame, so text under a transparent part of the image turned
darker. Satin now builds its two offset copies from what the object
paints and keeps the result to the painted pixels, as the inner shadow,
inner glow and bevel already do.
The edge comparisons pass when a bevel or inner glow is not drawn at all.
A pixel inside the bevel and glow bands now has to differ from the same
object without the effect, for every feather kind.
A basic, directional or gradient feather faded only the object's body. Its
bevel, inner glow, inner shadow and satin were drawn afterwards over the
whole shape, so where the feather let the page show through, the bevel's
highlight and the inner glow screened whatever lay behind the object.
Text under the feathered edge of a beveled frame turned lighter until the
frame was moved off it.
Each inner effect is now faded by the same feathers before it blends with
what is behind the object, so a feathered object fades to transparent at
its edge with its effects.
A view turned 90 degrees with the frame turned back draws the shadow
again and matches a fresh render. Renders served from the CMYK viewport
snapshot drop kept images unused for 256 renders.
In the CMYK blend space view (Proof Colors off) every render converted
each pixel of the ink passes' area from the blended inks to a screen colour
on the calling thread, through a 16-entry lookup per pixel. With render
threads it now converts bands of rows on that many threads at once, at
least 32 rows a band. The colours are the same; the Wasm build and
single-threaded renders convert on one thread as before.
The canvas drew and blurred every drop shadow and outer glow on every
render, also when the object or the view had only moved. Each image is now
kept per object, effect, page and ink pass, with the whole effect drawn
once. While the object (apart from its position), the effect, the view's
scale and rotation, the render options and the document's colours, styles,
layers and images stay the same, a move by whole device pixels places the
kept image again. Any other change draws it afresh.
Only multithreaded renders (the canvas) keep images, and only for objects
without text or nested items. Kept images are limited to 4 Mpx each and
128 MiB in all; the images used longest ago go first, and an image no render
placed in 256 renders is dropped.
* Render: a blur size is clamped to 1,000,000 pt before the filter planner squares it
* address review: bound effect extents and sigma before spread, padding and reach arithmetic
* fix: index style, font, class and layer name lookups in exporters and importers
* Apply review fixes
- crates/epub/src/css.rs
---------
Co-authored-by: aiongg <67543387+aiongg@users.noreply.github.com>
* An item a parent overrode and deleted is gone from the pages that use it (#1469)
In InDesign, removing an inherited item from a parent page means overriding
it there and deleting the override: the parent's page keeps the item in its
override list with no copy of its own. Only the page being drawn was checked,
so the pages that use that parent still drew the base's item -- a signature
block from parent B over the notice text of every page using parent E.
The override lists of the whole parent chain are checked, not just the page's
own. An override always names an item of a parent further back, so one set
covers the chain.
Rebased onto the post-split main: the parent-item loop moved from render's
lib.rs to draw.rs and the tests to tests.rs.
One thing this does not touch: blendspace.rs checks `page.overridden` the same
way in two places, for deciding which spreads hold transparency. A deleted
override there would count an absent item as present, which can only cost an
unnecessary flatten rather than draw the wrong thing, so it is left for a
maintainer to judge rather than widened into this fix.
* Parent items: one set of overridden items for drawing, PDF and PPTX export, hit-testing, snapping and frame edges
* Override All: an item a parent removed is not brought back as a copy
On a frame holding a graphic, Inner Shadow, Inner Glow (from the edges) and Bevel and Emboss are built from what the object paints instead of the frame's path: the colour everywhere but under the painted pixels moved by the offset, blurred, and kept only where the object paints. A transparent part of an image is outside the object, so the effect lines the image's opaque edge; before, it lined the frame and nothing marked the image's own edge. Frames without a graphic draw as before. Satin and a centred Inner Glow still follow the frame.
Fixes#1622.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
print_pdf, shared by Export PDF, File › Print and Separations Preview, takes main's two
changes to the inline export pipeline: rasterize_layered runs only for PDF/A-2b (other
standards keep hidden placed-PDF layers as optional content), and the report gets
GRAPHIC_LAYER_RENDERING_WARNING when the source document has graphic layer visibility
overrides and the writer did not report it. The Separations Preview command matches
craft_prepress::Conversion with a fallback arm, since the enum is non-exhaustive at
craft-libs e3b9e239.
Codex
FredApps
FredApps
dotCooCoo
autocraft-bot[bot]
Dylan M. Taylor
Hamza Naveed
NetterSilverandClaude Opus 5.5
aiongg
moppeeerandClaude Opus 5.5
Brandon Thomas
PiMinusMaxandClaude Opus 5.5